Rembrandt/Drawings/1627-1637
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Drawings by Rembrandt.
1627–1629
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. Circa 1627-1628. pen and brown ink. 12 × 9.2 cm (4.7 × 3.6 in). Rotterdam, Museum Boijmans Van Beuningen.Seated Man with a Tall Cap
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. Circa 1628-1629. Black chalk. 25.4 × 19 cm (10 × 7.4 in). Dresden, Staatliche Sammlungen Dresden, Kupferstich-Kabinett.Old Man with Outspread Arms
=== The Raising of the Cross
===
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Front:The Raising of the Cross. Circa 1628-1629. Black chalk. 19.3 × 14.8 cm (7.5 × 5.8 in). Rotterdam, Museum Boijmans Van Beuningen.
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Reverse:. Circa 1628-1629. Black chalk. 19.3 × 14.8 cm (7.5 × 5.8 in). Rotterdam, Museum Boijmans Van Beuningen.Two Sitting Figures
1630-1633
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. 1629-1630. Black chalk and white heightening on paper. 29.4 × 17 cm (11.5 × 6.6 in). Amsterdam, Rijksmuseum Amsterdam.Man Leaning on a Stick, Facing Right
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. Circa 1630-1631. Black chalk, heightened with white, on paper. 25.1 × 18.9 cm (9.8 × 7.4 in). Frankfurt, Städel Museum.The drunk Lot
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. 1631. Red chalk and black chalk on paper. 22.7 × 14.7 cm (8.9 × 5.7 in). Haarlem, Teylers Museum.Old Man Seated in an Armchair
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Old Man Seated in an Armchair. 1631. Red chalk on paper. 25 × 17 cm (9.8 × 6.6 in). New York, Private collection .
Five Studies of Heads
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. Circa 1633 . silverpoint on parchment. 13.3 × 8.2 cm (5.2 × 3.2 in). Rotterdam, Museum Boijmans Van Beuningen.Five Studies of Heads
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. Circa 1633 . silverpoint on parchment. 8.2 × 13.3 cm (3.2 × 5.2 in). Rotterdam, Museum Boijmans Van Beuningen.Landscape with Two Cottages
1633-1637
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Entrance of a Cottage. Circa 1633 . Hamburg, Kunsthalle Hamburg.
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. Circa 1633 . Technique and dimensions unknown. Frankfurt am Main, Städel Museum.Man Kneeling
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. Circa 1633-1635. pen and brown ink. 9.9 × 6.2 cm (3.8 × 2.4 in). Rotterdam, Museum Boijmans Van Beuningen.Standing Woman with a Child on her Arm
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. Circa 1633 . pen and iron gall ink on paper. 20.1 × 12.9 cm (7.9 × 5 in). Bremen, Kunsthalle Bremen.Saskia at Her Toilet
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. Circa 1635-1640. 8.4 × 10.4 cm (3.3 × 4 in). London, British Museum.A Woman Lying awake in Bed
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Group of Listening Figures. Circa 1634 . pen and brown ink, brown wash and lead white. 19 × 12.5 cm (7.4 × 4.9 in). Berlin, Staatliche Museen zu Berlin, Kupferstichkabinett.
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. Circa 1635 . 14.2 × 9.5 cm (5.5 × 3.7 in). Paris, Louvre.Bearded Old Man with a Fur Cap
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The Last Supper. circa 1635 , After Leonardo da Vinci . Red chalk on paper. 36.2 × 47.5 cm (14.2 × 18.7 in). New York City, Metropolitan Museum of Art.
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The Baptism of the Eunuch. Circa 1635 . Munich, Staatliche Graphische Sammlung München.
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. Circa 1635-1637. Berlin, Staatliche Museen zu Berlin, Kupferstichkabinett.Jacob Being Shown Joseph's Bloody Cloak
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. circa 1637 . Black chalk and charcoal. 17.9 × 25.6 cm (7 × 10 in). London, British Museum.An Elephant
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Self-portrait. circa 1637 . red chalk on paper. 12.9 × 11.9 cm (5 × 4.6 in). Washington, D.C., National Gallery of Art.
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Old Man in a Turban, Drawn Twice. Circa 1636 . Christie's (1982).
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. Circa 1636 . pen and brown ink, brown wash and white heightening. 17.8 × 16.9 cm (7 × 6.6 in). Paris, Musée du Louvre.Head of an Oriental in a Turban with Bird of Paradise
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. circa 1637 . black chalk. 12.1 × 10.5 cm (4.7 × 4.1 in). Rotterdam, Museum Boijmans Van Beuningen.Three Studies of Men with Fur Caps
Standing Man with a Fur Cap
[edit]Four Studies of Rembrandt's Wife Saskia
[edit]Seated Woman, Naked to the Waist
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reverse:. circa 1637 . black chalk. 19.9 × 15.3 cm (7.8 × 6 in). Rotterdam, Museum Boijmans Van Beuningen.Study of a Standing Woman