File:Print, satirical print (BM 1866,0407.292).jpg
Original file (1,160 × 1,600 pixels, file size: 403 KB, MIME type: image/jpeg)
Captions
Summary
[edit]print, satirical print ( ) | ||||||||||||||||||||||||
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Artist |
After: John Collet
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Title |
print, satirical print |
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Description |
English: A woman sitting on a sofa reading, a greyhound beside at right sitting upright, head turned towards her; after John Collet, orginally from a series of "Six Whole Length Figures, cloathed in Modern Taste...". c.1765-75
Etching and engraving |
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Date |
between 1763 and 1765 date QS:P571,+1763-00-00T00:00:00Z/8,P1319,+1763-00-00T00:00:00Z/9,P1326,+1765-00-00T00:00:00Z/9 |
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Medium | paper | |||||||||||||||||||||||
Dimensions |
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Collection |
institution QS:P195,Q6373 |
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Current location |
Prints and Drawings |
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Accession number |
1866,0407.292 |
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Notes |
The series was initially published by Smith & Sayer. Four of the Six were reissued in 'the Draughtsman's Assistant' (1786), with this image as plate 14. In his checklist of prints after Collet, Alexander does not indicate why the present impression should be numbered 26 when it is from a series of six. The series is numbered 60 in Sayer & Bennet's set of a collection of humourous prints including those after Collet, advertised in 1775, so that does not appear to provide the answer, indicating that this impression may be a further reissue. D'Oench discusses the image in 'Copper into Gold: Prints by John Raphael Smith' (fig. 70, pp.52-53) as displaying a restrained form of parody, suggesting that the greyhound is looking alert with alarm at the title which the woman is reading. She dates the plate as c.1763-5, but this seems early considering that the earliest print on Alexander's checklist was published in 1765. For another impression, see 1860,0211.160. |
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Source/Photographer | https://www.britishmuseum.org/collection/object/P_1866-0407-292 | |||||||||||||||||||||||
Permission (Reusing this file) |
© The Trustees of the British Museum, released as CC BY-NC-SA 4.0 |
Licensing
[edit]This image is in the public domain because it is a mere mechanical scan or photocopy of a public domain original, or – from the available evidence – is so similar to such a scan or photocopy that no copyright protection can be expected to arise. The original itself is in the public domain for the following reason:
This tag is designed for use where there may be a need to assert that any enhancements (eg brightness, contrast, colour-matching, sharpening) are in themselves insufficiently creative to generate a new copyright. It can be used where it is unknown whether any enhancements have been made, as well as when the enhancements are clear but insufficient. For known raw unenhanced scans you can use an appropriate {{PD-old}} tag instead. For usage, see Commons:When to use the PD-scan tag. Note: This tag applies to scans and photocopies only. For photographs of public domain originals taken from afar, {{PD-Art}} may be applicable. See Commons:When to use the PD-Art tag. |
File history
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 23:48, 8 May 2020 | 1,160 × 1,600 (403 KB) | Copyfraud (talk | contribs) | British Museum public domain uploads (Copyfraud/BM) Satirical prints in the British Museum 1763 #809/12,043 |
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Metadata
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Camera manufacturer | Epson |
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Camera model | Exp10000XL |
Date and time of digitizing | 14:49, 8 August 2006 |
Image width | 4,917 px |
Image height | 3,634 px |
Horizontal resolution | 300 dpi |
Vertical resolution | 300 dpi |
File change date and time | 15:45, 8 August 2006 |
Date metadata was last modified | 15:45, 8 August 2006 |
Software used | Adobe Photoshop Elements 3.0 Windows |