File:Armed for the enforcement of tythes. (BM 1868,0808.12321).jpg
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Captions
Summary
[edit]Armed for the enforcement of tythes. ( ) | ||||||||||||||||||||||||
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Artist |
Print made by: Robert Seymour
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Title |
Armed for the enforcement of tythes. |
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Description |
English: Lithographic caricature magazine of four pages on two leaves, in the form of a (monthly) newspaper; illustrations as follows. 1 September 1832
In a scene travestied from 'Paradise Lost' Wellington stands in the House of Lords surrounded by Tory peers; all have large feathered wings, all except Lyndhurst wear Roman armour. He stands full-face, right fist raised, left hand on the Table, making his declaration against Reform (see No. 16299, &c.). From his head springs a woman holding a sword of flame and a shield inscribed 'Reform' which conceals her face; she is surrounded by clouds and by Welling¬ton's words: 'I declare there shall be no reform'. The peers listen aghast. Lynd¬hurst, on the Woolsack, raises his spectacles with his accustomed gesture to stare gravely at the Duke. The others are (left to right) Newcastle, Ellenborough with his finger to his lips, Eldon, Bishop Phillpotts, Cumberland. Others are more dimly seen; a crutch indicates Lord Wynford. Below the design: '"In Place when at th' Assembly, and in sight / Of all the Lords with thee combined, / In bold debate, against the public purse, / All on a sudden miserable folly, / Surprised and dimm'd thy wits, the Declaration / Of no reform shall be, thy tongue so thick and fast / Threw forth, till at the opening wide, / Like thee in obstinacy right or wrong, / To whigs so fair, to tory's foul, all arm'd / Out of thy head I sprung. Amazement seized / All the Host of Placemen, back they recoiled afraid / And call'd me Revolution." / Paradise Lost. Book II.' |
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Depicted people | Associated with: George Hamilton Gordon, 4th Earl of Aberdeen | |||||||||||||||||||||||
Date |
1832 date QS:P571,+1832-00-00T00:00:00Z/9 |
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Medium | paper | |||||||||||||||||||||||
Dimensions |
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Collection |
institution QS:P195,Q6373 |
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Current location |
Prints and Drawings |
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Accession number |
1868,0808.12321 |
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Notes |
Notes to No. 17238: Phillpotts (see No. 17005, &c.) seemed the embodiment of the hated bishop: 'He has a desperate and a dreadful countenance, and looks like the man he is.' 'He is carried away by his ambition and his alarm, and horrifies his brethren, who feel all the dangers in these times of such a colleague. Greville, Memoirs, 14 and 15 Apr. 1832. See No. 16805, &c. Notes to No. 17243: Alexander Somerville, having written a letter to the Weekly Despatch stating that while the Scots Greys were prepared to put down wanton disorder in the May crisis, they would never have raised an arm against the liberties of their country, was ordered, though a recruit, to ride a raw horse, and refused. Ostensibly for this, but, as he believed, for the letter, he was court-martialled and flogged. The matter was raised in Parliament, there was a War Office inquiry, and the officer responsible was severely censured, though it was denied that the punishment was for a political offence. Parl. Deb., 3rd s. xix. 29, 153, 560, 1241, 1325 (3 July-11 Aug.); Hobhouse, Recollections of a Long Life, 1910, iv. 246 f., 250. See No. 17088. Notes to No. 17250: Durham, on a special mission to Russia (see No. 17168), reached Kronstadt on 16 July. Next day the Tsar arrived there to inspect the fleet, and invited Durham to his yacht; it was incorrectly reported that he went on board the Talaver a. Corr. of Princess Lieven and Earl Grey, 1890, ii. 372 f. For the prevailing distrust of Russia see No. 17218. Bound in a volume ("The Looking Glass, Vol. III") containing nos. 25 to 36 for 1832. Vols. I to VII (1830 to 1836) are kept at 298.d.12 to 18. |
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Source/Photographer | https://www.britishmuseum.org/collection/object/P_1868-0808-12321 | |||||||||||||||||||||||
Permission (Reusing this file) |
© The Trustees of the British Museum, released as CC BY-NC-SA 4.0 |
Licensing
[edit]This image is in the public domain because it is a mere mechanical scan or photocopy of a public domain original, or – from the available evidence – is so similar to such a scan or photocopy that no copyright protection can be expected to arise. The original itself is in the public domain for the following reason:
This tag is designed for use where there may be a need to assert that any enhancements (eg brightness, contrast, colour-matching, sharpening) are in themselves insufficiently creative to generate a new copyright. It can be used where it is unknown whether any enhancements have been made, as well as when the enhancements are clear but insufficient. For known raw unenhanced scans you can use an appropriate {{PD-old}} tag instead. For usage, see Commons:When to use the PD-scan tag. Note: This tag applies to scans and photocopies only. For photographs of public domain originals taken from afar, {{PD-Art}} may be applicable. See Commons:When to use the PD-Art tag. |
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 14:51, 17 May 2020 | 1,822 × 2,500 (571 KB) | Copyfraud (talk | contribs) | British Museum public domain uploads (Copyfraud/BM) Coloured lithographs in the British Museum 1832 #21,505/21,781 |
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Date and time of data generation | 12:52, 11 September 2006 |
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ISO speed rating | 50 |
Camera manufacturer | Phase One |
Camera model | P 45 |
Exif version | 0.48 |
Date and time of digitizing | 12:52, 11 September 2006 |
Image width | 5,428 px |
Image height | 7,230 px |
Horizontal resolution | 300 dpi |
Vertical resolution | 300 dpi |
File change date and time | 12:57, 11 September 2006 |
Date metadata was last modified | 12:57, 11 September 2006 |
Software used | Adobe Photoshop CS Macintosh |