Category:PD ineligible chord progressions

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Media in this category depicts a chord progression outside of a specific musical context. Chord progressions consist of an ordering of chords outside of time or rhythm (no "distinctiveness"), may be used in compositions by multiple composers ("common material"), and may not be readily apparent in compositions. As such, a chord progression is a musical concept or technique, which is considered too simple to be eligible for copyright protection, or which consists only of technique, with no original creative input.

Media in category "PD ineligible chord progressions"

The following 200 files are in this category, out of 243 total.

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50s progression in C variation.mid 20 s; 370 bytes
50s progression in C variation.png 560 × 198; 4 KB
50s progression in C.mid 20 s; 370 bytes
50s progression in C.png 560 × 198; 4 KB
Added diminished seventh chord original.mid 6.0 s; 487 bytes
Added diminished seventh chord original.png 819 × 203; 5 KB
After You've Gone chorus Nashville Number System.mid 47 s; 3 KB
After You've Gone verse Nashville Number System.mid 38 s; 3 KB
Alberti bass 4-4 and 3-4 equivalents 3-4.mid 7.2 s; 314 bytes
Alberti bass 4-4 and 3-4 equivalents 4-4.mid 9.0 s; 368 bytes
Alberti bass 4-4 and 3-4 equivalents.png 9,557 × 2,377; 39 KB
Altered chord progression jazz.mid 8.0 s; 527 bytes
Altered chord progression jazz.png 2,033 × 501; 6 KB
Ascending diminished seventh chord half-step cadence on C.png 555 × 216; 5 KB
Augmented chord progression I+ IV Palmer.mid 5.0 s; 177 bytes
Augmented chord progression I+ IV64 Palmer.mid 5.0 s; 177 bytes
Augmented chord progression I+ vi63 Palmer.mid 5.0 s; 177 bytes
Augmented chord progression I+64 IV6 Palmer.mid 5.0 s; 177 bytes
Augmented chord progression I+65 IV Palmer.mid 5.0 s; 193 bytes
Augmented chord progression I+75 IV Palmer.mid 5.0 s; 193 bytes
Augmented chord progression I+sharp6 IV Palmer.mid 5.0 s; 177 bytes
Augmented chord progression V+43 I63 Palmer.mid 5.0 s; 193 bytes
Augmented chord progression V+65 I Palmer.mid 5.0 s; 193 bytes
Augmented chord progression V+75 I Palmer.mid 5.0 s; 193 bytes
Backdoor progression in C.png 534 × 241; 6 KB
Backdoor progression to iii.png 981 × 347; 16 KB
Barbershop secondary dominant BJ.png 1,117 × 551; 16 KB
Barbershop secondary dominant.mid 0.0 s; 395 bytes
Barbershop secondary dominant.png 1,117 × 551; 16 KB
Berklee method accompaniment example.mid 0.0 s; 230 bytes
Berklee method accompaniment example.png 969 × 156; 4 KB
BIII+ as dominant substitute.png 534 × 225; 5 KB
BIII-V7 cadence in C with resolution.mid 0.0 s; 198 bytes
BIII-V7 cadence in C.mid 0.0 s; 156 bytes
BIII-V7 cadence in C.png 2,101 × 650; 5 KB
Bob Dylan "Lay, Lady, Lay" verse.mid 0.0 s; 483 bytes
Bob Dylan "Lay, Lady, Lay" verse.png 2,007 × 513; 6 KB
Borrowed chord I bVI IV.mid 0.0 s; 372 bytes
BVI bVII I.png 316 × 113; 6 KB
BVI-bVII-I.mid 6.0 s; 139 bytes
