Commons:Regras de direitos de autor por território/Portugal
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Copyright rules: Portugal Shortcut: COM:PORTUGAL | |
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_(special_marker).svg) | |
| Durations | |
|---|---|
| Standard | Life + 70 anos |
| Anonymous | Publish + 70 anos |
| Audiovisual | Life + 70 anos |
| Collective | Publish + 70 anos |
| Other | |
| Freedom of panorama | Yes |
| Common licence tags |
{{PD-old-auto}} {{PD-Portugal-URAA}} |
| ISO 3166-1 alpha-3 | PRT |
| Treaties | |
| Berne convention | 29 de março de 1911 |
| Univ. Copyright Convention | 25 de dezembro de 1956 |
| WTO member | 1 de janeiro de 1995 |
| URAA restoration date* | 1 de janeiro de 1996 |
| WIPO treaty | 14 de março de 2010 |
| *A work is usually protected in the US if it is a type of work copyrightable in the US, published after 31 December 1928 and protected in the country of origin on the URAA date. | |
This page provides an overview of copyright rules of Portugal relevant to uploading works into Wikimedia Commons. Note that any work originating in Portugal must be in the public domain, or available under a free license, in both Portugal and the United States before it can be uploaded to Wikimedia Commons. If there is any doubt about the copyright status of a work from Portugal, refer to the relevant laws for clarification.
Leis vigentes
Portugal tem sido membro da Convenção de Berna desde 29 de março de 1911, da Organização Mundial do Comércio desde 1 de janeiro de 1995 e do Tratado dos Direitos de Autor WIPO desde 14 de março de 2010.[1]
As of 2018 the World Intellectual Property Organization (WIPO), an agency of the United Nations, listed the Code of Copyright and Related Rights (as amended up to Decree-Law No. 100/2017 of August 23, 2017) as the main IP law enacted by the legislature of Portugal.[1] WIPO holds the text of this law in their WIPO Lex database.
Regras gerais
Under the Code of Copyright and Related Rights (as amended up to Decree-Law No. 100/2017 of August 23, 2017),
- The author's moral rights, including and in particular the right to attribution, are perpetual, even after the copyright expires.[100/2017 Art.9(3)]
- Except where otherwise specified, copyright subsists for 70 years after the death of the author, even if the work is only disclosed or published posthumously.
[100/2017 Art.31]
- Copyright in work of joint authorship, as such, expires 70 years after the death of the author who dies last.[100/2017 Art.32(1)]
- The rights in a collective work or work originally attributed to a legal entity expires 70 years after first publication or lawful disclosure, unless the individual(s) who created the work were identified in versions made available to the public.[100/2017 Art.32(2)]
- Copyright attributed to individual authors of a collective work with regard to contributions that can be distinguished is 70 years after the death of the author.
[100/2017 Art.32(3)]
- The duration of protection of anonymous works is 70 years after publication or disclosure.[100/2017 Art.33(1)] If the identity of the author is revealed in this period, the term of protection 70 years after the death of the author.[100/2017 Art.33(2)]
- Copyright in cinematographic work or other audiovisual work expires 70 years after the death of the last survivor of the director; the author of the adaptation; the author of the dialogue; the author of the musical compositions specially created for the work.[100/2017 Art.34]
See {{PD-Portugal-URAA}} for compatibility between the Uruguay Round Agreements Act and works in the public domain in Portugal.
Fotografias
Todas as fotografias tiradas até 30 de junho de 1970 estão em domínio público em Portugal, de acordo com o Decreto-Lei n.º 334/97 de 27 de novembro, que estabeleceu a actual protecção de 70 anos sobre obras fotográficas, bem como a protecção de 25 anos sobre em domínio público não publicadas, aplicando-se especificamente retroactivamente apenas a obras que estavam sob protecção em países da UE a partir de 1 de Julho de 1995 (§5). Na lei anterior, Lei n.º 114/91 de 3 de Setembro de 1991, os direitos de autor de todas as obras fotográficas caducavam 25 anos após a obra ter sido realizada. Os direitos de autor de obras não publicadas eram extintos 25 anos após a criação da obra. (§34).[3] See the related discussion for more information and sources verifying this.
In order to have copyright, photographic works are required to be published displaying a) the name of the photographer, b) in the case of photographs of works of plastic art, the name of the author of the work photographed. (§167 of the current 2017 copyright law). Failure to comply this voids the copyright of the work, unless bad faith on the reproduction can be proved.
Não protegido
Veja também: Commons:Unprotected works
Under the Code of Copyright and Related Rights (as amended up to Decree-Law No. 100/2017 of August 23, 2017),
- There is no copyright protection for a) The news of the day and the reports of various events as simple information in any way disclosed; b) Applications, allegations, complaints and other texts submitted in writing or orally before public authorities or services; c) Proposed texts and speeches delivered to assemblies or other collegiate bodies, political, administrative, national, regional or local levels, or in public debates on matters of common interest; d) Political speeches.
