File:Florizel and Perdita (BM J,1.157).jpg
Original file (1,183 × 1,600 pixels, file size: 492 KB, MIME type: image/jpeg)
Captions
Summary
[edit]Florizel and Perdita ( ) | ||||||||||||||||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Title |
Florizel and Perdita |
|||||||||||||||||||||||
Description |
English: Perdita (Mary Robinson, 1758-1800) stands in profile to the right in the centre of a circle holding a wand which rests on her shoulder. In her left hand she holds out a book, 'Essay on Man', to 'Florizel', the Prince of Wales (1762-1830), who looks at her with admiration, both hands raised as if dazzled by her beauty. She wears a high-crowned Welsh hat on the top of a pyramid of hair with its head-dress of lace and ribbons. He wears a loose tunic over Roman armour, a long furred cloak, and the insignia of the Garter. His coronet, decorated with two ostrich feathers and a leek, emblem of Wales, is falling from his head. Behind Perdita stands a man who points at her with his right hand. His head is decorated with stag's horns, and in his left hand is a paper inscribed "Sr Peter Pimp": he is Thomas Robinson, her husband. The scene is probably the Green Room at Drury Lane. At Perdita's feet are rectangular and arched-top boxes inscribed "Whitewash, Carmine, Dentrifice, Perfume, Pomatum"; on the last is a paper inscribed "To Florizel". Behind her is an elaborately carved sofa with satyr's legs, its head ornamented with a cupid and two birds. The wall behind is draped with a large looped curtain. Against it stand two ornate pedestals each surmounted by a tazza. On the wall are two medallions: the larger represents a nymph and goat-herd with two goats (?) and is surmounted by a cupid with a bow and arrow who wears a high-crowned Welsh hat decorated with a leek. The other is the profile-head of a satyr (?). 10 November 1780
Hand-coloured etching with engraving, and letterpress |
|||||||||||||||||||||||
Depicted people | Representation of: George IV, King of the United Kingdom | |||||||||||||||||||||||
Date |
1780 date QS:P571,+1780-00-00T00:00:00Z/9 |
|||||||||||||||||||||||
Medium | paper | |||||||||||||||||||||||
Dimensions |
|
|||||||||||||||||||||||
Collection |
institution QS:P195,Q6373 |
|||||||||||||||||||||||
Current location |
Prints and Drawings |
|||||||||||||||||||||||
Accession number |
J,1.157 |
|||||||||||||||||||||||
Notes |
(Description and comment from M.Dorothy George, 'Catalogue of Political and Personal Satires in the British Museum', V, 1935) Mrs. Robinson played Perdita in Garrick's adaptation of the 'Winter's Tale' in her last season at Drury Lane, 1779-80, and attracted the admiration of the Prince of Wales who sent her a letter signed 'FlorizeF, thus beginning a correspondence between Florizel and Perdita which led to her short-lived establishment as the prince's mistress. The first meeting in the Green Room at Drury Lane is said to have occurred on 3 Dec. 1780, after the date of this print, Genest, vi. 136-7. For the liaison see also 'Corr. of George III', vol. v. 269; Walpole, 'Last Journals', 1910, ii. 350; Tom Taylor, 'Life of Reynolds', i. 345-6. The song, 'Florizel and Perdita', is to the tune of 'O Polly is a sad slut! &c.' The second of eight verses is: "A tender Prince, oh well-a-day! Of Years not yet a Score, Had late his poor Heart stol'n away, By one of's many more;" The first of many satires associating the Prince and Mrs. Robinson. See BMSat 5865, 6115, 6116, 6117, 6221, 6263, 6266, 6318, 6319, 6320. (Description and comment from M.Dorothy George, 'Catalogue of Political and Personal Satires in the British Museum', V, 1935) Song printed underneath |
|||||||||||||||||||||||
Source/Photographer | https://www.britishmuseum.org/collection/object/P_J-1-157 | |||||||||||||||||||||||
Permission (Reusing this file) |
© The Trustees of the British Museum, released as CC BY-NC-SA 4.0 |
Licensing
[edit]This image is in the public domain because it is a mere mechanical scan or photocopy of a public domain original, or – from the available evidence – is so similar to such a scan or photocopy that no copyright protection can be expected to arise. The original itself is in the public domain for the following reason:
This tag is designed for use where there may be a need to assert that any enhancements (eg brightness, contrast, colour-matching, sharpening) are in themselves insufficiently creative to generate a new copyright. It can be used where it is unknown whether any enhancements have been made, as well as when the enhancements are clear but insufficient. For known raw unenhanced scans you can use an appropriate {{PD-old}} tag instead. For usage, see Commons:When to use the PD-scan tag. Note: This tag applies to scans and photocopies only. For photographs of public domain originals taken from afar, {{PD-Art}} may be applicable. See Commons:When to use the PD-Art tag. |
File history
Click on a date/time to view the file as it appeared at that time.
Date/Time | Thumbnail | Dimensions | User | Comment | |
---|---|---|---|---|---|
current | 00:14, 12 May 2020 | 1,183 × 1,600 (492 KB) | Copyfraud (talk | contribs) | British Museum public domain uploads (Copyfraud/BM) Satirical prints in the British Museum 1780 #5,520/12,043 |
You cannot overwrite this file.
File usage on Commons
The following page uses this file:
Metadata
This file contains additional information such as Exif metadata which may have been added by the digital camera, scanner, or software program used to create or digitize it. If the file has been modified from its original state, some details such as the timestamp may not fully reflect those of the original file. The timestamp is only as accurate as the clock in the camera, and it may be completely wrong.
Orientation | Normal |
---|---|
Horizontal resolution | 300 dpi |
Vertical resolution | 300 dpi |
Software used | Adobe Photoshop Elements 2.0 |
File change date and time | 14:58, 28 September 2005 |
Color space | Uncalibrated |