File:Anselmus-van-Hulle-Hommes-illustres MG 0480.tif

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Artist
engraving 1649:
Cornelis Galle the Younger  (1615 – 1678)  wikidata:Q323843
 
Alternative names
Cornelis Galle the Younger
Description Flemish printmaker and drawer
Date of birth/death 23 February 1615 (baptised) 18 October 1678 Edit this at Wikidata
Location of birth/death Antwerp Edit this at Wikidata Antwerp Edit this at Wikidata
Work period 1638 - 1678
Work location
Antwerp (1638 - 1678)
Authority file
artist QS:P170,Q323843
after a painting by:
Anselm van Hulle  (1601–after 1674
date QS:P,+1674–00–00T00:00:00Z/7,P1319,+1674–00–00T00:00:00Z/9
)  wikidata:Q569598
 
Alternative names
Anselmus Hebbelijnck, Anselmus Hebbelynck, Anselm von Hulle, Anselmus van Hulle, Anselmus von Hulle
Description Flemish painter, printmaker, art dealer and drawer
Date of birth/death 23 July 1601 (baptised) after 24 October 1674
date QS:P,+1674-10-24T00:00:00Z/7,P1319,+1674-10-24T00:00:00Z/11
 Edit this at Wikidata
Location of birth/death Ghent Edit this at Wikidata Ghent (?)
Work period 1620-1674
Work location
Ghent (1620), Münster, Gottorf, Dresden, Italy (....-1631) (?), Ghent (1631-1674)
Authority file
artist QS:P170,Q569598
Description
Svenska: Mattias Biörenklou (1607-1671). Mattias Erici Arosenius Mylonius, adlad Biörenklou, född 26 december 1607 i Västerås, död 20 augusti 1671 i Stockholm, var en svensk professor och ämbetsman, diplomat, riksråd och kansliråd
English: Portrait of Mattias Biörenklou (1607-1671), Swedish professor and diplomat. Page 53.
Date 1717
date QS:P571,+1717-00-00T00:00:00Z/9
Source/Photographer

Anselmus van Hulle: Les hommes illustres qui ont vécu dans le XVII. siecle: les principaux potentats, princes, ambassadeurs et plenipotentiaires qui ont assisté aux conferences de Munster et d'Osnabrug avec leurs armes et devises / dessinez et peints au naturel par le fameux Anselme van Hulle, peintre de Frederic Henri de Nassau, Prince D'Orange, et gravez par les plus habiles maîtres. Publisher: David Mortier, Amsterdam.

131 p. Translation of: Celeberrimi ad pacificandum christiani nominis orbem: legati Monasterium et Osmabrugas, ex omni pene gentium nationumque genere missi; ad vivum Anselmi van Hulle penicillo expressi, eiusque cura et aere, per insigniores huius aevi sculptores caelo repraesentati.- Antverpiae: apud Danielem Middelerium, 1648
institution QS:P195,Q3046797
Permission
(Reusing this file)
This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
Public domain

This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer.

This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.

This file has been identified as being free of known restrictions under copyright law, including all related and neighboring rights.
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details.
This is a photograph taken of an image originating from an antiquarian book that is part of the Peace Palace Library collection in the Netherlands. The image has been digitized by Bert Mellink and Lilian Mellink-Dikker from the partnership "D-Vorm VOF". Credits are appreciated.
Creative Commons CC-Zero This file is made available under the Creative Commons CC0 1.0 Universal Public Domain Dedication.
The person who associated a work with this deed has dedicated the work to the public domain by waiving all of their rights to the work worldwide under copyright law, including all related and neighboring rights, to the extent allowed by law. You can copy, modify, distribute and perform the work, even for commercial purposes, all without asking permission.

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