Theo van Doesburg/1911-1931
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1911-1915
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Self-portrait. 1913. oil on canvas . 40.5 × 30.5 cm (15.9 × 12 in). Utrecht, Centraal Museum.
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Portrait of a man. circa 1915ink, pastel and watercolor on paper. 18 × 12.5 cm (7 × 4.9 in). Utrecht, Centraal Museum..
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. 1912. oil on canvas . 30 × 33.5 cm (11.8 × 13.1 in). Utrecht, Centraal Museum.Sacks
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. Circa 1912 . oil on canvas . 29.5 × 33 cm (11.6 × 12.9 in). Otterlo, Kröller-Müller Museum.Dunes and sea
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. 1914. oil on canvas . 80 × 80 cm (31.4 × 31.4 in). Utrecht, Centraal Museum.Girl with Buttercups
Street music
[edit]1915-1916
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Composition. Circa 1915 . India ink on paper. 16.5 × 17.5 cm (6.4 × 6.8 in). Utrecht, Centraal Museum.
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Self-portrait. 1915 (?). oil on canvas . 39.8 × 29.6 cm (15.6 × 11.6 in). London, Christie's (8 February 2012).
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Portrait of Lena Milius. circa 1915oil on canvas . 48.5 × 31 cm (19 × 12.2 in). Leiden, Museum De Lakenhal..
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Kinderlachje. 1915 (?). pastel on black paper. 23 × 30 cm (9 × 11.8 in). Netherlands, Private collection .
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Cosmic Sun. 1915. pencil and pastel on paper. 24 × 32 cm (9.4 × 12.5 in). Netherlands, Private collection .
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Abstract portrait. 1915 (?). oil on canvas . 24 × 19 cm (9.4 × 7.4 in). Leiden, Museum De Lakenhal.
Mouvement héroïque
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Mouvement héroïque. 1916. oil on canvas . 136 × 110.5 cm (53.5 × 43.5 in). Utrecht, Centraal Museum.
1916-1917
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Landscape. 1916. oil on canvas . 31.5 × 26.5 cm (12.4 × 10.4 in). Whereabouts unknown.
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Composition III (Still Life). 1916. oil on canvas . 53 × 39 cm (20.8 × 15.3 in). Minneapolis, Curtis galleries inc.
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Design for a book cover. 1916. India ink and watercolor on paper. 35.5 × 24 cm (13.9 × 9.4 in). Utrecht, Centraal Museum.
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. July 1916. oil on canvas . Ca. 90 × 65 cm (35.4 × 25.5 in). Lost.Composition IV (Still life)
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. circa 28 July 1916 . oil on canvas . 68.5 × 54 cm (26.9 × 21.2 in). Portland, Portland Art Museum.Tree
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. September 1916-January 1917. stained glass . 100 × 67.5 cm (39.3 × 26.5 in). Leiden, Museum De Lakenhal.Stained-Glass Composition I
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. 1916. pencil and ink on transparent paper. 19.5 × 55.5 cm (7.6 × 21.8 in). Utrecht, Centraal Museum.Krishna playing a flute
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. 1916. pencil and India ink on transparent paper. 19 × 17 cm (7.4 × 6.6 in). Utrecht, Centraal Museum.Two sketches of Krishna playing a flute, seen from the front
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. 1916. Casein and/or oil on asbestos cement panels. 48 × 30 cm (18.8 × 11.8 in) (each panel). Otterlo, Kröller-Müller Museum.Dancers
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Reverse.
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. late 1916 -early 1917 . stained glass . 47 × 27 cm (18.5 × 10.6 in). Otterlo, Kröller-Müller Museum.Dance I
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. 1917. stained glass . 50.5 × 25.5 cm (19.8 × 10 in). Otterlo, Kröller-Müller Museum.Dance II
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Still life (Composition V). 1916-1917. oil on canvas . 31 × 36 cm (12.2 × 14.1 in). Paris, George Jollès collection.
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Composition. 1917. pencil and gouache on transparent paper. 16.5 × 14 cm (6.4 × 5.5 in). The Hague, Gemeentemuseum Den Haag.
