Category:Roman numeral analysis
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Use of Roman numeral symbols in the musical analysis of chords | |||||
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This template is intended to include all visual files containing Roman numeral analysis.
Media in category "Roman numeral analysis"
The following 200 files are in this category, out of 203 total.
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1 - Acordes de 7ª da Dominante.png 980 × 509; 24 KB
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1 - marcha harmônica regular.png 2,270 × 555; 42 KB
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2 - marcha harmônica irregular.png 2,270 × 577; 49 KB
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2 - Resolução no 1º grau.png 1,342 × 494; 29 KB
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251progressie.png 196 × 141; 32 KB
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3 - marcha harmônica irregular com finalização.png 2,270 × 577; 48 KB
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3 - Resolução no 1º grau na 1ª inversão.png 987 × 494; 27 KB
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5 - Inversões do Acorde de 7ª da Dominante.png 1,339 × 574; 40 KB
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Accord Position.png 6,842 × 1,891; 376 KB
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Added diminished seventh chord original.png 819 × 203; 5 KB
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Added diminished seventh chord.png 819 × 217; 9 KB
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Alberti bass 4-4 and 3-4 equivalents.png 9,557 × 2,377; 39 KB
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Alberti bass in Clementi Opus 36, No. 2 opening.png 9,758 × 2,980; 65 KB
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Alberti bass V7 variants.png 7,182 × 1,081; 16 KB
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All secondary chords of the dominant in major.png 2,169 × 741; 12 KB
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Altered chord progression.PNG 882 × 567; 20 KB
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Altered dominant chord C major.PNG 553 × 276; 6 KB
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Andalusian.png 1,993 × 293; 15 KB
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Ascending diminished seventh chord half-step cadence on C.png 555 × 216; 5 KB
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Augmented chord from chromatic passing motion.png 543 × 322; 5 KB
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Bach - Gigue from English Suite no. 1 in A Major, BWV 806, m. 38.png 1,084 × 522; 21 KB
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Bach - Well-Tempered Clavier, Book I, Prelude I, opening.png 1,484 × 848; 30 KB
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Bach - WTC I, Prelude in D Major ii-V-I.png 1,029 × 224; 10 KB
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Bach - WTC I, Prelude in F-sharp Major vi-ii-V-I.png 1,040 × 246; 12 KB
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Bach - WTC I, Prelude in G Major diminished chord.png 1,071 × 189; 10 KB
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Bach - WTC II, Prelude in C Major.png 1,041 × 240; 11 KB
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Bach Chorale Ach wie nichtig III in minor.png 2,119 × 682; 8 KB
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Backdoor progression to iii.png 981 × 347; 16 KB
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Bar-line shift on rhythm changes B section.png 1,094 × 963; 77 KB
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Bass prolongation.png 542 × 269; 6 KB
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Beethoven - Fifth Symphony - Last movement, dominant seventh.png 1,008 × 373; 12 KB
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Beethoven - Piano Sonata in B-flat major, Op. 22 - dominant seventh.png 1,006 × 550; 19 KB
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Beethoven - Symphony No. 1, introduction secondary dominants.png 1,002 × 504; 21 KB
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Binary form.png 1,992 × 504; 16 KB
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Borrowed chord Bach BWV 846.png 2,126 × 440; 8 KB
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Borrowed chord in Mozart K576 II.png 2,130 × 539; 12 KB
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Breaking the Law (Judas Priest).svg 686 × 114; 39 KB
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Brockhaus and Efron Encyclopedic Dictionary b26 871-0.jpg 717 × 487; 42 KB
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Brockhaus and Efron Encyclopedic Dictionary b26 872-1.jpg 706 × 488; 43 KB
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Brockhaus and Efron Encyclopedic Dictionary b26 872-2.jpg 726 × 1,086; 72 KB
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Brockhaus and Efron Encyclopedic Dictionary b26 872-3.jpg 703 × 491; 42 KB
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Brubeck7.JPG 489 × 190; 22 KB
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Brubeck8.JPG 176 × 190; 13 KB
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Buxtehude, Psalm 42 "Quem ad modum desiderat cervis".png 1,691 × 1,118; 15 KB
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BuxWV92 quemadmodum desiderat cervis Dietrich Buxtehude.svg 816 × 298; 186 KB
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Cadence-imparfaite.png 283 × 245; 7 KB
