File:MOMA Spaces, 1969.pdf
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English: Catalog of the Spaces Exhibition at the Museum of Modern Art, New York, December 30, 1969 through March 1, 1970. The essay by Curator Jennifer Licht contextualizes the work of the five featured artists (Michael Asher, Larry Bell, Dan Flavin, Robert Morris, Pulsa, and Franz Erhard Walther) in the history of sculptural space in late modern art. Pulsa' proposes a multi-level viewer-interactive real-time feedback light-sound-heat environmental installation for MOMA's sculpture garden. The catalogue also includes Pulsa's statement, selected observations on nature and the man-made world, and photographs of recent works: Yale School of Art and Architecture Gallery, Boston Public Garden, Yale Golf Course, and the Wadsworth Atheneum, as well as a photograph of Pulsa's contribution to Spaces and a list of materials and equipment donors. The members of Pulsa are Michael Cain, Patrick Clancy, William Crosby, William Duesing, Paul Fuge, Peter Kindlmann, and David Rumsey. |
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| Source | Internet Archive identifier: MOMASpaces |
| Author | Jennifer Licht; Museum of Modern Art; Pulsa |
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This work is in the public domain in the United States because it was published in the United States between 1929 and 1977, inclusive, without a copyright notice. For further explanation, see Commons:Hirtle chart as well as a detailed definition of "publication" for public art.
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| Date/Time | Thumbnail | Dimensions | User | Comment | |
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| current | 10:44, 6 November 2024 |  | 1,629 × 1,258, 13 pages (1.72 MB) | Yann (talk | contribs) | {{Information |Description={{en|Catalog of the Spaces Exhibition at the Museum of Modern Art, New York, December 30, 1969 through March 1, 1970. The essay by Curator Jennifer Licht contextualizes the work of the five featured artists (Michael Asher, Larry Bell, Dan Flavin, Robert Morris, Pulsa, and Franz Erhard Walther) in the history of sculptural space in late modern art. Pulsa' proposes a multi-level viewer-interactive real-time feedback light-sound-heat environmental installation for MOMA... |
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