File:Changez moi cette tête, tête d'ancien gout (BM 1998,0712.46).jpg
Original file (2,500 × 1,912 pixels, file size: 1.37 MB, MIME type: image/jpeg)
Captions
Summary
[edit]Changez moi cette tête, tête d'ancien gout ( ) | ||||||||||||||||||||||||
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Artist |
Print made by: Anonymous
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Title |
Changez moi cette tête, tête d'ancien gout |
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Description |
English: Satire on the changing fashions for women, with women in a shop buying new heads, backsides, legs etc. January 1784
Hand-coloured etching |
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Date |
1784 date QS:P571,+1784-00-00T00:00:00Z/9 |
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Medium | paper | |||||||||||||||||||||||
Dimensions |
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Collection |
institution QS:P195,Q6373 |
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Current location |
Prints and Drawings |
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Accession number |
1998,0712.46 |
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Notes |
This satire, which is not identifiable in De Vinck, is described in Grimm's 'Correspondence Littéraire' (ed. M.Tourneux), XIII p.324, being the entry for June 1783: 'On a fait une assez jolie caricature dont l'epigraphe est "Avis au public, têtes à changer". C'est un magasin où l'on voit une grande affluence d'hommes et de femmes de toute condition qui viennent se pourvoir, selon leur besoin, de nouvelles têtes, de nouveaux culs, de nouvelles hanches etc. L'idée de cette gravure a beaucoup réussi, et ce succès a donné lieu à de mauvais couplets qu'on attribue à M.Desprès, secrétaire de M.le baron de Besenval ...'. This is one of the very few comments in Grimm relating to caricatures. The date of this print, January 1784, and the false London publication line of Hannah Humphrey (previously accepted at face value, see A. Griffiths, 'English Prints in 18th-century Paris', Print Quarterly, December 2005), can be explained by parallel documents found in the French archives on another French plate with the publication of Robert Sayer. J.B.Crépy published in 1779 a print titled 'Le nouveau jeu des modes françaises' in which he had reproduced on a single plate a series of fashion plates for which Esnauts and Rapilly had taken out a privilege the year before. To disguise his involvement he had published it with the false address of Robert Sayer in London. He lost the subsequent lawsuit because Esnauts and Rapilly were able to produce the draughtsman and engraver who had worked for Crépy (the documents were found and published by Geoffrey de Bellaigue, 'Engravings and the French XVIIIc marqueteur', Burlington Magazine, CVII 1965, p.241). |
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Source/Photographer | https://www.britishmuseum.org/collection/object/P_1998-0712-46 | |||||||||||||||||||||||
Permission (Reusing this file) |
© The Trustees of the British Museum, released as CC BY-NC-SA 4.0 |
Licensing
[edit]This image is in the public domain because it is a mere mechanical scan or photocopy of a public domain original, or – from the available evidence – is so similar to such a scan or photocopy that no copyright protection can be expected to arise. The original itself is in the public domain for the following reason:
This tag is designed for use where there may be a need to assert that any enhancements (eg brightness, contrast, colour-matching, sharpening) are in themselves insufficiently creative to generate a new copyright. It can be used where it is unknown whether any enhancements have been made, as well as when the enhancements are clear but insufficient. For known raw unenhanced scans you can use an appropriate {{PD-old}} tag instead. For usage, see Commons:When to use the PD-scan tag. Note: This tag applies to scans and photocopies only. For photographs of public domain originals taken from afar, {{PD-Art}} may be applicable. See Commons:When to use the PD-Art tag. |
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 21:03, 15 May 2020 | 2,500 × 1,912 (1.37 MB) | Copyfraud (talk | contribs) | British Museum public domain uploads (Copyfraud/BM) Satirical prints in the British Museum 1784 #10,889/12,043 |
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Orientation | Normal |
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Horizontal resolution | 300 dpi |
Vertical resolution | 300 dpi |
Software used | Adobe Photoshop Elements 2.0 |
File change date and time | 12:33, 6 June 2005 |
Color space | Uncalibrated |