File:NDL1179290 蓄音機とレコード通 part1.pdf

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Original file (7,143 × 5,137 pixels, file size: 90.72 MB, MIME type: application/pdf, 100 pages)

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Summary

[edit]
蓄音機とレコード通   (Wikidata search (Cirrus search) Wikidata query (SPARQL)  Create new Wikidata item based on this file)
Author
野村, あらえびす, 1882-1963
image of artwork listed in title parameter on this page
Title
蓄音機とレコード通
Series title 通叢書 ; 第45巻
Publisher
四六書院
Language jpn
Publication date

1931

昭和6
Place of publication JP
Source

doi:10.11501/1179290

institution QS:P195,Q477675
Creator
InfoField
あらえびす 著
Publication Place
InfoField
東京
Subject: NDC
InfoField
769
Extent
InfoField
167p ; 19cm
Material Type
InfoField
Book
Source Identifier: JPNO
InfoField
47025330
Date Digitized: W3CDTF
InfoField
2010-09-30
Audience
InfoField
一般
Title Transcription
InfoField
チクオンキ ト レコードツウ
Series Title Transcription
InfoField
ツウ ソウショ ; 45
Publisher Transcription
InfoField
シロク ショイン
Source Identifier: NDLBibID
InfoField
000000778752
Call Number
InfoField
602-1
Creator Transcription: NDLNA
InfoField
ノムラ, アラエビス
Creator: NDLNAId
InfoField
00122425
Contents
InfoField
標題

目次

第一篇 蓄音機禮讃の言葉/1

漫談風に/1

レコードの功績/4

トルストイもカルーソーも聽ける

レコード音樂は屢々實演にまさる/6

音樂鑑賞は蓄音機に限る/10

上手は益々上手に、下手は益々下手に

蓄音機に親しむ一日/12

私のレコードの聽き方

蓄音機の歷史/17

新式の蓄音機とレコード/22

驚く可き飛躍、悲しき進步/23

蓄音機は何を選ぶか/25

舊式機は絕對に駄目/25

ビクターとコロムビアの比較/26

第二篇 レコードの撰び方/36

素人の爲に/36

猥雜低劣なるレコードを排す/38

音樂史を讀め/42

名曲のレコード/46

レコードの音樂史的暼見/46

第一流の演奏家のレコードを選べ/65

第一流とはどんな人か/67

ヴァイオリン/67

ビアノ/68

セロ/69

四重奏團/69

オーケストラ/70

歌/70

吹込の良否/72

第三篇 レコード漫談/74

道樂としての蒐集/74

骨董レコードの事/77

どんなレコードを/80

フアンの逸話/82

レコード道樂邪宗門/84

馬鹿な話/84

邪道中の邪道/85

珍品あさり/87

口上、雜音、喝采/90

最後の婆心/92

歌のレコード/94

リードと民謠/94

自作自演のレコード/101

第四篇 珍品レコード/111

珍品の興味/111

Licensing

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This image is in the public domain because it is a mere mechanical scan or photocopy of a public domain original, or – from the available evidence – is so similar to such a scan or photocopy that no copyright protection can be expected to arise. The original itself is in the public domain for the following reason:
Public domain
According to Japanese Copyright Law (June 1, 2018 grant) the copyright on this work has expired and is as such public domain. According to articles 51, 52, 53 and 57 of the copyright laws of Japan, under the jurisdiction of the Government of Japan works enter the public domain 50 years after the death of the creator (there being multiple creators, the creator who dies last) or 50 years after publication for anonymous or pseudonymous authors or for works whose copyright holder is an organization.

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