File:NDL853874 景色写真術階梯 part1.pdf

From Wikimedia Commons, the free media repository
Jump to navigation Jump to search
Go to page
next page →
next page →
next page →

Original file (5,329 × 4,287 pixels, file size: 102.98 MB, MIME type: application/pdf, 100 pages)

Captions

Captions

Add a one-line explanation of what this file represents

Summary

[edit]
景色写真術階梯   (Wikidata search (Cirrus search) Wikidata query (SPARQL)  Create new Wikidata item based on this file)
Author

長谷川, 保定

原田, 種道
image of artwork listed in title parameter on this page
Title
景色写真術階梯
Publisher
東京写真出版
Language jpn
Publication date

1911

明44.12
Place of publication JP
Source

doi:10.11501/853874

institution QS:P195,Q477675
Creator
InfoField
長谷川保定, 原田種道 著
Publication Place
InfoField
東京
Subject: NDC
InfoField
740
Extent
InfoField
164p 図版 ; 20cm
Material Type
InfoField
Book
Source Identifier: JPNO
InfoField
40072348
Audience
InfoField
一般
Title Transcription
InfoField
ケシキ シャシンジュツ カイテイ
Publisher Transcription
InfoField
トウキョウ シャシン シュッパン
Source Identifier: NDLBibID
InfoField
000000489773
Call Number
InfoField
339-12
Creator Transcription: NDLNA
InfoField
ハセガワ, ヤスサダ ハラダ, タネミチ
Creator: NDLNAId
InfoField
00502700 00486568
Note
InfoField
国立国会図書館内では、一部分のみ印刷できます。
Contents
InfoField
標題

目次

挿画

風景 ゴム印画 印画裁断法の説明 著者原板

風景 オイルブリント 飯田湖北氏原板

孤村 オイルブリント 飯田湖北氏原板

山路 オイルブリント 飯田湖北氏原板

緒論

(一) 景色写真と人像写真/1p〜3p

(二) 景色写真画と立体地図/3p〜5p

(三) 景色写真画の研究法/5p〜8p

観察力の修養

(一) さて何を撮影す可きか/9p〜10p

(二) 天然の景色は誤謬に富む/11p〜12p

(三) 写真家は大工の頭領なり/13p〜14p

(四) 景色写真画の材料は路傍に落ちて居る/14p〜17p

(五) 観察力は飽まで緻密なれ/17p〜19p

(六) ラスキン氏の観察説/19p〜22p

(七) 天才家も修養が大切/22p〜27p

コムボジシヨン

(一) コムボジシヨンとは何ぞ/28p〜31p

(二) コムボジシヨンに拘泥するを要せず/31p〜34p

(三) バランス/34p〜41p

(四) バランスの原則/41p〜44p

(五) バランスノ実例/44p〜49p

(六) 主体と従体/49p〜50p

(七) 主体の位置/51p〜53p

(八) 六十度以上の広角鏡玉は不必要/53p〜54p

(九) 写真画は惨酷に取扱ふ可し/54p〜56p

(十) ヴイユ−、メ−タ−の便益/56p〜58p

(十一) 河川と道路/58p〜60p

(十二) 地平線と水平線/60p〜61p

(十三) 空と雲/61p〜62p

(十四) 景色画中の人物及び動物/62p〜63p

(十五) 陽光と陰影/63p〜65p

技術的要項

(一) 写真器械/66p〜68p

(二) 鏡玉/69p〜90p

(三) 暗箱/91p〜100p

(四) 乾板及び其性質/101p〜109p

(五) 撮影の準備、光線の取方及び焦点の合はせ方/109p〜121p

(六) 露出時間の測定/122p〜136p

(七) 現像/137p〜149p

(八) タンク現像法/149p〜154p

(九) 整色乾板と黄色屏/154p〜157p

(十) 景色原板の修整/158p〜161p

(十一) 印書法/162p〜164p

Licensing

[edit]
This image is in the public domain because it is a mere mechanical scan or photocopy of a public domain original, or – from the available evidence – is so similar to such a scan or photocopy that no copyright protection can be expected to arise. The original itself is in the public domain for the following reason:
Public domain
According to Japanese Copyright Law (June 1, 2018 grant) the copyright on this work has expired and is as such public domain. According to articles 51, 52, 53 and 57 of the copyright laws of Japan, under the jurisdiction of the Government of Japan works enter the public domain 50 years after the death of the creator (there being multiple creators, the creator who dies last) or 50 years after publication for anonymous or pseudonymous authors or for works whose copyright holder is an organization.

Note: The enforcement of the revised Copyright Act on December 30, 2018 extended the copyright term of works whose copyright was valid on that day to 70 years. Do not use this template for works of the copyright holders who died after 1967.

Use {{PD-Japan-oldphoto}} for photos published before December 31, 1956, and {{PD-Japan-film}} for films produced prior to 1953. Public domain works must be out of copyright in both the United States and in the source country of the work in order to be hosted on the Commons. The file must have an additional copyright tag indicating the copyright status in the United States. See also Copyright rules by territory.

العربية  Deutsch  English  español  français  Bahasa Indonesia  italiano  日本語  한국어  македонски  português  русский  українська  中文(简体)  中文(繁體)  +/−

You must also include a United States public domain tag to indicate why this work is in the public domain in the United States.

This tag is designed for use where there may be a need to assert that any enhancements (eg brightness, contrast, colour-matching, sharpening) are in themselves insufficiently creative to generate a new copyright. It can be used where it is unknown whether any enhancements have been made, as well as when the enhancements are clear but insufficient. For known raw unenhanced scans you can use an appropriate {{PD-old}} tag instead. For usage, see Commons:When to use the PD-scan tag.


Note: This tag applies to scans and photocopies only. For photographs of public domain originals taken from afar, {{PD-Art}} may be applicable. See Commons:When to use the PD-Art tag.

著作権法第67条第1項により文化庁長官裁定を受けて公開(裁定年月日: 2019/01/25)

File history

Click on a date/time to view the file as it appeared at that time.

Date/TimeThumbnailDimensionsUserComment
current13:18, 15 January 2024Thumbnail for version as of 13:18, 15 January 20245,329 × 4,287, 100 pages (102.98 MB)Wmr-bot (talk | contribs)上載《853874_1.pdf》

The following page uses this file:

Metadata