Composition I (Still Life)
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. 1916. oil on canvas . 67 × 64 cm (26.3 × 25.1 in). Otterlo, Kröller-Müller Museum.Composition I (Still Life)
Composition II (Still Life)
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. {{ucfirst: circa 1916 . Presumably watercolor on paper . Dimensions and present whereabouts unknown.Still Life (Étude)
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. 1916. oil on canvas . 45 × 32 cm (17.7 × 12.5 in). Madrid, Museo Thyssen-Bornemisza.Composition II (Still Life)
Schetsboek 13
[edit]1917-1918
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English: Design for a stained glass window.Nederlands: Ontwerp voor een glas-in-loodraam.1917 (?).
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Study for Stained Glass Composition III. 1917. ink on transparent paper. 5 × 5.5 cm (1.9 × 2.1 in). Utrecht, Centraal Museum.
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English: Stained Glass Composition III.Nederlands: Glas-in-loodcompositie III.1917.
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. May 1917-July 1917. stained glass . 39 × 26 cm (15.3 × 10.2 in). Otterlo, Kröller-Müller Museum.Stained-glass Composition Female Head
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. 1917 (?). Oil or tempera on asbestos. Dimensions and present whereabouts unknown.Composition VI (on black fond)
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. 1917. oil on canvas . 85 × 85 cm (33.4 × 33.4 in). St. Louis, Mildred Lane Kemper Art Museum.Composition VII (the three graces)
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Stained-Glass Composition IV. 1917. stained glass . 287 × 56.5 cm (112.9 × 22.2 in) (each window). Otterlo, Kröller-Müller Museum.
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Sjabloon voor ornamentrand Huis de Lange. 1917. Paper. 20.5 × 37.5 cm (8 × 14.7 in). Rotterdam, Netherlands Architecture Institute.
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Decorative frieze for Huis de Lange. May-October 1917. ink and gouache on paper. 11.5 × 56 cm (4.5 × 22 in). Netherlands, Private collection .
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. 1917. oak wood. 159 × 9 × 17.5 cm (62.5 × 3.5 × 6.8 in). Alkmaar, Huis De Lange.Banister pos
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Composition IX. September 1917-early 1918 . oil on canvas . 116 × 106 cm (45.6 × 41.7 in). The Hague, Gemeentemuseum Den Haag.
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Design for Stained-Glass Composition V. 1917-1918 (?). heliography on paper. 108 × 66 cm (42.5 × 25.9 in). Rotterdam, Netherlands Architecture Institute.
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. 1917-1918 (?). stained glass . 197 × 104 cm (77.5 × 40.9 in) (?). Now lost.Stained Glass Composition V
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Design for a monument in Leeuwarden. 1917. Photo. 50.5 × 39 cm. Eindhoven, Van Abbemuseum.
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Press card. May 1917-November 1918. printed matter. 9 × 9 cm (3.5 × 3.5 in). Various collections.
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. Circa 1918 . oil on canvas . 37.5 × 63.5 cm (14.7 × 25 in). New York City, Museum of Modern Art.Composition VIII (The Cow)
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Composition XI. 1918. oil on canvas . 57 × 101 cm (22.4 × 39.7 in). New York City, Solomon R. Guggenheim Museum.
De Vonk, Noordwijkerhout
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Brick mosaic, De Vonk vacation hostel, Noordwijkerhout. 1917-1918.
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Brick mosaic, De Vonk vacation hostel, Noordwijkerhout, right panel. 1917-1918.
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Hall (architect J.J.P. Oud). 1917-1918.
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Landing. 1917-1918.
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English: Design for a tiled floor.Nederlands: Ontwerp voor een tegelvloer.1917-1918.
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English: Design for a tiled floor.Nederlands: Ontwerp voor een tegelvloer.circa 1918 .
1918-1920
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English: Composition.Nederlands: Compositie.1917-1918.
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Tarantella. 1918. oil on canvas . Dimensions and present whereabouts unknown.
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Lena in interior. 1918 (?). pencil and gouache on paper. 25 × 18.5 cm (9.8 × 7.2 in). Oberhofen am Thunersee, Switzerland, Stiftung Sammlung Karl und Jürg Im Obersteg.
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Composition XIII (Woman in studio). 1918.
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English: Landscape (study for Composition XII).Nederlands: Landschap (studie voor Compositie XII).1918 (?).
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Composition XII in black and white. 1918.
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Composition X. 1918.
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Composition XIII. June 1918.
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English: Study for Rhythm of a Russian Dance.1917-1918 (?).
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English: Study for Rhythm of a Russian Dance.1917-1918 (?).
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English: Study for Rhythm of a Russian Dance.1917-1918 (?).