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Cadence-parfaite.png 203 × 248; 5 KB
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Cesar Franck Variations Symphoniques mm 5-9 excerpt with 'chromatic analysis'.png 3,602 × 1,056; 21 KB
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Chopin - Prelude in C minor opening modulation.png 2,052 × 822; 37 KB
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Chopin- Prelude in C Minor mm.5-6 chromatic run.png 2,065 × 1,059; 60 KB
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Chord progression.png 338 × 127; 7 KB
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Chromatic mediant from Tchaikovsky's Chant sans paroles mm. 43-45.png 1,730 × 528; 32 KB
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Chromatic mediants in C major and A minor without text.png 2,861 × 1,811; 85 KB
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Chromatic mediants in C major and a minor.png 1,058 × 1,078; 35 KB
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Chromatic modulation in Bach BWV 300, m. 5-6.png 1,762 × 631; 29 KB
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Chromatic-major system in C.png 505 × 128; 3 KB
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Chromatic-minor system in C.png 566 × 107; 4 KB
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Classical concerto sonata form.png 1,038 × 218; 12 KB
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Classical seven-part rondo.png 580 × 148; 7 KB
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Classical sonata form in A minor.png 2,119 × 397; 25 KB
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Closely related keys in C.png 837 × 144; 4 KB
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Common cadential progression alt.mid 0.0 s; 226 bytes
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Common Cadential Progression Alt.png 331 × 344; 1 KB
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Common Cadential Progression.png 331 × 327; 3 KB
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Common chord in G, D, and A.png 1,087 × 1,559; 42 KB
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Common chord modulation in Mozart, Sonata in D Major, K. 284, III, m. 1-8.png 2,228 × 1,108; 18 KB
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Common tone modulation between chromatic mediants in Mozart K 475.png 2,079 × 470; 17 KB
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Common-chord modulation in Tchaikovsky, Mazurka Op. 39, No. 10.png 2,057 × 372; 7 KB
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Common-tone diminished seventh chord.png 542 × 322; 7 KB
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D'Indy Tristan chord IV6-V small.PNG 682 × 536; 9 KB
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Deceptive cadence in C major.png 556 × 257; 4 KB
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Decorated third progression.png 1,789 × 1,058; 34 KB
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Descending thirds from mediant progression.png 592 × 378; 9 KB
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Diminished seventh chord resolution.png 1,187 × 945; 31 KB
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Diminished seventh to dominant cadence.png 544 × 269; 8 KB
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Dominant form chords.png 2,150 × 539; 19 KB
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Dominant modulation Haydn Symphony in C Major No. 97.png 1,683 × 399; 28 KB
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Dominant thirteenth chord on C 4 voice 2.png 567 × 640; 10 KB
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Easy Living diminished seventh chord harmonization.png 826 × 201; 9 KB
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Eight bar boogie-woogie blues in C.png 1,400 × 343; 23 KB
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Eight-bar blues block chords.png 2,179 × 303; 4 KB
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Eleventh chord voice leading.png 591 × 662; 12 KB
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Encyclopedia Britannica Harmony Chart From Major Tonic..png 752 × 566; 18 KB
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Escala Menor Natural.jpg 1,112 × 271; 44 KB
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Escalagrados.png 1,116 × 176; 88 KB
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F sharp major scale with degrees and tones.svg 620 × 51; 25 KB
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Flamenco mode.png 2,902 × 437; 23 KB
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Four-voice texture in Genevan psalter.png 1,001 × 315; 11 KB
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Franck - Symphonic Variations augmented seventh chord.png 994 × 396; 16 KB
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Handel - Suite in F-sharp Minor, Prelude IV-V-I.png 956 × 170; 9 KB
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Harmonic minor scale in A-minor.png 970 × 509; 14 KB
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HarmonicProgressionFromMozartPianoSonataK283 3rdMvt.PNG 1,024 × 300; 12 KB
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Heptatonic and Pentatonic modes relationship v4.1 plain.svg 366 × 182; 175 KB
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I-IV-bVII-IV chord progression.png 2,115 × 498; 6 KB
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Ii-V substitution.png 1,084 × 1,044; 29 KB
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Ii-V-I classical and jazz.png 1,447 × 644; 25 KB