BVII borrowed chord in C major.png 542 × 212; 5 KB
BVII-V7 cadence in C with resolution.mid 0.0 s; 198 bytes
BVII-V7 cadence in C.mid 0.0 s; 165 bytes
BVII-V7 cadence in C.png 539 × 252; 5 KB
Cadence minor second V65-I.mid 0.0 s; 209 bytes
Chord quality substitution.mid 0.0 s; 223 bytes
Chord quality substitution.png 1,064 × 412; 15 KB
Chord rewrite rules I.mid 0.0 s; 872 bytes
Chord rewrite rules I.png 2,829 × 955; 88 KB
Chord rewrite rules II.mid 0.0 s; 872 bytes
Chord rewrite rules II.png 2,829 × 955; 91 KB
Chromatic descending 5-6 sequence.mid 0.0 s; 243 bytes
Chromatic descending 5-6 sequence.png 2,213 × 849; 7 KB
Chromatic mediant chord progressions I bIII I.mid 0.0 s; 198 bytes
Chromatic mediant chord progressions I biii I.mid 0.0 s; 198 bytes
Chromatic mediant chord progressions I bVI I.mid 7.0 s; 198 bytes
Chromatic mediant chord progressions I bvi I.mid 0.0 s; 198 bytes
Chromatic mediant chord progressions I III I.mid 0.0 s; 198 bytes
Chromatic mediant chord progressions i iii i.mid 0.0 s; 198 bytes
Chromatic mediant chord progressions i sharp-iii i.mid 0.0 s; 198 bytes
Chromatic mediant chord progressions i sharp-III i.mid 0.0 s; 198 bytes
Chromatic mediant chord progressions i sharp-VI i.mid 0.0 s; 198 bytes
Chromatic mediant chord progressions i sharp-vi i.mid 0.0 s; 198 bytes
Chromatic mediant chord progressions I VI I.mid 7.0 s; 198 bytes
Chromatic mediant chord progressions i vi i.mid 0.0 s; 198 bytes
Circle progression I IV V I.png 1,003 × 333; 8 KB
Coltrane changes.mid 0.0 s; 322 bytes
Coltrane changes.png 1,434 × 270; 13 KB
Common cadential progression.mid 0.0 s; 226 bytes
Common-tone diminished seventh chord in 'In the Good Old Summertime', Strictly Barbershop.mid 0.0 s; 459 bytes
Common-tone diminished seventh chord in 'In the Good Old Summertime', Strictly Barbershop.png 2,203 × 1,110; 15 KB
Common-tone diminished seventh chord.mid 0.0 s; 173 bytes
Common-tone diminished seventh chord.png 542 × 322; 7 KB
Constant structure.mid 0.0 s; 517 bytes
Constant structure.png 832 × 144; 7 KB
Deceptive cadence in C major.png 556 × 257; 4 KB
Deceptive cadence in C.png 894 × 469; 10 KB
Descending diminished seventh chord half-step cadence on C.mid 0.0 s; 173 bytes
Descending diminished seventh chord half-step cadence on C.png 555 × 200; 5 KB
Descending thirds from mediant progression.mid 0.0 s; 325 bytes
Descending thirds from mediant progression.png 592 × 378; 9 KB
Diatonic mediant chord progressions i III i.mid 0.0 s; 198 bytes
Diatonic mediant chord progressions I iii I.mid 0.0 s; 198 bytes
Diatonic mediant chord progressions I vi I.mid 0.0 s; 198 bytes
Diatonic mediant chord progressions i VI i.mid 0.0 s; 198 bytes
Diminished seventh chord resolution.mid 0.0 s; 195 bytes
Diminished seventh chord resolution.png 1,187 × 945; 31 KB
Diminished seventh chord substitution.mid 0.0 s; 182 bytes
Diminished seventh chord substitution.png 1,068 × 453; 15 KB
Diminished seventh modulation.mid 0.0 s; 255 bytes
