Hugo Stark, Brunndöbra 47bei Klingenthal i. Sa.Bandonion- und Konzertina-FabrikEinheits-, Schrammel-, u. chromat. Bandonionsin anerkannt erstklassiger AusführungAlleinhersteller„Chromatiphons“praktische, das Spielen erleichterndeder ges, gesch.Tastenanordnung. D. R. P. 337361Stark's Reform-Klaviatur,ges. gesch.verbesserte Mechanik, gleichmäßiger, leichter Druck, enge TasteneinteilungZahlreiche Anerkennungsschreiben — Prospekte freiVertretungen für einige Plätze noch zu vergeben
JOSEF WIESNER /MÜNCHEN23
Spezial-Fabrikation der UNGERER-STRASSE 30berühmten MünchnerSchrammel-Bandonions2—4-chörig Viele freiwillige DankschreibenOrgeliDas neue HarmoniumDas Haus- und Konzert-Instrument der ZukunftProspekte gegen Rückporto
” ELA“ das BesteGESETZLICH GESCHÜTZTErnst L.ArnoldCarlsfeldi.Erzgebirge,Bandonion-,Concertina-undSymphonetta-Fabrik.Gegr. 1864ELAdas Schönste das Billigste
F. Lange vorm. C. F. UhligHarmonika Fabrik
CHEMNITZ, Sachsen
am Rosenplatz.
Fernsprecher Nr. 3842 — Telegramm-Adresse: Harmonika, Chemnitz.
begründet 1835.
Specialität: Concertinas und Bandonions.
MAYBELLE CARTERGIBSON L-5In 1928, with money from the Carter Family's successfulfirst recordings, nineteen-year-old Maybelle Carter paid$275 for the finest guitar she could find, this 1928 GibsonL-5 model. Until her death in 1978, “Mother Maybelle”used it on hundreds of recordings, radio and televisionprograms, and live appearances.As the first f-hole, arch-top guitar, the L-5 was designed tobe twice as loud as any flat-top guitar of the period. Carterused it to revolutionize the role of the guitar, transforming therhythm instrument into a distinctive lead void. Her signature“Carter scratch”—heard on classics such as “Keep on theSunny Side” and “Wildwood Flower”—became the most imitatedguitar style in America during the 1920s and 1930s.
JACKET, SHIRT, ANDNECKLACE
Fairchild were this jacket
embellished with chain-stitched
embroidery, this Modeirno ? T-shirt,
and this leather fringe statement
necklace on the cover for the album
The Reason Why, 2010
GUITAR [Gretsch Silverjet ?]
Schlapman has played this Gretsch
Electromatic with silver-sparkle
top in performance. She used it to
recreate the guitar part by Johnny
Dukes on the studio recording of
“Your Side of the Bed.”
LP COVER
Little Big Town's fourth album, The
Reason Why, 2010
DRESS
Schlapman wore this Preen by
Thornton Bregazzi dress with lace
detailing in the music video “Little
White Church,” 2010.
Sugarland
Incredible Machine Tour
With Special Guest
Little Big Town
U.S. Cellular Coliseum
Bloomington, Il.
March 18, 2011
SOLD OUT IN ONE MINUTE
TROPHY
Little Big Town was a support act on
Sugarland's The Incredible MachineTour 2011. Sugarland presented
the group with this trophy to
commemorate a show in Bloomington,
Illinois, that sold out in one minute.
MELODICA
Schlapman played this Hohner
Instructor 32 melodica during Little
Big Town's performances of “On Fire
Tonight” in 2012.
Golden Country Western Car
▻ This 1961 custom made convertible has over 1500
pounds of silver from bumper to bumper.
▻ There are 248 silver dollars, 1 Walking Liberty half
dollar, 1 Ben Franklin half dollar, and 10 silver
quarters.
▻ 16 silver plated hard o??raced plate
▻ Plateis ? saplace ? does ... and ... ...
operate the ... ... ... ...
▻ S... ... ... the deare ? h... the i...
▻ A ... ... ... sb... gears when the trigger
in ...
▻ 1 ... ...ger replaces the emergency ...
... ... ... operates the directional lights
▻ Brakes and gas pedal are covered with silver dollars
and silver plated horseshoes.
▻ A hand-...ed saddlebag ... been the
dashboard dou?irs at a ...
