File:Amori sdegni et gielosie di Giunone (BM 2AA+,a.15.1).jpg
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Captions
Summary
[edit]Amori sdegni et gielosie di Giunone ( ) | ||||||||||||||||||||||||
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Title |
Amori sdegni et gielosie di Giunone |
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Description |
English: Title-page showing Pallas Athena, standing on the left, and Mercury holding a caduceus, on the right. Above two putti. Bound in album.
Etching and engraving |
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Depicted people | Representation of: Athena/Minerva | |||||||||||||||||||||||
Date | 1531-1576 (c.) | |||||||||||||||||||||||
Medium | paper | |||||||||||||||||||||||
Dimensions |
Height: 134 millimetres
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Collection |
institution QS:P195,Q6373 |
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Current location |
Prints and Drawings |
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Accession number |
2AA+,a.15.1 |
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Notes |
See H,5.114 for another impression. Incomplete series of "Amori Sdegni et Gielosie di Giunone", bound together in brown leather, lettered on the spine 'Amori di Giunone', and gold decoration. Book, with frontispiece, and 17 plates (the original series is composed of 22 plates: Bartsch, v. XV, no. 120, 124, 126 and 130 are missing). Album with octagonal "MVSAEVM BRITANNICVM" (Sloane), annotated by Sloane on the second page ('MCXX'). This series of prints is dedicated to the loves and jealousies of the goddess, Juno, the designs for which seem to be of Giulio's own invention. The series was heavily infleunced by artists such as Parmigianino and Titian, as noted by Bartsch, and also, by Correggio, Raphael and Marcantonio Raimondi. Each print has an ornamental frame and features verses in the bottom register, as well as Giulio's name as 'inventor'. It has been suggested by Massari that the series was perhaps commissioned by or connected to the Accademia Bocchiana, Bologna. (Stefania Massari, 'Giulio Bonasone', Vol. 1, Rome, 1983, p. 115) |
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Source/Photographer | https://www.britishmuseum.org/collection/object/P_2AA-a-15-1 | |||||||||||||||||||||||
Permission (Reusing this file) |
© The Trustees of the British Museum, released as CC BY-NC-SA 4.0 |
Licensing
[edit]This image is in the public domain because it is a mere mechanical scan or photocopy of a public domain original, or – from the available evidence – is so similar to such a scan or photocopy that no copyright protection can be expected to arise. The original itself is in the public domain for the following reason:
This tag is designed for use where there may be a need to assert that any enhancements (eg brightness, contrast, colour-matching, sharpening) are in themselves insufficiently creative to generate a new copyright. It can be used where it is unknown whether any enhancements have been made, as well as when the enhancements are clear but insufficient. For known raw unenhanced scans you can use an appropriate {{PD-old}} tag instead. For usage, see Commons:When to use the PD-scan tag. Note: This tag applies to scans and photocopies only. For photographs of public domain originals taken from afar, {{PD-Art}} may be applicable. See Commons:When to use the PD-Art tag. |
File history
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current | 20:24, 5 May 2020 | 1,246 × 1,600 (570 KB) | Copyfraud (talk | contribs) | British Museum public domain uploads (Copyfraud/BM) Book illustrations in the British Museum 1531 #1591 |
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Metadata
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File change date and time | 14:38, 10 October 2017 |
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Date and time of digitizing | 12:06, 10 October 2017 |
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Date metadata was last modified | 15:38, 10 October 2017 |
Unique ID of original document | 8663DC4AABA2EC664FBAD8504636D5A3 |
IIM version | 58,016 |