[100/2017 Art.7(1)]
- Integral reproduction of speeches, oratory pieces and other texts referred to in sub-paragraphs c) and d) of paragraph 1 may only be made by the author or with his consent.[100/2017 Art.7(2)]
- The use by a third party of work referred to in paragraph 1, when free, shall be limited to that required by the purpose to be achieved with its disclosure.
[100/2017 Art.7(3)]
Etiquetas de Direitos de Autor
Veja também: Commons:Etiquetas de direitos de autor
- {{PD-Portugal-URAA}} para compatibilidade entre Uruguay Round Agreements Act e trabalhos no domínio público em Portugal.
- {{IPPAR}} – para imagens de cortesia de IGESPAR.
Liberdade de panorama
Veja também: Commons:Liberdade de panorama
{{FoP-Portugal}} Under the Code of Copyright and Related Rights (as amended up to Decree-Law No. 100/2017 of August 23, 2017),
- It is lawful, without the author's consent, to make the following uses of a work:[100/2017 Art.75(2)] ... use of works, such as works of architecture or sculpture, made to be located permanently in public places;[100/2017 Art.75(2.q)]
- "Use" includes taking a photograph of such a work and publishing it.
[100/2017 Art.68]
- However, in conformity with the Berne three-step test, the allowed uses must not conflict with a normal exploitation of the work, nor unreasonably prejudice the legitimate interests of the rights holder.[100/2017 Art.75(4)]
- Also, "The free uses mentioned in the preceding article [§75] shall be accompanied by the indication, wherever possible, of the name of the author and of the editor, the title of the work and other circumstances that identify them...."
[100/2017 Art.76(a)]
According to Portuguese legal scholar Teresa Nobre, "public location" includes public interiors within the context of Portuguese law.
Limiar da originalidade
Veja também: Commons:Threshold of originality
w:File:Juventude Socialista Portugal.png was deleted as it was considered to be above the threshold of originality.
- Photographs
In Portugal photographs have been consistently specifically required to have a significant degree of creativity in order to be copyrighted. Article §164 of the current 2017 copyright law states that "the choice of a photograph's subject and the conditions of its creation must be deemed to be a personal artistic creation by the author before a photograph may qualify for protection".
- Casos de tribunal
- Landscape photograph: Ruled as without originality. In 2009 the Tribunal da Relação de Lisboa ruled as void of copyright for lack of artistic creativity a landscape photograph the author was claiming copyright on due to his choice of the setting, light and other conditions. It was considered by the court "a vulgar photograph resultant from the mere choice of an object, such as a city council building and part of a group of trees, without a minimum of creativity".[6] The subject is discussed in a 2017 article published by the Instituto Portugues de Fotografia.[7]
- Heart reproduction commissioned to a laboratory in order to be presented in an exposition: Ruled as without originality.[6]
- Clothing/Fashion: Ruled as without originality.
- Puppets wearing Madeira national costumes (generally tourist souvenirs) following old and common models were considered without copyright.[9]
Ver também
Citações
- ↑ a b Portugal Copyright and Related Rights (Neighboring Rights). WIPO: World Intellectual Property Organization (2018). Retrieved on 2018-11-13.
- ↑ Code of Copyright and Related Rights (as amended up to Decree-Law No. 100/2017 of August 23, 2017). Portugal (2017). Retrieved on 2018-11-13.
- ↑ Code of Copyright and Related Rights (as amended up to Law No. 114/91 of September 3, 1991). WIPO. Retrieved on 2019-03-29.
- ↑ 312/10.5TBVIS.C1 Acórdão do Tribunal da Relação de Coimbra (in Portuguese) (5 October 2011). Retrieved on 2019-03-29.
- ↑ Nobre, Teresa (2016). Best Case Scenarios for Copyright: Freedom of Panorama in Portugal (PDF). COMMUNIA. Retrieved on June 8, 2016.
- ↑ a b 1848/07.0TJLSB-8 Acórdão do Tribunal da Relação de Lisboa (in Portuguese) (2009). Retrieved on 2019-03-29.
- ↑ “Bom registo” é um elogio a um trabalho fotográfico? (in Portuguese). Instituto Portugues de Fotografia (7 November 2017). Retrieved on 2019-03-29.
- ↑ 268/13.2YHLSB.L1-7 Acórdão do Tribunal da Relação de Lisboa (in Portuguese) (2017). Retrieved on 2019-03-29.
- ↑ 167/17.9YHLSB.L2.S2, 2020 (with photos of the puppets).