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Irregular resolution through augmented sixth equivalence.png 2,087 × 1,080; 45 KB
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Kadenser.svg 2,940 × 500; 52 KB
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Later Folia.png 845 × 264; 6 KB
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Leading-tone seventh chord as dominant in Mozart K 283 III mm 64-69.png 2,056 × 467; 11 KB
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Leading-tone seventh chord as dominant in Mozart K 284 III.png 2,042 × 528; 10 KB
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Leading-tone seventh chord from baroque Jacquet de La Guerre.png 2,231 × 1,212; 17 KB
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Leading-tone seventh chord resolution in C major.png 1,187 × 945; 26 KB
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Leading-tone seventh chords as dominant in Beethoven op 10 no 1 I.png 2,248 × 1,291; 20 KB
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Leading-tone seventh chords in Beethoven's no 5 op 10 no 1 I 13-16.png 2,080 × 728; 12 KB
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Linear progression in Mozart Piano Sonata in G major.png 1,730 × 943; 39 KB
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Maple Leaf Rag seventh chord resolution.png 2,224 × 616; 12 KB
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Melodic origin of major seventh chord.png 580 × 481; 9 KB
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Minor as upside down major.png 1,058 × 522; 36 KB
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Minor seventh chord on C.png 539 × 318; 7 KB
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Mozart - K.331, III, mm.6-10 phrase modulation.png 2,052 × 546; 26 KB
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Mozart - Piano Concert in Bb major K. 595, first movement, cadenza.png 1,018 × 424; 19 KB
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Mozart - Sonata in C Major, K. 330, 2nd Movement deceptive cadence.png 1,025 × 432; 15 KB
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Mozart - Sonata, K.545.png 1,064 × 376; 14 KB
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Mozart - Violin Concerto K. 271a, III - cadenza.png 2,169 × 906; 43 KB
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Mozart, Piano Concerto K491, closing bars of the slow movement 02.png 1,848 × 1,129; 22 KB
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MozartPianoSonataK283 3rdMvtM247.PNG 1,084 × 370; 16 KB
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Natural-minor system in C.png 566 × 109; 4 KB
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Ninth chord voice leading.png 591 × 630; 11 KB
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Nondominant seventh chord resolution.png 1,182 × 1,029; 30 KB
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Nooni1.pdf 247 × 218; 87 KB
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Phrygian Andalusian cadence.png 816 × 184; 4 KB
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Picardy third Bach - BWV 81.7, mm. 12-13.png 576 × 229; 13 KB
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Power chords parallel on E.png 1,407 × 364; 11 KB
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Predominant form chords.png 2,123 × 1,012; 31 KB
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Purcell Z 669 secondary leading-tone chord.png 2,108 × 595; 9 KB
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Radiohead "Creep" ostinato.png 7,165 × 988; 27 KB
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Radiohead 'Creep' ostinato chord progression.mid 42 s; 405 bytes
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Radiohead 'Creep' ostinato chord progression.png 5,698 × 728; 17 KB
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Ragtime progression voice leading.png 1,428 × 435; 13 KB
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Regular resolution.png 1,114 × 517; 14 KB
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Rhythm changes complete in B-flat Ellis.png 1,056 × 937; 27 KB
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Rhythm changes complete in B-flat Spitzer.png 1,056 × 1,283; 44 KB
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Roman Numeral Analysis - Inversion notation.svg 512 × 384; 14 KB
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Roman numeral analysis major, natural minor, harmonic minor, melodic minor.png 4,778 × 3,377; 58 KB
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Roman numeral analysis minor scale traditional to scale schema.png 7,691 × 989; 23 KB
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Roman numeral analysis of the major scale.png 7,074 × 1,412; 29 KB
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Roman numeral analysis of the minor scales.png 2,938 × 586; 12 KB
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Roman numeral analysis of the natural and harmonic minor scales.png 5,726 × 1,546; 33 KB
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Roman numeral analysis variable mode schema.png 7,733 × 915; 26 KB
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Roman numeral and figured bass notation of I and V7.png 3,828 × 648; 10 KB
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Rule of the octave major scale.png 984 × 662; 21 KB
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Scale degree numbers.png 1,084 × 207; 5 KB
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Scale degree Roman numerals minor.png 1,084 × 207; 6 KB