▻ Front seats are ... and ... ...
▻ the back at the ... seats are ... with ...
... ..., & Colt 45's with pearl ... and
... holsters.
▻ The special design on the extension of the car
...res and excessive contoured wheel cover with
unique hand brushed painting
▻ 4 silver-plated horseshoes are mounted on the rear
bumper area.
▻ The Texas Longhorns mounted on the front of the
car came from the Jimmie Rodgers Ranch ? in
Kerrville, Texas
June Carter Cash Funeral Program and Johnny Cash Poem - Johnny Cash Museum
June Carter Cash Funeral Program and JohnnyCash Poem
Program and a poem Cash wrote after his return
home from the cemetery following June's burial
ceremony.
AWARD
Grammys for Best Country Vocal, Male, for
“Lucille” (1977) and “The Gambler” (1979).
Courtesy of Kenny Rogers
NATIONAL ACADEMY OF RECORDING, ARTS & SCIENCESKENNY ROGERS
BEST COUNTRY VOCAL PERFORMANCE MALE - 1979
“THE GAMBLER”
NATIONAL ACADEMY OF RECORDING, ARTS & SCIENCESKENNY ROGERS
BEST COUNTRY VOCAL MALE - 1979
“LUCILLE”
AWARD
Larry Butler, producer of “The Gambler,”
“Coward of the Country,” and other major
hits by Kenny Rogers, received the 1979
Grammy for Producer of the Year.
Courtesy of Peggy Butler
NATIONAL ACADEMY OF RECORDING, ARTS & SCIENCESLARRY BUTLER
PRODUCER OF THE YEAR - 1979
WEBBPIERCE'S〝SILVER DOLLAR″CONVERTIBLE
Honky-tonk singer Webb Pierce paid $20,000 to
have this 1962 Pontiac Bonneville customized by
Nudie. Among its many outlandish features, note
the horseshoes on the gas and brake pedals, and
the ornamental handguns mounted on the hood
and elsewhere. The original custom job included
more than a thousand silver dollars inlaid in the
upholstery; in 1978, Pierce replaced most of the
silver pieces with alloy coins.
DOLLYPARTONInducted 1999
Porter Wagoner's duet partner Dolly Parton revealed
herself to be a highly original and sensitive songwriter
on hits such as “Coat of Many Colors” (1971), which
drew upon her Appalachian childhood. After leaving
Wagoner's TV show in 1974, Parton embarked on
a solo career with crossover hits, movie roles, and
massive media exposure.
Born 1946TENNESSEE
STAGE WEAR
Dolly Parton were this brocade overwear ?
and dress with brocade collar and these
Renetti ? pumps when she joined the
cast of the Grand Ole Opry January 4,
1969. Her long-time designer, Lney ?
Adams, made the clothing.
Courtesy of ... ...
O GLOBOVAMOS OUVIR O VIOLÃOELECTRICO !Henrique Britto, em nossa re-dacção, exhibindo curioso violão electrico
—— Vamos ouvir o violão electrico!
Foi com essas palavras que hontem,
à tarde, quasi á hora de encerrarmos
os nossos trabalhos, entrou-nos pela
redaccão o Sr. Henrique Britto. Vinha
mostrar-nos a novidade o violão
electrico, invento brasileiro, como não
podia deixar de ser, tratando-se do
nacionalissimo violão, mas... patentea-
do pelos americanos do norte.
E emquanto fazia a demonstração o
Sr. Henrique Brito nos deliciou com
um repertorio esplendido.
Trata-se de um apparelho ampliff-
cador adaptado ao violão especialmen-
te permittindo um volume de som per-
feliamente nitido mesmo a duzentos
metros de distancia.
Em Los Angeles, no Theatro Bel-
monte, onde Henrique Brito, deu va-
rios récitaes, foi um successo, expli-
ca-nos elle, não o queriam deixar sair
do palco.
Tambem em Chicago a aceitação
foi enorme.
P. Dutra, o idealisador do systema,
e Henrique Brito são os represententes
da Dobro Corporation, na America de
Sul, e vão exhibir a novidade nos
nossos theatros em breves dias.
THE GLOBELET'S HEAR THE ELECTRICGUITAR !Henrique Britto, in our edit-orial office, showing a curious electric guitar
—— Let's hear the electric guitar!
