File:15th century Italian prints at Museum Boijmans Van Beuningen.webm
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English: In The Collection Two of Museum Boijmans Van Beuningen, the collection of prints and drawings has a significant place. Mainly this fragile collection is not accessible to the audience. Senior curator prints and drawings Albert Elen shows a little gallery in the beginning of the collection, which exhibits paintings, prints and drawings from the 15th century. Elen dwells on a renowned print of Antonio del Pollaiolo, ‘Battle of the naked man’, that is considered to be one of the highlights of the Renaissance. Although the 16th century writer Vasari mentions that Pollaiolo made more prints, it is presumed that this is the only one he made. Furthermore Elen talks about the exquisite work of Fra Angelico and Benozzo Gozzoli.
Camera and editing: Marieke van der Lippe Nederlands: In De Collectie Twee van Museum Boijmans Van Beuningen heeft de collectie prenten en tekeningen een belangrijke plaats gekregen. Meestal is deze kwetsbare collectie vrijwel niet toegankelijk voor het publiek. Senior conservator prenten en tekeningen Albert Elen toont een klein zaaltje aan het begin van De Collectie Twee. Het betreft Italiaanse schilderijen, prenten en tekeningen uit de 15de eeuw. Elen staat stil bij de wereldberoemde prent ‘Gevecht van naakte mannen’ van Antonio del Pollaiolo, die als hoogtepunt van de Renaissance wordt gezien. Hoewel de schrijver Vasari in de 16de eeuw beweerde dat Pollaiolo meerdere prenten heeft gemaakt, wordt aangenomen dat dit de enige is van zijn hand. Verder toont Elen bijzonder werk van Fra Angelico en Benozzo Gozzoli.
Camera en montage: Marieke van der Lippe |
| Date | |
| Source | http://www.arttube.nl/en/video/Boijmans/15th_C_Italian_Prints |
| Author | Museum Boijmans Van Beuningen / Marieke van der Lippe |
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| Date/Time | Thumbnail | Dimensions | User | Comment | |
|---|---|---|---|---|---|
| current | 12:56, 24 August 2013 | 2 min 32 s, 1,280 × 720 (39.37 MB) | Spinster (talk | contribs) | User created page with UploadWizard |
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