File:Biblioteca Marciana-Sala sansoviniana-12.tif

From Wikimedia Commons, the free media repository
Jump to navigation Jump to search

Biblioteca_Marciana-Sala_sansoviniana-12.tif (519 × 519 pixels, file size: 1.04 MB, MIME type: image/tiff)

Captions

Captions

Allegory of Sculpture

Summary

[edit]
Artist
Bernardo Strozzi  (1581–1644)  wikidata:Q437724
 
Bernardo Strozzi
Alternative names
il Cappuccino, il Prete genovese
Description Italian painter
Date of birth/death 1581 Edit this at Wikidata 2 August 1644 Edit this at Wikidata
Location of birth/death Campo Ligure Edit this at Wikidata Venice Edit this at Wikidata
Work location
Genua, Venice
Authority file
artist QS:P170,Q437724
Title
Italiano: Allegoria della Scultura
(Archives, PS, Serie Chiesa, Decreti e terminazioni, v. 35, c. 85, 1635, 26 November)
English: Allegory of Sculpture
Alternative titles
InfoField
"Measure of Self" (Broderick-2016)[1]
Object type painting
object_type QS:P31,Q3305213
Date 1635
date QS:P571,+1635-00-00T00:00:00Z/9
Medium oil on canvas
medium QS:P186,Q296955;P186,Q12321255,P518,Q861259
Dimensions diameter: 230 cm (90.5 in)
dimensions QS:P2386,230U174728
institution QS:P195,Q578460
Place of creation Venice
Object history Roundel by Bernardo Strozzi, commissioned in 1635 by the Procurators of Saint Mark de supra for the ceiling of the Reading Room of the Biblioteca Marciana in substitution of the damaged roundel by Giulio Licinio.[2] All of the roundels (21) were removed by the Austrians at the end of the second period of Austrian occupation (1815–1866) and transported to Vienna. The roundels were restituted as per the Treaty of Vienna of 3 October 1866 between Italy and Austria.
Notes
  1. ↑ Broderick, noting that the allegorical figure holds the attributes typically associated with Measure (compass and ruler) and not Sculpture (hammer and chisel), considers the allegory to visually present Plotinus' Discourse on Beauty (Enneads, I,6,9)
  2. ↑ The deliberation of the procurators de supra (Archives, PS, Serie Chiesa, Decreti e terminazioni, v. 35, c. 85, 1634, 12 aprile) states the intention to copy the damaged roundel. Nevertheless, when interpreted as an Allegory of Sculpture, the roundel is generally considered to differ from the original theme. (see Hope, p. 290)
References Boschini, Marco, Le minere della pittura, Venezia, Francesco Nicolini, 1664, p. 91; Zanetti, Antonio Maria, Della pittura veneziana e delle opere pubbliche de' veneziani maestri, 1771, Venezia, Giambatista Albrizzi, p. 509; Lorenzetti, Giulio, Venezia e il suo estuario: guida storico-artistica, 1926, Venezia, Bestetti & Tuminelli, p. 161; Ivanoff, Nicola, La libreria Marciana: arte e iconologia, «Saggi e Memorie», 6, 1967, Firenze, L. S. Olschki, p. 41; Paolucci, Antonio, La sala della libreria e il ciclo pittorico in Da Tiziano a El Greco: per la storia del Manierismo a Venezia 1540–1590, 1981, Milano, Electa, p. 293; Hope, Charles, The Ceiling Paintings in the Libreria Marciana in Nuovi Studi su Paolo Veronese, 1990, Venezia, Arsenale Editrice, p. 290; Broderick, Jarrod, M., Custodian of Wisdom: The Marciana Reading Room and the Transcendent Knowledge of God, «Studi veneziani», LXXIII, 2016, pp. 42–44
Source/Photographer Biblioteca Nazionale Marciana Prot. 191-23.01.20
Permission
(Reusing this file)
Italy-MiBAC-disclaimer Further authorizations required by the Italian "Code of Cultural Heritage and Landscape" (Codice Urbani), under Legislative Decree No. 42, dated January 22, 2004, and its subsequent amendments, regarding the reuse of the picture.
This image reproduces a property belonging to the Italian cultural heritage as entrusted to the Italian government. Such images are regulated by Articles 106 et seq. of the Italian Code of Cultural Heritage and Landscape under Legislative Decree No. 42, dated January 22, 2004, and its subsequent amendments. These regulations, unrelated to copyright regulations, establish a system for the protection of Italy’s historic and artistic heritage and its standards of dignity. Among other things, these regulations provide for the payment of a concession fee by those who intend to benefit economically from reproductions of property belonging to the Italian cultural heritage. Reproduction of this image is permitted for personal use or study. A further authorization by the Italian Ministry of Heritage and Culture is required for reproduction for any other purpose, and particularly for commercial use. Such commercial use includes, but is not limited to, use in (a) any form of advertising, and (b) any company name, logo, trademark, image, activity, or product. 		Italy

Licensing

[edit]
This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
Public domain

This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 70 years or fewer.

You must also include a United States public domain tag to indicate why this work is in the public domain in the United States.
 Note that a few countries have copyright terms longer than 70 years: Mexico has 100 years, Jamaica has 95 years, Colombia has 80 years, and Guatemala and Samoa have 75 years. This image may not be in the public domain in these countries, which moreover do not implement the rule of the shorter term. Honduras has a general copyright term of 75 years, but it does implement the rule of the shorter term. Copyright may extend on works created by French who died for France in World War II (more information), Russians who served in the Eastern Front of World War II (known as the Great Patriotic War in Russia) and posthumously rehabilitated victims of Soviet repressions (more information).
This file has been identified as being free of known restrictions under copyright law, including all related and neighboring rights.
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details.
Public domain
This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.
Public domain works must be out of copyright in both the United States and in the source country of the work in order to be hosted on the Commons. If the work is not a U.S. work, the file must have an additional copyright tag indicating the copyright status in the source country.
Note: This tag should not be used for sound recordings.PD-1923Public domain in the United States//commons.wikimedia.org/wiki/File:Biblioteca_Marciana-Sala_sansoviniana-12.tif

File history

Click on a date/time to view the file as it appeared at that time.

Date/TimeThumbnailDimensionsUserComment
current09:40, 11 June 2020Thumbnail for version as of 09:40, 11 June 2020519 × 519 (1.04 MB)Venicescapes (talk | contribs)Uploaded own work with UploadWizard

You cannot overwrite this file.

The following page uses this file:

File usage on other wikis

The following other wikis use this file:

Metadata

This file contains additional information such as Exif metadata which may have been added by the digital camera, scanner, or software program used to create or digitize it. If the file has been modified from its original state, some details such as the timestamp may not fully reflect those of the original file. The timestamp is only as accurate as the clock in the camera, and it may be completely wrong.

Retrieved from "https://commons.wikimedia.org/w/index.php?title=File:Biblioteca_Marciana-Sala_sansoviniana-12.tif&oldid=843705820"