File:NDL2533016 俳優相貎鏡.pdf

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Original file (10,275 × 8,718 pixels, file size: 83.23 MB, MIME type: application/pdf, 28 pages)

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Summary

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俳優相貎鏡   (Wikidata search (Cirrus search) Wikidata query (SPARQL)  Create new Wikidata item based on this file)
Author

歌川, 豊国 1世, 1769-1825

仁義道守, 1767-1835
image of artwork listed in title parameter on this page
Title
俳優相貎鏡
Publisher
山田屋三四良
Description

見返しに「淺艸市人著」とあり

装丁 : 和装
Language jpn
Publication date

1804

享和4 [1804]
Place of publication JP
Source

doi:10.11501/2533016

institution QS:P195,Q477675
Alternative Title
InfoField
役者相貎鏡
Creator
InfoField
仁義堂のあるじ 集; 歌川豊國 画
Publication Place
InfoField
東都
Subject
InfoField
演劇
Abstract
InfoField
仁義堂のあるじ（仁義道守）撰、歌川豊国画、狂歌入り大首役者似顔絵集。色摺。享和4年（1804）孟春、江戸・万春堂、山田屋三四（良）郎刊、大本1冊。浅草庵市人の序は、似顔絵の歴史を略説する中で、豊国の画に言及し「写神の妙たること似たりや／＼杜若花あやめ瓜をふたつに割こみの向棧鋪にみるこゝちす、是に仁義堂のあるし人々の狂詠を集そへられつ」とある。役者名の記載はない。背景、鼠色のつぶし。紫、紅をはじめとする極彩色を使用し、顔に胡粉を引き、目鼻口や隈取りに意を用い、衣装の文様も艶やか。演技中の緊迫した表情を伝えるものが多い。狂歌には、歌舞伎特有の「棧敷」「入り（のおちぬ）」「せり出し」「ちう（につらるる）」「敵やく」「七変化」その他の語を詠み入れる。最終の画は5世市川団十郞で、裏に自詠「君に顔見せんと夜半もねつみ木戸明て逢ふ日の檜舞台に　市川白猿（花押）」を記す。花押は「鼻」の朱1字。（鈴木淳）（2016.2）（参考文献）菊池貞夫解説『浮世絵八華　6　豊国』（青游社　1985.2）
Date Accepted: W3CDTF
InfoField
2011-07-26T19:37:43+09:00
Extent
InfoField
1冊 ; 27cm
Material Type
InfoField
Book JapaneseClassicalBook
Date Digitized: W3CDTF
InfoField
2011-03-31
Audience
InfoField
一般
Title Transcription
InfoField
ヤクシャ アワセカガミ
Alternative Transcription
InfoField
ヤクシャ アワセカガミ
Source Identifier: NDLBibID
InfoField
000007325643
Type: kotenType
InfoField
和漢書
Call Number
InfoField
ろ-62
Creator Transcription: NDLNA
InfoField
ウタガワ, トヨクニ 1セイ ジンギ ノ ミチモリ
Creator: NDLNAId
InfoField
00272460 001227390

Licensing

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This image is in the public domain because it is a mere mechanical scan or photocopy of a public domain original, or – from the available evidence – is so similar to such a scan or photocopy that no copyright protection can be expected to arise. The original itself is in the public domain for the following reason:
Public domain
According to Japanese Copyright Law (June 1, 2018 grant) the copyright on this work has expired and is as such public domain. According to articles 51, 52, 53 and 57 of the copyright laws of Japan, under the jurisdiction of the Government of Japan works enter the public domain 50 years after the death of the creator (there being multiple creators, the creator who dies last) or 50 years after publication for anonymous or pseudonymous authors or for works whose copyright holder is an organization.

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