File:NDL2533227 錦百人一首あつま織.pdf

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Original file (11,739 × 9,975 pixels, file size: 227.12 MB, MIME type: application/pdf, 64 pages)

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Summary

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錦百人一首あつま織   (Wikidata search (Cirrus search) Wikidata query (SPARQL)  Create new Wikidata item based on this file)
Author
勝川, 春章, 1726-1792
image of artwork listed in title parameter on this page
Title
錦百人一首あつま織
Publisher
鳫金屋儀助
Description

書名は題簽による 色刷り

装丁 : 和装
Language jpn
Publication date

1775

安永4 [1775]
Place of publication JP
Source

doi:10.11501/2533227

institution QS:P195,Q477675
Creator
InfoField
勝川春章 画
Publication Place
InfoField
[江戸]
Subject
InfoField
絵本
Subject: NDLC
InfoField
W166
Abstract
InfoField
勝川春章画。百人一首歌仙絵集。特大本1冊。安永4年（1775）正月、江戸・雁金屋義助刊。色摺り。安永2年春待月、勝川春章の序に「百人一首の人物形容は世々の画工、其おもむきを画けるを、今はたも様のいまめかしきに写してよと書林青山堂の需に応して」筆を執った由をいうように、衣装の文様を当世風に改めた姿絵に主眼が置かれた。色摺り、墨摺りの両種がある。はじめに六歌仙を当世風にやつした画と貫之の六歌仙評を上げ、導入とする。絵は、伝統的な歌仙絵を踏襲するものも多いが、より寛いだ姿に特徴があり、後ろ向きの姿や立ち姿もある。当該本の書家は、愾山周之と推定されるが、初板の中に、春章自身と推定される筆跡を刻したものが知られている。なお、本絵本は典雅な名物絵本として人々の好評を得、幕末、近代に至るまで、板と摺りを重ねた。（鈴木淳）〈参考文献〉吉海直人「『錦百人一首あづま織』始末記」（『同志社女子大学総合文化研究所紀要』22号、2005年）。岩田秀行「勝川春章画『錦百人一首あづま織』の新出初版本」（『跡見学園女子大学短期大学部図書館報』45号、2006年）。神作研一「江戸の王朝美　歌仙絵入刊本の展開」（国文学研究資料館編『江戸の歌仙絵』2009年12月）。
Date Accepted: W3CDTF
InfoField
2011-07-26T18:41:41+09:00
Extent
InfoField
1冊 ; 28cm
Material Type
InfoField
Book JapaneseClassicalBook
Date Digitized: W3CDTF
InfoField
2011-03-31
Audience
InfoField
一般
Title Transcription
InfoField
ニシキ ヒャクニンイッシュ アズマオリ
Source Identifier: NDLBibID
InfoField
000010558178
Type: kotenType
InfoField
和漢書
Call Number
InfoField
り-49
Creator Transcription: NDLNA
InfoField
カツカワ, シュンショウ
Creator: NDLNAId
InfoField
00270317

Licensing

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This image is in the public domain because it is a mere mechanical scan or photocopy of a public domain original, or – from the available evidence – is so similar to such a scan or photocopy that no copyright protection can be expected to arise. The original itself is in the public domain for the following reason:
Public domain
According to Japanese Copyright Law (June 1, 2018 grant) the copyright on this work has expired and is as such public domain. According to articles 51, 52, 53 and 57 of the copyright laws of Japan, under the jurisdiction of the Government of Japan works enter the public domain 50 years after the death of the creator (there being multiple creators, the creator who dies last) or 50 years after publication for anonymous or pseudonymous authors or for works whose copyright holder is an organization.

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