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English: Study for Rhythm of a Russian Dance.1917-1918 (?).
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English: Study for Rhythm of a Russian Dance.1917-1918 (?).
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English: Study for Rhythm of a Russian Dance.1917-1918 (?).
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English: Study for Rhythm of a Russian Dance.1917-1918 (?).
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Rhythm of a Russian dance. June 1918.
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Study for L’Enfant mécanique. 1918 (?). pencil and India ink on transparent paper. 13 × 20 cm (5.1 × 7.8 in). Utrecht, Centraal Museum.
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L’enfant mécanique. 1918 (?). India ink on transparent paper. 12 × 14 cm (4.7 × 5.5 in). Utrecht, Centraal Museum.
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Composition based on L’Enfant mécanique. 1918 (?). pencil on transparent paper. 11.5 × 15.5 cm (4.5 × 6.1 in). Utrecht, Centraal Museum.
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The Blauwpoortsbrug with horse and carriage. 1917-1918. gouache on transparent paper. 40 × 82 cm (15.7 × 32.2 in). Leiden, Museum De Lakenhal.
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. 1918 (?). oil on canvas . 23.5 × 33 cm (9.2 × 12.9 in). Leiden, Museum De Lakenhal.Figure on the Blauwpoortsbrug
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. 1917-1918. gouache on transparent paper. 40 × 57 cm (15.7 × 22.4 in). Switzerland, Private collection .Cityscape with Boat (Leiden)
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. 1917-1918.Boat in a Canal
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. Circa 1919 . photograph. 3.5 × 17 cm (1.3 × 6.6 in). Utrecht, Centraal Museum.Alphabet
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Ontwerp belettering voor Lettergieterij Amsterdam. 1919. Oost-indische inkt op kalkeerpapier. 16 × 65 cm. Utrecht, Centraal Museum.
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Portrait of Johanna Theodora Maria Schoondergang. 1919. oil on canvas . 67.5 × 62 cm (26.5 × 24.4 in). Present whereabouts unknown.
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Nederlands: Eerste doorbeelding portret-compositie.March 1919.
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Nederlands: Destructieve voorstudie voor Compositie 16.March 1919.
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Nederlands: Voorstudie voor Compositie 16.March 1919.
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Nederlands: Voorstudie voor Compositie 16.March 1919.
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Nederlands: Voorstudie voor Compositie 16.March 1919.
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. 1919. oil on canvas . 64.9 × 59.6 cm (25.5 × 23.4 in). Basel, Kunstmuseum Basel.Composition in Dissonances
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Composition in Gray (Rag-Time). 1919.
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Garden Sculpture (Vases). 1919.
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Monogram for J.J. Dee. 1919 (?). printed matter. 5 × 7 cm (1.9 × 2.7 in). Various collections.
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English: Monogram for J.J.P. Oud.Nederlands: Monogram voor J.J.P. Oud.1919.
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Design of a monogram for Antony Kok. December 1919. Pencil, Indian ink and red gouache on transparent paper. 8 × 8 cm. Utrecht, Centraal Museum.
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English: Monogram for Antony Kok.Nederlands: Monogram voor Antony Kok.circa 1920 (?).
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Composition XVII. December 1919.
Colour design for a room in Bart de Ligt's house in Katwijk aan Zee
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Color design for a room in Bart de Ligt's house in Katwijk aan Zee. 1919-1920. pencil, India ink and gouache on transparent paper. 60.5 × 43 cm (23.8 × 16.9 in). Rotterdam, Netherlands Architecture Institute.
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English: Room in House Bart de Ligt.Nederlands: Kamer in Huis Bart de Ligt.1919-1920.
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Collage. 1925 (?). collage and gouache on printed matter mounted on cardboard. 26.5 × 21 cm (10.4 × 8.2 in). Amsterdam, Rijksmuseum Amsterdam.
1920-1922
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Cover design for Klei. 1920. Pencil, gouache, Indian ink, and collage on transparent paper. 80 × 57 cm. Utrecht, Centraal Museum.
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Design for a poster for the exhibition La Section d'Or. c 1920.
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. 1920. printed matter. 22.5 × 14.5 cm (8.8 × 5.7 in). Various collections.Cover for Klassiek-Barok-Modern
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Composition XVIII in three parts. 1920.
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Diagram for Composition XVIII in three parts. 1920-1923. Technique, dimensions and whereabouts unknown.
