File:The tea clipper Thermopylae RMG BHC3658.tiff

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F. I. Sorenson: The tea clipper 'Thermopylae'  wikidata:Q50878728 reasonator:Q50878728
Artist
F. I. Sorenson  (fl. 1870) wikidata:Q56549836
 
Description painter
Work period 1870 Edit this at Wikidata
Authority file
 Edit this at Wikidata
image of artwork listed in title parameter on this page
Author
Sorensen, F I
Title
The tea clipper 'Thermopylae' Edit this at Wikidata
title QS:P1476,en:"The tea clipper 'Thermopylae' Edit this at Wikidata"
label QS:Len,"The tea clipper 'Thermopylae' Edit this at Wikidata"
Object type painting
object_type QS:P31,Q3305213
Genre marine art Edit this at Wikidata
Description
English: The tea clipper Thermopylae

A portrait of the famous tea clipper ‘Thermopylae’. She is shown broadside-on in full sail flying the house flag of the Aberdeen White Star Line.

She was designed by Bernard Waymouth of London and built in 1867 by Walter Hood & Co for the Aberdeen White Star Line. The owner of this shipping line, George Thompson, wanted a clipper ship to outstrip the competition. He commissioned the ‘Thermopylae with her iron framework supporting a wooden hull, she was built primarily for speed. Launched in 1868 she completed her maiden voyage from Gravesend to Melbourne in a record-breaking 63 days. Between 1869 and 1882 she was employed as a tea clipper plying the Far Eastern Tea Trade, where speed was of the essence bringing tea to Europe as quickly as possible. 'Thermopylae' and the 'Aberdeen Line' fleet in general maintained a reputation across all their routes for style and class in their glistening green livery. With the ‘Cutty Sark’ she emerged as the pinnacle of the clipper class. The trade route became ferociously competitive where great prizes of revenue and prestige awaited the first to bring the tea home. Competition was fierce and attracted the best captains and crews. The world was gripped by the head-to-head challenges of the ‘Cutty Sark’ and ‘Thermopylae’ who had their showdown in the summer of 1872, in the annual race to bring the first of the season's tea to London. Both ships left for London from Shanghai, on the east coast of China. The ‘Cutty Sark’ was 400 miles in the lead when a storm blew up round the Cape of Good Hope. Disastrously, she lost her rudder and had to make a temporary one, and she reached London seven days behind ‘Thermopylae’. By the 1880s, steam ships gained supremacy and by 1885 both ships found a new lucrative market in the Australian wool trade. The old rivalry was reborn and between 1885-95 the ‘Cutty Sark’ beat the ‘Thermopylae’ every year on the wool run. In 1895 the ‘Thermopylae’ was bought by the Portuguese navy for use as a training vessel and on 13 October 1907 she was sunk by gunfire and torpedoes by units of the Portuguese Navy at sea off the Tagus.

The painting has been signed ‘F.I.Sorensen’ and inscribed ‘The Famous Tea-Clipper Thermopylae’.

The tea clipper ‘Thermopylae’
Date 19th century
date QS:P571,+1850-00-00T00:00:00Z/7
Medium oil on board Edit this at Wikidata
Dimensions Painting: 305 mm x 483 mm
institution QS:P195,Q7374509
Current location
Accession number
BHC3658
Notes Signed.
References
Source/Photographer http://collections.rmg.co.uk/collections/objects/15131
Permission
(Reusing this file)

The original artefact or artwork has been assessed as public domain by age, and faithful reproductions of the two dimensional work are also public domain. No permission is required for reuse for any purpose.

The text of this image record has been derived from the Royal Museums Greenwich catalogue and image metadata. Individual data and facts such as date, author and title are not copyrightable, but reuse of longer descriptive text from the catalogue may not be considered fair use. Reuse of the text must be attributed to the "National Maritime Museum, Greenwich, London" and a Creative Commons CC-BY-NC-SA-3.0 license may apply if not rewritten. Refer to Royal Museums Greenwich copyright.
Identifier
InfoField
id number: BHC3658
Collection
InfoField
Oil paintings

Licensing

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This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
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This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.

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current23:33, 13 September 2017Thumbnail for version as of 23:33, 13 September 20173,992 × 2,493 (28.47 MB) (talk | contribs)Royal Museums Greenwich Oil paintings, http://collections.rmg.co.uk/collections/objects/15131 #82

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