It was with these words that yesterday
afternoon, almost time to finish
our work, entered us by the editor
Mr. Henrique Britto. He came to
show us the novelty of the electric
guitar, a Brazilian invention,
of course, being the most
national guitar, but... patented
by North Americans.
And while he was demonstrating,
Mr. Henrique Brito delighted us with
a splendid repertoire.
It is an amplifier device
specially adapted to the guitar,
allowing a perfectly clear sound
volume even at two hundred
meters away.
In Los Angeles, at Theatro Bel-
monte, where Henrique Brito gave
several recitals, it was a success, he explains
to us, they didn't want to let him
leave the stage.
Also in Chicago the acceptance
was enormous.
P. Dutra, the creator of the system,
and Henrique Brito are the representatives
of the Dobro Corporation, in South America,
and will exhibit the novelty in
our theaters in a few days.
78-RPM RECORD
Rare 1946 Vogue picture disc,
with Patsy Montana's recordings
of “When I Gets to Where I'm Goin'”
and “You're Only in My Arms (to Cry
on My Shoulder).”
Guitar, 000-42 (serial number 73234)
C. F. Martin & Co.
Nazareth, Pennsylvania, 1939
Body length: 19 3/8 in.
Spruce, rosewood, mahogany, ebony, abalone, tortoiseshell celluloid
On loan from the Collection of George Square, courtesy of the Rock and
Roll Hall of Fame and Museum, Cleveland
C. F. Martin & Co. has been building guitars for 180 years, and since 1838
in the town of Nazareth, Pennsylvania. This guitar is one of the most
famous instruments ever to have been built by C. F. Martin & Co. It was
owned and played by Eric Clapton, appearing prominently in his January
16, 1992 performance that was recorded and later televised for MTV's
series Unplugged. This performance has been credited with helping to
revive the use of the acoustic guitar in popular music. One of five guitars
used by Clapton in that performance, it was played on his acoustic
rearrangement of his megahit “Layla.” This 14-fret 000-42 was made
in 1939, during the pre-World War II era that is now considered Martin's
golden era. It is one of only 113 guitars of this model made during that
time and served as Clapton's main acoustic guitar through 1998.
[photo] Eric Clapton performing with his
000-42. Photo by John Bellisimo ?
Emmylou HarrisInducted 2008
Emmylou Harris was working Washington, D.C.-area
folk clubs when Gram Parsons recruited her to be
his singing partner. Since breaking through as a solo
artist with her 1975 album, Pieces of the Sky, Harris
has continued to introduce traditional country to
a wider audience, while stretching the genre's
boundaries with her adventurous spirit and unique
artistic vision.
Born 1920BIRMINGHAM
GUITAR
Emmylou Harris's trademark 1955
Gibson J-200 with custom black finish
and inlaid rose.
GUITAR
Joe Ely acquired this Gibson J-45
guitar from a street musician
in Venice, California, who had
glued sea shells to the front of the
instrument. Removing the shells
damaged the finish. Ely and the
guitar grace the cover of his second
album, Honky Tonk Masquerade (1978).
Courtesy of Joe Ely
GUITAR
Cowboy Jack Clement acquired
this 1952 Gibson SJ-200 when
he was in the Marine Corps.
The guitar remained Clement's
close copanion throughout his
life. He played it on Johnny Cash's
recordings of “Big River” and
“Ring of Fire,” and he used it
when writing classics such as Cash's
1958 chart-topper “Guess Things
Happen That Way,” Porter Wagoner
and Dolly Parton's 1969 hit “Just
Someone I Used to Know,” and
“Let's All Help the Cowboys (Sing
the Blues),” from Waylon Jennings's
1975 album, Dreaming My Dreams.
HenryStrzelecki
Henry Strzelecki (Struth-LECK-er ?) became a
professional musician while will in his teens. He wrote
and recorded the rock & roll classic “Long Tall Texan”
in 1958, and the song was covered by the Beach Boys
and Lyle Lovett, among others. In 160, Chet Atkins
encouraged Strzelecki to move to Nashville, and he
hired the Birmingham music to play bass on an Eddy
Arnold session. Through the 1980s, Strzelecki played
on bass in a wide range of styles. He can be heard on
Roy Orbison's “Oh, Pretty Woman,” George Jones's
“He stopped Loving Her Today,” and Bob Dylan's
album Blonde on Blonde.