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Composition XX. 1920. oil on canvas . 92 × 71 cm (36.2 × 27.9 in). Madrid, Museo Thyssen-Bornemisza.
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Peinture pure. 1920. oil on canvas . 130 × 80.5 cm (51.1 × 31.6 in). Paris, Musée national d'art moderne, Centre Georges-Pompidou.
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Cover for De theorie van het syndicalisme by Clara Wichmann. 1920. printed matter. 19 × 36 cm (7.4 × 14.1 in). Various collections.
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Still life with statuette, vase and ginger pot. 1920. Watercolor on paper. 21.5 × 27.5 cm. Utrecht, Centraal Museum.
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Memorandum. 1922. printed matter. 13.5 × 20.5 cm (5.3 × 8 in). The Hague, Rijksbureau voor Kunsthistorische Documentatie.
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Drawing. 1921. Printed matter. 7 × 6 cm. Utrecht, Centraal Museum.
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Large Pastoral. 1922. stained glass . 300 × 70 cm (118.1 × 27.5 in) (each window). Drachten, former Landbouwwinterschool.
Middel-class houses, Drachten
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Color design of staircase. 1921. pencil, India ink and gouache on transparent paper. 21.5 × 29.5 cm (8.4 × 11.6 in). Drachten, Museum Drachten.
Mécano
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Mécano no. Jaune, Geel, Gelb, Yellow. February 1922. Printed matter. 13 × 16 cm. Various collections.
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Mécano no. Blue, Blauwe, Blau, Blue. July 1922. Printed matter. 13 × 16 cm. Various collections.
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Application card for Mécano. 1922. Printed matter. 9 × 14 cm. Utrecht, Centraal Museum.
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Tot een constructieve dichtkunst. 1923. printed matter. 25 × 16 cm (9.8 × 6.2 in). From Mécano no. 4/5 White, Blanc, Wit, Weiß (1924), [p. 11]. Various collections.
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Bilanz des Staatlichen Bauhauses Weimar. 1923. printed matter. 25 × 16 cm (9.8 × 6.2 in). From Mécano no. 4/5 White, Blanc, Wit, Weiß (1924), [p. 16]. Various collections.
1922-1923
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Principles of sculpture. 1922. printed matter. From Theo van Doesburg (11 August 1923) ‘Voorwaarden tot een nieuwe architectuur’, Architectura, vol. 27, no. 27, pp. 200-204.
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Portrait of Nelly van Doesburg. 1922.
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Portrait of Pétro (Nelly van Doesburg). circa 1922pencil and watercolor on transparent paper. 64 × 45 cm (25.1 × 17.7 in). Leiden, Museum De Lakenhal..
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Composition XXII. June-July 1922.
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late 1922 . printed matter. 68.5 × 54 cm (26.9 × 21.2 in). Various collections.Cover for Wat is Dada?
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Poster Small Dada Soirée. 1922. lithograph , proof. 30 × 30 cm (11.8 × 11.8 in). Various collections.
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Poster Small Dada Soirée. 1922. lithograph . 30 × 30 cm (11.8 × 11.8 in). Various collections.
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Poster Dada Matinée. January 1923. printed matter. 62 × 85 cm (24.4 × 33.4 in). Various collections.
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I.K. Bonset. La matière denaturalisée. Destruction 2. 1923 (?). Collage, ink and gouache on cardboard. 59.4 × 44 cm. Leeuwarden, Fries Museum.
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Principles of painting. July 1923. printed matter. From Theo van Doesburg (11 August 1923) ‘Voorwaarden tot een nieuwe architectuur’, Architectura, vol. 27, no. 27, pp. 200-204.
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English: Study for composition XXV.Nederlands: Studie voor compositie XXV.1923.
Color design for the hall of a university
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Study for the floor and various other sketches. 1923. Pencil and gouache on graph paper. 16 × 20 cm. Rotterdam, The Netherlands Architecture Institute.
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Study for the floor. 1923. Pencil, Indian ink and gouache on graph paper. 31 × 32 cm. Rotterdam, The Netherlands Architecture Institute.
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Study for the roof. 1923. Pencil and gouache on graph paper. 57 × 52 cm. Rotterdam, The Netherlands Architecture Institute.
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English: Colour composition roof.Nederlands: Kleurcompositie plafond.1923.
