File:The fair Quaker of Cheltenham. (BM 1868,0808.5788).jpg
Original file (2,500 × 1,688 pixels, file size: 1.12 MB, MIME type: image/jpeg)
Captions
Summary
[edit]The fair Quaker of Cheltenham. ( ) | ||||||||||||||||||||||||
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Title |
The fair Quaker of Cheltenham. |
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Description |
English: George III, plainly dressed and wearing a broad-brimmed hat, stands in profile to the right, addressing a pretty young woman seated on a stile. They are under a large tree on whose trunk is fixed a sign pointing 'To Cheltenham Spa'. A path from the stile leads to the village of Cheltenham in the background. Behind the tree Queen Charlotte watches the conversation. On a hill (left) is a pavilion on wheels. Beneath the design is etched:
Hand-coloured etching |
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Depicted people | Associated with: Charlotte, Queen of George III | |||||||||||||||||||||||
Date |
1788 date QS:P571,+1788-00-00T00:00:00Z/9 |
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Medium | paper | |||||||||||||||||||||||
Dimensions |
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Collection |
institution QS:P195,Q6373 |
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Current location |
Prints and Drawings |
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Accession number |
1868,0808.5788 |
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Notes |
(Description and comment from M.Dorothy George, 'Catalogue of Political and Personal Satires in the British Museum', VI, 1938) The legend of George Ill's attachment (c. 1753) to a 'fair quaker', Hannah Lightfoot, is traced by W. B. Boulton from a newspaper paragraph in 1776 to its final discrediting in 1866. 'In the Days of the Georges', 1909, pp. 87-138. Cf. Wraxall, 'Memoirs', 1884, i. 305. For the King's visit to Cheltenham see BMSat 7358, &c. The print may relate to some eccentricity of the King at Cheltenham: during his insanity he showed great interest in Quakers. 'Diaries of R. F. Greville', 1930, p. 213. |
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Source/Photographer | https://www.britishmuseum.org/collection/object/P_1868-0808-5788 | |||||||||||||||||||||||
Permission (Reusing this file) |
© The Trustees of the British Museum, released as CC BY-NC-SA 4.0 |
Licensing
[edit]This image is in the public domain because it is a mere mechanical scan or photocopy of a public domain original, or – from the available evidence – is so similar to such a scan or photocopy that no copyright protection can be expected to arise. The original itself is in the public domain for the following reason:
This tag is designed for use where there may be a need to assert that any enhancements (eg brightness, contrast, colour-matching, sharpening) are in themselves insufficiently creative to generate a new copyright. It can be used where it is unknown whether any enhancements have been made, as well as when the enhancements are clear but insufficient. For known raw unenhanced scans you can use an appropriate {{PD-old}} tag instead. For usage, see Commons:When to use the PD-scan tag. Note: This tag applies to scans and photocopies only. For photographs of public domain originals taken from afar, {{PD-Art}} may be applicable. See Commons:When to use the PD-Art tag. |
File history
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 04:16, 16 May 2020 | 2,500 × 1,688 (1.12 MB) | Copyfraud (talk | contribs) | British Museum public domain uploads (Copyfraud/BM) Satirical prints in the British Museum 1788 #11,975/12,043 |
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Metadata
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Orientation | Normal |
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Horizontal resolution | 300 dpi |
Vertical resolution | 300 dpi |
Software used | Adobe Photoshop Elements 2.0 |
File change date and time | 16:05, 11 November 2005 |
Color space | Uncalibrated |