Born 1939ALABAMA
BillyByrd
Guitarist Billy Byrd archived notoriety during the
years he worked with Country Music Hall of Fame
member Ernest Tubb, who would introduce him at the
beginning of his tasteful solos. As a member of Tubb's
Texas Troubadours from 1949 to 1959, Byrd elevated
the electric guitar to greater prominence in country
music. A self-taught musician enamored of jazz guitar
great Charlie Christian, Byrd also played lead guitar
in bands led by Little Jimmy Dickens, Wally Fowler,
Paul Howard, and George Morgan.
Born 1920TENNESSEE
1953 Semie Moseley double-neck guitar for Joe Maphis
GUITAR
Double-neck Mosrite electric guitar,
built for Joe Maphis by Semie Moseley
in 1953. The ... instrument made at
Mosrite's Bakersfield, California, facility,
it became Maphis's trademark guitar
while a cast member of Town Hall Party
from 1954 to 1976.
1958 Jim Harvey double-neck guitar with 6-string mandola-scale neck
GUITAR
California luthier Jim Harvey
custom-built this double-neck
electric guitar for Paul Buskirk
in 1958. The instrument includes
a six-string mandola-scale neck
and a standard guitar neck, and
features a bird's-eye maple body,
walnut accents, abalone inlay,
Fender Stratocaster pickups, and
Bigsby vibratos.
Courtesy of Deke Dickerson
OWENBRADLEYBORN TENNESSEE1915
Owen Bradley's office from his Bradley's Barn
recording studio in Mount Juliet, Tennessee,
has been re-assembled here just as he left it.
As Bradley's notes reveal, he was then at work
on Mandy Barnett's album I've Got a Right toCry, and four songs he produced for that
1999 release made it to the final album.
Note Bradley's many mementos from lifetime
of making music.
Elvis' Birthplace
This is a scale model of the tiny "shotgun"
house in Tupelo,MS where Elvis Presly was
born on January 8, 1935. Here the Presleys
lived a simple, working class lifestyle. In
search of a better life, the Presleys moved
from Tupelo, MS to Memphis, TN.
Smokehouse[1]
This building was part of Graceland Farms well before Elvis owned
Graceland. It was possibly a pump house that was later used by Vernon as
a smokehouse to cure meat. One time Elvis decided that it would make a
good firing range and that's what it was for a short period of time.
Other than that it was used as a storage area by Elvis and his family.
Elvis Presly
Note
↑Tim And Mel Canada (photo). Smokehouse (photo). on TRISTA (2019-08-09), “21. Smokehouse”, in Look Inside Elvis’ Iconic Graceland
Boeing 747 Coach Lounge Piano[1]・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・
In August, 1961, American Airlines
added a 64-key Wurlitzer electronic
piano to the coach lounge aboard one
of its Boeing 747 airplanes. Passenger
response to piano entertainment was
enthusiastic, and the pianos were
soon added to all of American's
747 Luxuary Liners.
...
A PIANO ON PLANE?[2]
In August 1971, American Aireline added a 64-key Wurlitzer electronic piano to the coach
lounge aboard one of its Boeing 747 airplane. The occasion was to promote the new
coach lounges on each 747 aircraft and the introduction of the Flagship Transcontinental
Service between LAX and JFK.
On August 26th, passengers aboard the late flight from LAX to JFK were treated to a
special performance in the lounge featuring Frank Sinatra Jr. (as seen in this photograph).
Passenger response to piano entertainment was enthusiastic, and the pianos were
soon added to all of America's “747 Luxuary Liners”.