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Scarlatti - Sonata in D Minor, K. 517 IV-V-I.png 1,077 × 572; 20 KB
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Schubert - German Dance extended dominant relationship.png 1,069 × 310; 12 KB
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Schubert - op. 29, D.804, I, mm.144-49 enharmonic modulation.png 2,022 × 433; 22 KB
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Schubert - Op.163 (D.956), i common-tone modulation.png 2,070 × 825; 41 KB
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Schubert - op.9 D.365, mm.17-24 German sixth modulation.png 2,228 × 1,230; 65 KB
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Secondary chords in Szymanowska Nocturne in B-flat Major.png 2,092 × 339; 6 KB
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Secondary Dominant Chords In C Major.svg 350 × 105; 65 KB
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Secondary dominant vs. chromatic mediant without text.png 842 × 363; 8 KB
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Secondary dominant vs. chromatic mediant.png 842 × 459; 13 KB
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Secondary dominants in Beethoven op 14 no 2 II.png 2,128 × 812; 17 KB
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Secondary leading-tone chord 2.png 591 × 606; 13 KB
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Secondary leading-tone chord.png 997 × 537; 24 KB
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Secondary supertonic chord.png 592 × 381; 10 KB
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SecondaryDominantChordsInCMajor.PNG 1,084 × 326; 12 KB
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SecondaryDominantSeventhChordsInCMajor.PNG 1,024 × 309; 12 KB
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Sequential modulation in Beethoven, Sonata Op. 53, movement I.png 2,081 × 909; 12 KB
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Sequential modulation in Schubert, Sonata in E Major, movement III.png 2,023 × 563; 11 KB
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Seventh chords frequency.png 1,451 × 276; 10 KB
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Side-slipping on rhythm changes B section.png 1,116 × 810; 36 KB
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Simple sonata form.png 996 × 244; 9 KB
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SixBasicChordsInCMajor.PNG 832 × 195; 6 KB
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Sixteen-bar blues block chords tonic in C.png 2,223 × 1,827; 14 KB
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Sonata form two-reprise continuous ternary form.png 2,155 × 461; 36 KB
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Standard 12-bar blues progression variations.png 797 × 370; 10 KB
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Stomp progression block chords in C.png 2,173 × 753; 11 KB
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Stop time Aunt Dinah's Wedding Dance break down A.png 2,029 × 1,023; 48 KB
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Stop time Aunt Dinah's Wedding Dance break down B.png 2,029 × 979; 42 KB
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Stop-time cadential pattern.png 1,864 × 664; 15 KB
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Stoptime Rag stop-time Joplin 1910.png 2,021 × 1,332; 51 KB
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Stufentheorie1.MID 21 s; 1 KB
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Submediant in chain of fifths.png 1,052 × 537; 15 KB
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Substitute dominant A.png 519 × 190; 5 KB
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Substitute dominant Eb.png 596 × 224; 7 KB
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Successive secondary dominants in Chopin op 26 no 1.png 2,092 × 767; 13 KB
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Sustitución Tritonal.jpg 915 × 389; 102 KB
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Thirteenth chord voice leading.png 1,099 × 592; 14 KB
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Tristan chord as Fr6 and V7.png 523 × 262; 9 KB
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Tritone substitutions.png 539 × 177; 4 KB
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Trombone F slide position pedal tones.png 2,893 × 584; 18 KB
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Twelve bar blues in C.png 2,223 × 1,382; 10 KB
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Unaltered chord progression.PNG 882 × 567; 19 KB
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Urlinie.PNG 1,103 × 577; 17 KB
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V42 of V in C.png 534 × 316; 7 KB
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Vi-ii-V-I in C.png 547 × 223; 4 KB
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VII-I cadence in C major.png 539 × 371; 7 KB
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Viio7 of V-V-I chord progression.png 1,956 × 623; 6 KB
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VofVofV-VofV-V-I.png 1,009 × 1,229; 38 KB
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Voice leading of secondary dominant progressions.png 2,187 × 2,450; 96 KB
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YB2001 Mode majeur.png 699 × 493; 15 KB
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YB3441 Demi-cadence.png 419 × 435; 9 KB
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YB3442 Cadence accord preparatoire.png 572 × 551; 19 KB