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Perspective view of the color design for the floor, walls and balustrade roof seen towards the staircase. 1923. Pencil, Indian ink and watercolor on graph paper. 4 × 21.5 cm. Rotterdam, The Netherlands Architecture Institute.
1923-1924
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Hôtel Particulier. 1923.
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Hôtel Particulier. 1923.
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Maison Particulière. 1923.
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Maison Particulière. 1923.
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Maison d'Artiste. 1923.
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Architectural Analysis. 1923.
Stained-glass composition XIII
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Color design. 1924. Pencil and gouache on paper. 27 × 9.5 cm. Gockhausen-Zürich, Eduard Neuenschwander.
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Design. 1923-1924. Pencil on graph paper. 100.5 × 49.5 cm. Rotterdam, the Netherlands Architecture Institute.
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English: Design for Stained Glass Composition XIII.Nederlands: Ontwerp voor Glas-in-loodcompositie XIII.1924.
1924-1928
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Cover. 1924.
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. June 1924. pencil and watercolor on paper. 22 × 14 cm (8.6 × 5.5 in). Utrecht, Centraal Museum.Nelly van Doesburg seen from behind and View of a Harbor
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English: Study for Counter-composition X.Nederlands: Studie voor Contra-compositie X.1924.
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I.K. Bonset. Composition. circa 1921-1925. collage on paper . 32.5 × 32 cm (12.7 × 12.5 in). Otterlo, Kröller-Müller Museum.
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I.K. Bonset. Construction I. Ca. 1925. Collage and ink on paper. 31 × 15.5 cm. Zurich, Kunsthaus.
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Design for stained-glass window for the Abstract Cabinet in Hanover. 1925. India ink and gouache on graph paper. 31.5 × 29 cm (12.4 × 11.4 in). Otterlo, Kröller-Müller Museum.
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Design for two studios with two apartments, plans and axonometric view. 1925 (?). Pencil, chalk, East Indian ink on transparent paper. 32.5 × 50 cm. Rotterdam, The Netherlands Architecture Institute.
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Illustration Counter-Composition VI. 1926. India ink and pencil on tracing paper. 21 × 27 cm (8.2 × 10.6 in). Utrecht, Centraal Museum.
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Illustration Counter-Composition VI. 1926. India ink and pencil on tracing paper. 27 × 21 cm (10.6 × 8.2 in). Utrecht, Centraal Museum.
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Illustration Counter-Composition VI. 1926. India ink and pencil on tracing paper. 13.1 × 12.1 cm (5.1 × 4.7 in). Utrecht, Centraal Museum.
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Poster. 1925.
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English: Study for Counter-Composition XIV.Nederlands: Studie voor Contra-compositie XIV.1925.
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Diagram of Counter-Composition XIV. 1925-1926. printed matter. 12.6 × 4.8 cm (4.9 × 1.8 in). Utrecht, Centraal Museum.
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Counter-composition XV. 1925. oil on canvas . 50 × 50 cm (19.6 × 19.6 in). Łódź, Muzeum Sztuki w Łodzi.
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English: Study for Counter-composition XVI.Nederlands: Studie voor Contra-compositie XVI.1925.
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Counter-composition XIII. 1925-1926. oil on canvas . 49.9 × 50 cm (19.6 × 19.6 in). Venice, Peggy Guggenheim Collection.
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Nederlands: Simultaanportret van Nelly-Pétro.1926 (?).
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Propriété Arp-Doesburg, basement plan. May 1927. Hand-colored heliography. 49 × 29.5 cm. Rotterdam, Netherlands Architecture Institute.
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Nederlands: Studie voor Contra-compositie XVIII.1927.
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Nederlands: Studie voor Contra-compositie XIX.1927.
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Nederlands: Studie voor Contra-compositie XX.1927.
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Nederlands: Studie voor Contra-compositie XXI.1927.
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Cover. 1927-1928.
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Nelly van Doesburg as I.K. Bonset. 1927.
Aubette, Strasbourg
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Café-restaurant. 1926-1927.
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Salle des Fêtes. 1926-1927.
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Salle des Fêtes. 1926-1927.
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Ciné-dancing. 1926-1928.
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Ciné-dancing. 1926-1928.
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Ciné-dancing. 2006. photograph.
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English: Interior of the Café-brasserie of the Aubette.Nederlands: Interieur van de Café-brasserie in de Aubette.1926.