"[https://media-cdn.tripadvisor.com/media/photo-s/11/d5/f5/38/aa-aviation-museum.jpg image] - Boeing 747 Coach Lounge Piano / In August, 1961, American Airlines added a 64-key Wurlitzer electronic piano to the coach lounge aboard one of its Boeing 747 airplanes. Passenger response to piano entertainment was enthusiastic, and the pianos were soon added to all of American's 747 Luxuary Liners. "
Dusty Hill of ZZ TopBass GuitarBilly Gibbons of ZZ TopElectric GuitarCustom Yunker Guitars c. 1986
Collection of ZZ Top
Billy Gibbons and Dusty Hill played these guitars in the 1986video for "Rough Boy." The song reached Number 22.[1]
ZZ TOP
The self-described “little of” band from Texas," ZZ
Top has been making high-spirited blues-based rock and
roll since 1969. They've cultivated a colorful image to go
with it, writing odes to fast cats, cheap sunglasses, sharp
threads and TV dinners, while playing fur-covered guitars
and sporting the longest beards in rock and roll. Yet for alltheir conspicuous wit, ZZ Top has stayed true to the spirit of
the blues. The three musicians — guitarist Billy Gibbons,
bassists Dusty Hill and drummer Frank Beard — grew up in
Texas, gaining first-hand exposure to such native legends
as Lightnin' Hopkins, T-Bone Walker and Freddie King. An
early band of Gibbons', the Moving Sidewalks, once shared
a bits with Jimi Hendrix, who praised the young guitarist on
national television.
The Texas trio toured relentlessly in their early
years and built a huge grass-roots following. They were one
of the first bands to succeed in the album-oriented radio
format. By their third album, Tres Hombres (1973), they
had crossed over to Top 40 with “La Grange.” The group
mounted increasingly ambitious shows, including a
memorable menagerie — buffaloes, buzzards and rattle-
snakes — on their Worldwide Texas Tour. ZZ Top's star
soared with the release of Eliminator (1983), an album of
witty, danceable blues-rock that launched such radio and
video hits as “Legs” and “Sharp Dressed Man.” The group
has remained popular by doing what it has done all along
straddling blues and rock, while mixing hot licks with
whimsical self-mockery “We're just a garage band that gets
to play in some real big garages,” joked bassist Hill.
ZZ Top was inducted into the Rock and Roll Hall
of fame in 2004.
Jimi Hendrix Electric Guitar
1967 Gibson Flying V
Collection of [Experience Hendrix] ?
...
The Jimi Hendrix Experiencec.1968
...
...
Duane Allman's 1959 Gibson Les Paul - Rock and Roll Hall of Fame
Duane Allman of the AllmanBrothers Band Electric Guitar
1959 Gibson Les Paul
COLLECTION OF G... ALLMAN
Duane Allman acquired this guitar in
September 1970, after jamming with a band
called the Stone Balloon in Daytona Beach,
Florida. He played it on the Allman Brothers
Band's album At Fillmore East. Duane Allman
was inducted into the Rock and Roll Hall of
Fame as a member of the Allman Brothers
Band in 1995.
Slash's 1990 Gibson Les Paul Custom by Gibson Custom Shop - Rock and Roll Hall of Fame
Slash Electric Guitar
1990 Gibson Les Paul Custom
COLLECTION OF SLASH
Guns ‘n’ Roses founding member Slash has
made a name for himself as one of the finest
and most soulful guitarists in rock. Formed in
Los Angels, Guns ‘n’ Roses were one of the
leading hard-rock bands of the late Eighties
and Nineties. Their hits include “Sweet Child o'
Mine,” “Welcome to the Jungle” and “November
Rain.” Slash Helms several side projects,
including his Snake Pit and Blues Ball, and
has supplied scorching solo work on cuts such
as Michael Jackson's “Black or White.” This
guitar was made to Slash's specifications by
the Gibson Custom Shop.
Randy Bachman's 1959 Gibson Les Paul - Rock and Roll Hall of Fame
Randy Bachman Electric Guitar
1959 Gibson Less Paul
COLLECTION OF RANDY BACHMAN
Randy Bachman is one of the most notable
guitarists to come fro Canada. He was a co-
founder of two hugely successful groups, the
Guess Who and Bachman Turner Overdrive.
Bachman is also known as a guitar collector.
He once owned more than 350 Gretsch
guitars. Randy Bachman used this guitar on the
recording of the Guess Who his “These Eyes”
and “American Woman.”
!["Accoumpaniment" "Rhythm" "Pedal Board" "[Drawbars]"](https://upload.wikimedia.org/wikipedia/commons/thumb/f/fa/Farfisa_pergamon_zugriegel.jpg/200px-Farfisa_pergamon_zugriegel.jpg)
!["Accoumpaniment" "Rhythm" "Pedal Board" "[Drawbars]"](/wiki/File:Farfisa_pergamon_zugriegel.jpg)
