File:A Peep into the Retreat at Tinnehinch (BM 1868,0808.12512).jpg

From Wikimedia Commons, the free media repository
Jump to navigation Jump to search

Original file (2,500 × 1,988 pixels, file size: 1.55 MB, MIME type: image/jpeg)

Captions

Captions

Add a one-line explanation of what this file represents

Summary

[edit]
A Peep into the Retreat at Tinnehinch   (Wikidata search (Cirrus search) Wikidata query (SPARQL)  Create new Wikidata item based on this file)
Artist

Print made by: Thomas Rowlandson

Published by: James Whittle
Title
A Peep into the Retreat at Tinnehinch
Description
English: Pl. to the 'Anti-Jacobin Review' (issued separately). Grattan (right) has risen from his arm-chair to greet with outstretched hands two young men whom a servant (left), with a knowing gesture, has just shown into his library. One introduces the other: "Mr Grattan give me leave to introduce Mr Jn° H--gh--'s"; Grattan says: "I suppose Sir you are an United Irishman"; Hughes answers: "I am". A bust of 'Le Paus' (see BMSat 9240) on a high pedestal on the extreme right looks down cynically at Grattan. On the wall behind him are portraits of 'Lord Fitzgerald' (see BMSat 9227), 'Tom Paine' (a mere scrawl), and 'Robespier[re]', with a placard: 'New Irish Government Liberty and Equality to be introduced by our worthy & disinterested Allies the French'. The other two walls are lined with bulky volumes: 'Towers Tracts' (see BMSat 7890); 'Republic'; 'Wakefield' (see BMSat 9371); 'Parr' (see BMSat 9430); 'The Press' (see BMSat 9186, &c); 'The Courier' (see BMSat 9194, &c); 'Christie'; 'Molineux'; 'Pain's Works' (see BMSat 8137, &c); 'Critical Review' (see BMSat 9240); 'Mc Niven'; 'Priestly Works' (see BMSat 7887); 'O'Connor' (see BMSat 9245, &c.)


On the writing-table are documents: 'Constitution of United Irishmen' and 'Copy of the [illegible word] of ye Test of Oath'. On the floor at Grattan's feet is a sheaf of pikes with papers: 'Contract for Pikes'; 'Plan for the destruction of both Houses of Parlaiment Bank & . . by Tone'; 'Dispatches from the French Conventi[on]'; 'List of united Irishmen in London Hamburg . . .'; a portfolio: 'Charts of the Irish Coast with remarks where foreign troops may be landed with great safety'; two large books: 'Art of Assassination' and 'Rise and Progress of Jacobinism'. 1 May 1799


Hand-coloured etching
Depicted people Associated with: Thomas Christie
Date 1799
date QS:P571,+1799-00-00T00:00:00Z/9
Medium paper
Dimensions
Height: 213 millimetres
Width: 263 millimetres
institution QS:P195,Q6373
Current location
Prints and Drawings
Accession number
1868,0808.12512
Notes

(Description and comment from M.Dorothy George, 'Catalogue of Political and Personal Satires in the British Museum', VII, 1942) Grattan had been groundlessly accused by an informer of being a sworn member of the United Irishmen (see BMSat 9228, &c.) and was consequently removed from the Irish Privy Council on 6 Oct. 1798 (see BMSat 9343). Tinnehinch was his estate in Wicklow. The book-titles are allegations of Jacobinism and republicanism. 'Molineux' probably connotes 'The Case of Ireland's being bound by Acts of Parliament in England stated', 1698, by William Molyneux, incorrectly believed to have been condemned to be burnt by the hangman. Thomas Christie (1761-96), friend of Price and Priestley, was one of those who had attacked Burke's 'Reflections' (see BMSat 7675, &c). He was named with Horne Tooke and others as suitable for admission to French citizenship. 'Le Patriote François', 24 Sept. 1792 (quoted V. C. Miller, 'Joel Barlow', Hamburg, 1932, p. 26). MacNeven was one of the chief leaders of the United Irishmen, arrested Mar. 1798.

He had communicated with France from Hamburg, a centre of Franco-Irish intrigue. For Wolf Tone see BMSat 9369.
Source/Photographer https://www.britishmuseum.org/collection/object/P_1868-0808-12512
Permission
(Reusing this file)		 © The Trustees of the British Museum, released as CC BY-NC-SA 4.0

Licensing

[edit]
This image is in the public domain because it is a mere mechanical scan or photocopy of a public domain original, or – from the available evidence – is so similar to such a scan or photocopy that no copyright protection can be expected to arise. The original itself is in the public domain for the following reason:
Public domain

This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer.

This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.

This file has been identified as being free of known restrictions under copyright law, including all related and neighboring rights.

This tag is designed for use where there may be a need to assert that any enhancements (eg brightness, contrast, colour-matching, sharpening) are in themselves insufficiently creative to generate a new copyright. It can be used where it is unknown whether any enhancements have been made, as well as when the enhancements are clear but insufficient. For known raw unenhanced scans you can use an appropriate {{PD-old}} tag instead. For usage, see Commons:When to use the PD-scan tag.

Note: This tag applies to scans and photocopies only. For photographs of public domain originals taken from afar, {{PD-Art}} may be applicable. See Commons:When to use the PD-Art tag.

File history

Click on a date/time to view the file as it appeared at that time.

Date/TimeThumbnailDimensionsUserComment
current13:22, 13 May 2020Thumbnail for version as of 13:22, 13 May 20202,500 × 1,988 (1.55 MB)Copyfraud (talk | contribs)British Museum public domain uploads (Copyfraud/BM) Satirical prints in the British Museum 1799 #6,906/12,043

You cannot overwrite this file.

Metadata

This file contains additional information such as Exif metadata which may have been added by the digital camera, scanner, or software program used to create or digitize it. If the file has been modified from its original state, some details such as the timestamp may not fully reflect those of the original file. The timestamp is only as accurate as the clock in the camera, and it may be completely wrong.

Retrieved from "https://commons.wikimedia.org/w/index.php?title=File:A_Peep_into_the_Retreat_at_Tinnehinch_(BM_1868,0808.12512).jpg&oldid=776470149"