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Color design for the Café-brasserie ceiling. January 1927 (?). Pencil, Indian ink, gouache and collage on cardboard. 24 × 38 cm. Paris, National Museum of Modern Art.
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. 1927. gouache on heliography. 45 × 80 cm (17.7 × 31.4 in). Amsterdam, Rijksmuseum Amsterdam.Final colour design for wall, Cour de l'Aubette side, of the Large Ballroom of the Aubette in Strasbourg
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English: Color design for walls and ceiling of the Ciné-dancing of the Aubette.Nederlands: Kleuronywerp voor wanden en plafond van de ciné-dancing in de Aubette.1926-1927.
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. 1927. pencil and gouache on heliography. 44.5 × 89 cm (17.5 × 35 in). Amsterdam, Rijksmuseum Amsterdam.Final colour design for wall, Small Ballroom side, of the Ciné-Dancing of the Aubette
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. 1927. pencil, gouache and India ink on heliography. 45 × 93.5 cm (17.7 × 36.8 in). Amsterdam, Rijksmuseum Amsterdam.Final color design for wall with gallery of the Ciné-dancing of the Aubette
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. 1927. pencil, gouache and India ink on heliography. 72.5 × 110 cm (28.5 × 43.3 in). Amsterdam, Rijksmuseum Amsterdam.Final color design for ceiling of the Ciné-dancing of the Aubette
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Design for numbers 2 to 9. October 1927 (?). Heliography on paper. 40.5 × 40.5 cm. Rotterdam, The Netherlands Architecture Institute.
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Ashtray for Café Aubette. 1927. ceramic . diameter: 13 cm (5.1 in) . Various collections.
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. 1927. pencil, India ink and gouache on transparent paper. 92.2 × 27 cm (36.2 × 10.6 in). Paris, Musée national d'art moderne, Centre Georges Pompidou.Design for a Directory of the Aubette in Strasbourg
1928-1929
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English: Stained glass window.Français : Vitrail.Nederlands: Glas-in-loodraam.circa 1928 .
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English: Stained glass window.Français : Vitrail.Nederlands: Glas-in-loodraam.circa 1928 .
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English: Stained glass window.Français : Vitrail.Nederlands: Glas-in-loodraam.circa 1928 .
Simultaneous Composition XXIV
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. Circa 1929 . pencil and gouache on graph paper. 5 × 5 cm (1.9 × 1.9 in). Otterlo, Kröller-Müller Museum.Study for Simultaneous Composition XXIV
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Study for Simultaneous Composition XXIV. 1929 (?). pencil and gouache on graph paper. 5.5 × 5.5 cm (2.1 × 2.1 in). Otterlo, Kröller-Müller Museum.
1929
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Maison Van Doesburg, Meudon-Val-Fleury. 1927-1930.
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Maison Van Doesburg, Meudon-Val-Fleury. 1927-1930.
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Maison Van Doesburg, Meudon-Val-Fleury. 1927-1930.
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Axonometrie vanuit het zuid-westen. June 1929. Potlood op transparant papier. 60 × 53 cm. Rotterdam, Netherlands Architecture Institute.
Two handbag designs
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Sac à main type 2. 1929 (?). Pencil and gouache on paper 14 × 22 cm. Utrecht, Centraal Museum.
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Sac à main type 3. 1929 (?). Pencil and gouache on paper 14 × 22 cm. Utrecht, Centraal Museum.
1929-1930
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Nederlands: Krukje, Atelierwoning, Meudon.1929.
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Nederlands: Stoel, Atelierwoning, Meudon.1930.
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Nederlands: Leunstoel, Atelierwoning, Meudon.1930.
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Cité de Circulation. 1929.
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English: Study for Simultaneous compositions XXII.Nederlands: Studie voor Simultane composities XXII.1929.
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Cover of the introduction number of Art Concret. 1930. Printed matter. 18.5 × 28 cm. Various collections.
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Six Moments in the Development of Plane to Space. 1626 or 1929. pencil, India ink and enamel paint on transparent paper. 155.5 × 27 cm (61.2 × 10.6 in). Otterlo, Kröller-Müller Museum.
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English: Study for Arithmetic Composition.Nederlands: Studie voor Aritmetische compositie.1929-1930 (?).
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Atelierwoning Bertalan Pór. 1930.
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Portrait of Louis Peter Milius. 1929.
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Nederlands: Compositie (studie).1930 (?).
Work in progress