File:NDL978769 鴎外全集 第1巻 part4.pdf

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Original file (5,356 × 4,225 pixels, file size: 64.83 MB, MIME type: application/pdf, 100 pages)

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Summary

[edit]
鴎外全集   (Wikidata search (Cirrus search) Wikidata query (SPARQL)  Create new Wikidata item based on this file)
Author
森, 鴎外, 1862-1922
image of artwork listed in title parameter on this page
Title
鴎外全集
Volume 第1巻
Publisher
鴎外全集刊行会
Language jpn
Publication date

1923

大正12
Place of publication JP
Source

doi:10.11501/978769

institution QS:P195,Q477675
Part Title
InfoField
第1巻 審美綱領(大村西崖,森鴎外編) 審美新説.審美極致論.審美仮象論.印度審美説(大村西崖,森鴎外) 月草の叙.柵草紙の山房論文.早稲田文学の没卻理想.逍遥子と烏有先生と.早稲田文学の後没理想.エミール・ゾラが没理想.西楽と幸田氏と.罔極旋行.罔極旋行の事.外山正一氏の画論を駁す.美術論場の闘争は未だ其勝敗を決せざる乎(縁外生) 外山正一氏の画論を再評して諸家の駁説に旁及す.林忠正氏の演説.矢野文雄氏と九鬼隆一氏との美術論.読日本新聞西洋技術家論.朗月斎主人に与ふる書.よもの山.絵画偶評.丙申秋季画評.我国洋画の流派に就きて.再び洋画の流派に就きて.洋画南派.南派原委.太陽の画論.芳陵子の洋画小言.補色.写生写意.原田直二郎に与ふる書.与某論型品書.造形的解体学.復平子尚.山口古菴.日本絵画小史序.年頭所感に代へて.原田直二郎.原田の記念会.再び原田の記念会に就いて.仏国滑稽画家夜なかに思つた事.彫刻の話.「パノラマ」の事に就きて某に与ふる書.洋画手引草(大村西崖等)
Creator
InfoField
森鴎外 著
Publication Place
InfoField
東京
Subject: NDC
InfoField
918
Extent
InfoField
791, 4p ; 22cm
Material Type
InfoField
Book
Source Identifier: JPNO
InfoField
43043122
Date Digitized: W3CDTF
InfoField
2009-03-31
Audience
InfoField
一般
Title Transcription
InfoField
オウガイ ゼンシュウ
Volume Transcription
InfoField
1
Publisher Transcription
InfoField
オウガイ ゼンシュウ カンコウカイ
Source Identifier: NDLBibID
InfoField
000000590462
Call Number
InfoField
520-1
Creator Transcription: NDLNA
InfoField
モリ, オウガイ
Creator: NDLNAId
InfoField
00046801
Contents
InfoField
丙申秋季畫評

我國洋畫の流派に就きて/640

再び洋畫の流派に就きて/643

洋畫南派/647

南派原委/651

太陽の畫論/656

芳陵子の洋畫小言/661

補色/666

寫生寫意/667

原田直二郎に與ふる書/673

與某論型品書/678

造形的解體學/683

復平子尚/685

山口古菴/687

日本繪畫小史序/689

年頭所感に代へて/690

原田直二郎/691

原田の記念會/699

佛國滑稽畫家/705

夜なかに思つた事/708

彫刻の話/713

「パノラマ」の事に就きて某に與ふる書/719

洋畫手引草(大村西崖、久米桂一郎、岩村透同撰)/723

Licensing

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This image is in the public domain because it is a mere mechanical scan or photocopy of a public domain original, or – from the available evidence – is so similar to such a scan or photocopy that no copyright protection can be expected to arise. The original itself is in the public domain for the following reason:
Public domain
According to Japanese Copyright Law (June 1, 2018 grant) the copyright on this work has expired and is as such public domain. According to articles 51, 52, 53 and 57 of the copyright laws of Japan, under the jurisdiction of the Government of Japan works enter the public domain 50 years after the death of the creator (there being multiple creators, the creator who dies last) or 50 years after publication for anonymous or pseudonymous authors or for works whose copyright holder is an organization.

Note: The enforcement of the revised Copyright Act on December 30, 2018 extended the copyright term of works whose copyright was valid on that day to 70 years. Do not use this template for works of the copyright holders who died after 1967.

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current15:40, 21 November 2023Thumbnail for version as of 15:40, 21 November 20235,356 × 4,225, 100 pages (64.83 MB)Wmr-bot (talk | contribs)上載《978769_4.pdf》

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