Diminished seventh modulation.png 838 × 457; 14 KB
Diminished seventh to dominant cadence.mid 0.0 s; 231 bytes
Diminished seventh to dominant cadence.png 544 × 269; 8 KB
Dominant ninth on F in fourth inversion.mid 5.0 s; 198 bytes
Dominant seventh root doubled.mid 0.0 s; 173 bytes
Dominant seventh root doubled.png 1,098 × 477; 10 KB
Dominant seventh tritone resolution chords.mid 0.0 s; 255 bytes
Dominant seventh tritone resolution chords.png 1,050 × 606; 14 KB
Dominant sixth chord.mid 0.0 s; 149 bytes
Dominant sixth chord.png 539 × 252; 5 KB
Eight bar blues progression in C.mid 0.0 s; 1 KB
Eight bar blues.mid 0.0 s; 607 bytes
Eight bar boogie-woogie blues in C.mid 0.0 s; 684 bytes
Eight bar boogie-woogie blues in C.png 1,400 × 343; 23 KB
Eight-bar blues block chords.png 2,179 × 303; 4 KB
Eleventh chord voice leading.mid 0.0 s; 195 bytes
Eleventh chord voice leading.png 591 × 662; 12 KB
Enharmonic equivalents of Bdim7 resolving to A.mid 0.0 s; 209 bytes
Enharmonic equivalents of Bdim7 resolving to C.mid 0.0 s; 209 bytes
Enharmonic equivalents of Bdim7 resolving to E-flat.mid 0.0 s; 209 bytes
Enharmonic equivalents of Bdim7 resolving to G-flat.mid 0.0 s; 209 bytes
Enharmonic equivalents of Bdim7 resolving.png 2,236 × 1,321; 13 KB
Evaded cadence in C.mid 0.0 s; 174 bytes
Evaded cadence in C.png 534 × 238; 5 KB
Fifteenth chord from Marpurg on A.mid 6.7 s; 189 bytes
GermanSixth64.mid 0.0 s; 210 bytes
Half cadence in C.png 894 × 469; 10 KB
Hugo Riemann, "Tonalität," Musik-Lexikon (1882).mid 10 s; 288 bytes
Hugo Riemann, "Tonalität," Musik-Lexikon (1882).png 2,126 × 945; 29 KB
I bVII bVI bVII in C.mid 0.0 s; 331 bytes
I bVII bVI bVII in C.png 1,037 × 253; 7 KB
I-IV-bVII-IV chord progression.mid 0.0 s; 525 bytes
I-IV-bVII-IV chord progression.png 2,115 × 498; 6 KB
I-V-vi-IV chord progression in C.png 1,971 × 506; 20 KB
I-VI-II-V progression in C.png 1,052 × 347; 12 KB
I-vi-ii-V turnaround in C.png 1,068 × 393; 13 KB
I-vi-ii-V turnaround in G.png 1,068 × 407; 13 KB
Ii-V substitution.mid 0.0 s; 414 bytes
Ii-V substitution.png 1,084 × 1,044; 29 KB
Ii-V-I turnaround in C four-part harmony adaptive just.mid 0.0 s; 411 bytes
Ii-V-I turnaround in C four-part harmony just.mid 0.0 s; 411 bytes
Ii-V-I turnaround in C four-part harmony Pythagorean.mid 0.0 s; 411 bytes
Ii-V-I turnaround in C four-part harmony.png 1,008 × 553; 15 KB
Ii-V-I turnaround in C guitar.png 494 × 353; 6 KB
Ii-V-I turnaround in C.mid 0.0 s; 182 bytes
Ii-V-I turnaround in C.png 534 × 263; 6 KB
Imperfect authentic cadence in C.png 894 × 469; 10 KB
IV V I without Neapolitan.ogg 7.0 s; 115 KB
IV-V-I in C guitar.png 559 × 597; 11 KB
IV-V-I in C.mid 0.0 s; 226 bytes
IV-V-I in C.png 882 × 546; 12 KB
IVΔ7-V7-iii7-vi chord progression in C.png 575 × 152; 10 KB
Jazz standard bridge.mid 0.0 s; 627 bytes
Jazz standard bridge.png 1,037 × 266; 8 KB
Modulation with subsidiary chord black and white.png 2,060 × 961; 8 KB
Modulation with subsidiary chord.mid 0.0 s; 259 bytes
Modulation with subsidiary chord.png 561 × 241; 11 KB
