File:Indiaman in the Thames RMG BHC1228.tiff
Original file (4,116 × 3,282 pixels, file size: 38.65 MB, MIME type: image/tiff)
Captions
Summary
[edit]William Adolphus Knell: Indiaman in the Thames | ||||||||||||||||||||||||
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Artist |
artist QS:P170,Q7940855 |
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Title | ||||||||||||||||||||||||
Object type |
painting object_type QS:P31,Q3305213 |
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Description |
English: Indiaman in the Thames Knell was one of the leading and most accomplished marine painters in 19th-century Britain, with paintings in the Royal Collection. This grandly ambitious and dramatic canvas demonstrates why. It shows a battered and storm-damaged Indiaman, just returned from the East into the Thames, against a glowing golden sky from which the clouds are now receding. Like Henry O’Neil’s ‘The Parting Cheer’ (ZBA4022), it implicitly points to the larger imperial context of maritime Victorian Britain, and the uncertainties and anxieties associated with it. The two vessels bow-on in the right distance are both Royal Naval ships, one traditional - a sailing three-decker - and the other apparently a new steam-assisted iron-clad, emphasizing the theme of changing times. The picture may be one that Knell exhibited at the Royal Academy in 1864 (no.148), entitled 'On the Medway - bringing a disabled ship into port', and if so the location is likely to be the naval anchorage off the Nore sands looking west, with the mouth of the Medway concealed behind the damaged Indiaman. |
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Date | possibly circa 1864 | |||||||||||||||||||||||
Medium | oil on canvas | |||||||||||||||||||||||
Dimensions | Painting: 1222 x 1525 mm; Frame: 1630 mm x 1950 mm x 150 mm | |||||||||||||||||||||||
Collection |
institution QS:P195,Q7374509 |
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Current location | ||||||||||||||||||||||||
Accession number |
BHC1228 |
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References | ||||||||||||||||||||||||
Source/Photographer | http://collections.rmg.co.uk/collections/objects/12719 | |||||||||||||||||||||||
Permission (Reusing this file) |
The original artefact or artwork has been assessed as public domain by age, and faithful reproductions of the two dimensional work are also public domain. No permission is required for reuse for any purpose. The text of this image record has been derived from the Royal Museums Greenwich catalogue and image metadata. Individual data and facts such as date, author and title are not copyrightable, but reuse of longer descriptive text from the catalogue may not be considered fair use. Reuse of the text must be attributed to the "National Maritime Museum, Greenwich, London" and a Creative Commons CC-BY-NC-SA-3.0 license may apply if not rewritten. Refer to Royal Museums Greenwich copyright. |
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Identifier InfoField | Acquisition Number: 1949-705 id number: BHC1228 |
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Collection InfoField | Oil paintings |
Licensing
[edit]
This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details. |
File history
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 02:45, 17 September 2017 | 4,116 × 3,282 (38.65 MB) | Fæ (talk | contribs) | Royal Museums Greenwich Oil paintings (1864), http://collections.rmg.co.uk/collections/objects/12719 #823 |
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Height | 3,282 px |
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Compression scheme | Uncompressed |
Pixel composition | RGB |
Image data location | 140 |
Number of components | 3 |
Number of rows per strip | 3,282 |
Bytes per compressed strip | 40,526,136 |
Data arrangement | chunky format |