File:MET DP-12232-053.jpg
Original file (4,000 × 3,002 pixels, file size: 4.44 MB, MIME type: image/jpeg)
Captions
Summary
[edit]Plum Blossoms | ||||||||||||||||||||||||
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Artist | ||||||||||||||||||||||||
Title | ||||||||||||||||||||||||
Object type | Japan; Hanging scroll; | |||||||||||||||||||||||
Description |
Plum blossoms, symbolic of the arrival of spring, were a favored subject among scholar-gentleman painters in China, but when Chinese ink paintings of plums arrived in Japan their imagery became widespread within Zen circles. This composition of a gnarled plum tree framed by a circle of ink wash may reflect the use of the circle in Zen painting and calligraphy as a visual representation of words from the text of the Heart Sutra, “form is void and void is form,” and as a symbol of enlightenment. Motsurin, a Zen artist-monk, might also have chosen plum blossoms because they were beloved of his mentor Ikkyū Sōjun (1394–1481), an abbot of Daitokuji temple in Kyoto known for his poetry, calligraphy, and flagrantly unorthodox behavior. Motsurin’s inscribed text claims that even elegant peonies and sweet jasmine cannot match the plum as a representation of the spring season. Paintings |
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Date |
15th century date QS:P571,+1450-00-00T00:00:00Z/7 |
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Medium | Hanging scroll; ink on paper | |||||||||||||||||||||||
Dimensions | Image: 10 3/4 × 16 11/16 in. (27.3 × 42.4 cm) | |||||||||||||||||||||||
Collection |
institution QS:P195,Q160236 |
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Current location |
Asian Art |
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Accession number |
2015.300.62 |
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Place of creation | Japan | |||||||||||||||||||||||
Credit line | Mary Griggs Burke Collection, Gift of the Mary and Jackson Burke Foundation, 2015 | |||||||||||||||||||||||
References | ||||||||||||||||||||||||
Source/Photographer |
https://www.metmuseum.org/art/collection/search/670896
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Permission (Reusing this file) |
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current | 16:44, 25 March 2017 | 4,000 × 3,002 (4.44 MB) | Pharos (talk | contribs) | GWToolset: Creating mediafile for Pharos. |
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Metadata
This file contains additional information such as Exif metadata which may have been added by the digital camera, scanner, or software program used to create or digitize it. If the file has been modified from its original state, some details such as the timestamp may not fully reflect those of the original file. The timestamp is only as accurate as the clock in the camera, and it may be completely wrong.
Author | Lee Oi-Cheong |
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Image title |
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Copyright holder | |
Short title |
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Date and time of data generation | 16:07, 12 October 2016 |
Lens used | HC 120 |
Serial number of camera | IX87114003 |
Keywords | Painting Only |
Date and time of digitizing | 16:07, 12 October 2016 |
Date metadata was last modified | 12:20, 12 October 2016 |
File change date and time | 12:20, 12 October 2016 |
Unique ID of original document | xmp.did:e3510bf8-64c9-44f9-8eab-2ae06bf34b63 |
Copyright status | Copyright status not set |
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