Montgomery-Ward bridge in C.mid 0.0 s; 223 bytes
Montgomery-Ward bridge in C.png 534 × 241; 5 KB
Neapolitan V I.mid 0.0 s; 190 bytes
Neapolitan V I.ogg 7.1 s; 116 KB
Neapolitan V I.png 828 × 219; 7 KB
Ninth chord resolution examples given by Schoenberg A.mid 5.0 s; 209 bytes
Ninth chord resolution examples given by Schoenberg B.mid 5.0 s; 209 bytes
Ninth chord resolution examples given by Schoenberg C.mid 5.0 s; 209 bytes
Ninth chord resolution examples given by Schoenberg D.mid 5.0 s; 209 bytes
Ninth chord resolution examples given by Schoenberg E.mid 5.0 s; 209 bytes
Ninth chord resolution examples given by Schoenberg.png 3,596 × 682; 12 KB
Parallelism.mid 0.0 s; 356 bytes
Parallelism.png 2,040 × 574; 27 KB
Passamezzo moderno.mid 0.0 s; 420 bytes
Power chords parallel on E.mid 0.0 s; 500 bytes
Power chords parallel on E.png 1,407 × 364; 11 KB
Radiohead "Creep" ostinato.png 7,165 × 988; 27 KB
Radiohead 'Creep' ostinato chord progression.mid 42 s; 405 bytes
Radiohead 'Creep' ostinato chord progression.png 5,698 × 728; 17 KB
Ragtime progression in C.mid 0.0 s; 272 bytes
Ragtime progression in C.png 1,457 × 238; 11 KB
Relative chord substitution.mid 0.0 s; 182 bytes
Relative chord substitution.png 1,040 × 567; 15 KB
Rule of the octave major scale.mid 0.0 s; 641 bytes
Rule of the octave major scale.png 984 × 662; 21 KB
Secondary dominant vs. chromatic mediant without text.png 842 × 363; 8 KB
Secondary dominant vs. chromatic mediant.mid 0.0 s; 343 bytes
Secondary dominant vs. chromatic mediant.png 842 × 459; 13 KB
Secondary leading-tone chord 2.png 591 × 606; 13 KB
Secondary leading-tone chord.mid 0.0 s; 195 bytes
Secondary supertonic chord.mid 0.0 s; 228 bytes
Secondary supertonic chord.png 592 × 381; 10 KB
Sharp IIdim7 as dominant substitute.mid 0.0 s; 304 bytes
Sharp IIdim7 as dominant substitute.png 1,084 × 472; 18 KB
Sixteen bar boogie-woogie blues in C.mid 0.0 s; 1 KB
Sixteen-bar blues block chords tonic in C.png 2,223 × 1,827; 14 KB
Slash notation 4-4.png 1,071 × 312; 8 KB
SP-dP-T cadence in C.mid 0.0 s; 276 bytes
Standard 12-bar blues progression variations A.mid 0.0 s; 2 KB
Standard 12-bar blues progression variations C.mid 0.0 s; 2 KB
Standard 12-bar blues progression variations D.mid 0.0 s; 2 KB
Standard 12-bar blues progression variations E.mid 0.0 s; 2 KB
Standard 12-bar blues progression variations.png 797 × 370; 10 KB
Stomp progression block chords F.mid 0.0 s; 355 bytes
Stomp progression block chords in C.png 2,173 × 753; 11 KB
Stomp progression block chords.mid 0.0 s; 1 KB
Stomp progression in Ab.mid 0.0 s; 414 bytes
Stomp progression shuffle.mid 0.0 s; 935 bytes
Stomp progression shuffle.png 1,677 × 900; 56 KB
Sustitución Tritonal ii7-bV7 of V-IM7.mid 5.3 s; 182 bytes
Sustitución Tritonal ii7-V7-IM7.mid 5.3 s; 182 bytes
Sweet Georgia Brown V of V.mid 0.0 s; 919 bytes
Tiefalterierte Sept.mid 7.0 s; 235 bytes

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Chord progressions

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