File:NLC416-09jh004968-47510 聞一多全集.pdf

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Original file (772 × 1,187 pixels, file size: 64.51 MB, MIME type: application/pdf, 2,430 pages)

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Summary

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聞一多全集   (Wikidata search (Cirrus search) Wikidata query (SPARQL)  Create new Wikidata item based on this file)
Author
[聞一多著]
image of artwork listed in title parameter on this page
Title
聞一多全集
Publisher
開明書店[發行者]
Description

目錄
卷首
郭沫若先生序
朱自清先生序
事略
年譜
甲集 神話與詩
伏羲考
龍鳳
姜嫄履大人跡考
高唐神女傳說之分析
說魚
司命考
道教的精神
神仙考
歌與詩
說舞
文學的歷史動向
「七十二」
端午考
端節的歷史教育
屈原問題
人民的詩人——屈原
什麼是九歌
怎樣讀九歌
「九歌」古歌舞劇懸解
廖季平論離騷
匡齋尺牘
乙集 古典新義
周易義證類簒
詩經新義
詩經通義
詩新台鴻字說
爾雅新義
莊子內篇校釋
莊子
離騷解話
天文釋天
楚辭校補
敦煌舊抄本楚辭音殘卷跋
釋〓
釋省〓
釋朱
釋為釋家
釋〓
釋齲
釋余
釋羔
釋桑 附釋〓釋〓
釋噩
釋不〓
璞堂雜識
大豊殷考釋
禺邗王壺跋
丙集 唐詩雜論
類書與詩
宮體詩的自贖
四傑
孟浩然
賈島
少陵先生年譜會箋
岑嘉州擊年考證
杜甫
英譯李太白詩
丁集 詩與批評
死水
紅燭
白朗寧夫人的情詩
山花
冬夜評論
女神之時代精神
女神之地方色彩
莪默伽亞謨之絕句
「烙印」序
「西南採風錄」序
「三盤鼓」序
時代的鼓手
文藝與愛國——紀念三月十八
鄧以蟄「詩與歷史」題記
詩人的橫蠻
詩的格律
先拉飛主義
戲劇的歧途
泰果爾批評
談商籟體
論「悔與回」
戊集 雜文
家族主義與民族主義
復古的空氣
什麼是儒家
關於儒·道·土匪
從宗教論中西風格
五四運動的歷史法則
五四斷想
調整大學文學院中國文學外國語文學二系機構芻議】
婦女解放問題
偉大的事實不朽的意義
可怕的冷靜
愈戰愈強
一個白日夢
農展
「新中國」給昆明一個耳光罷
「一二·一」運動始末記
謹防漢奸合法化
己集 演講錄
組織民眾與保衛大西南
五四歷史座談
給西南聯大的從軍回校同學講話
獸·人·鬼
八年的回憶與感想
民盟的性質與作風
新文藝和文學遺產
戰後文藝的道路
論文藝的民主問題
詩與批評
艾青和田間
最後一次的講演
庚集 書信
給梁實秋吳景超翟毅夫顧毓琇熊佛西諸先生
給左明先生
給游澤承先生
給饒孟侃先生
給臧克家先生
家書
辛集 詩選與校箋
風詩類鈔
樂府詩箋
易林瓊枝
唐詩大系
現代詩鈔
吳晗先生跋
編後記

Language Chinese
Publication date 民國37[1948]
Source
institution QS:P195,Q732353
(民國時期文獻 民國圖書)
主題
InfoField
文學
中圖分類
InfoField
I216.2
載體形態
InfoField
4冊

Licensing

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This image is in the public domain because it is a mere mechanical scan or photocopy of a public domain original, or – from the available evidence – is so similar to such a scan or photocopy that no copyright protection can be expected to arise. The original itself is in the public domain for the following reason:
Public domain
This image is now in the public domain in China because its term of copyright has expired.

According to copyright laws of the People's Republic of China (with legal jurisdiction in the mainland only, excluding Hong Kong and Macao), amended November 11, 2020, Works of legal persons or organizations without legal personality, or service works, or audiovisual works, enter the public domain 50 years after they were first published, or if unpublished 50 years from creation. For photography works of natural persons whose copyright protection period expires before June 1, 2021 belong to the public domain. All other works of natural persons enter the public domain 50 years after the death of the creator.
According to copyright laws of Republic of China (currently with jurisdiction in Taiwan, Penghu, Kinmen, Matsu, etc.), all photographs and cinematographic works, and all works whose copyright holder is a juristic person, enter the public domain 50 years after they were first published, or if unpublished 50 years from creation, and all other applicable works enter the public domain 50 years after the death of the creator.

Important note: Works of foreign (non-U.S.) origin must be out of copyright or freely licensed in both their home country and the United States in order to be accepted on Commons. Works of Chinese origin that have entered the public domain in the U.S. due to certain circumstances (such as publication in noncompliance with U.S. copyright formalities) may have had their U.S. copyright restored under the Uruguay Round Agreements Act (URAA) if the work was under copyright in its country of origin on the date that the URAA took effect in that country. (For the People's Republic of China, the URAA took effect on January 1, 1996. For the Republic of China (ROC), the URAA took effect on January 1, 2002.[1])
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Date/TimeThumbnailDimensionsUserComment
current00:33, 11 June 2023Thumbnail for version as of 00:33, 11 June 2023772 × 1,187, 2,430 pages (64.51 MB)PencakeBot (talk | contribs)Upload 聞一多全集 (1/1) by [聞一多著] (batch task; nlc:data_416,09jh004968,47510; 民國圖書.5; 聞一多全集)

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