File:Works by Tatlin at 0,10 exhibition.jpg
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Summary
[edit]DescriptionWorks by Tatlin at 0,10 exhibition.jpg |
Deutsch: Die letzte futuristische Ausstellung der Malerei 0,10, Petrograd, Dezember 1915 – Januar 1916, Installationsansicht mit Wladimir Tatlins Eck-Konterrelief, 1914, und Konterrelief mit Stuhlbein, 1915
English: Works by Tatlin at 0,10 exhibition |
Date | or 1916 |
Source | AK: Inventing Abstraction. 1910-1925. London 2012, S. 216, Abb. 219. (new version), Matthew Drutt (ed.), Auf der Suche nach 0,10. Die letzte futuristische Ausstellung der Malerei, Basel 2015, p. 49 (old version) |
Author | Vladimir Tatlin (artwork), Unknown authorUnknown author (photograph) |
Licensing
[edit]Public domainPublic domainfalsefalse |
This work is in the public domain in Russia according to article 1281 of the Civil Code of the Russian Federation, articles 5 and 6 of Law No. 231-FZ of the Russian Federation of December 18, 2006 (the Implementation Act for Book IV of the Civil Code of the Russian Federation).
This usually means that one of the following conditions is fulfilled.
This work is in the public domain in the United States, because it was in the public domain in its home country (Russia) on the URAA date (January 1, 1996), and it wasn't re-published for 30 days following initial publications in the U.S. [1] If the author of this work was subjected to repression and rehabilitated posthumously, copyright term is counted from January 1 of the year following the year of rehabilitation. English ∙ español ∙ français ∙ 日本語 ∙ русский ∙ 简体中文 ∙ 繁體中文 ∙ +/− |
(photograph)
Public domainPublic domainfalsefalse |
The author died in 1953, so this work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 70 years or fewer. This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929. | |
This file has been identified as being free of known restrictions under copyright law, including all related and neighboring rights. |
https://creativecommons.org/publicdomain/mark/1.0/PDMCreative Commons Public Domain Mark 1.0falsefalse (artwork)
Annotations InfoField | This image is annotated: View the annotations at Commons |
painting by Nadezhda Udaltsova
painting by Nadezhda Udaltsova (probably lost)
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 15:37, 17 October 2024 | 1,582 × 2,000 (1.35 MB) | Carl Ha (talk | contribs) | AK: Inventing Abstraction. 1910-1925. London 2012, S. 216, Abb. 219. | |
22:10, 10 February 2024 | 2,660 × 3,249 (10.26 MB) | Carl Ha (talk | contribs) | Uploaded a work by Vladimir Tatlin (artwork), {{author|unknown}} (photograph) from Matthew Drutt (ed.), Auf der Suche nach 0,10. Die letzte futuristische Ausstellung der Malerei, Basel 2015, p. 49 with UploadWizard |
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Height | 1,677 px |
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Compression scheme | Uncompressed |
Pixel composition | RGB |
Orientation | Normal |
Number of components | 3 |
Horizontal resolution | 300 dpi |
Vertical resolution | 300 dpi |
Data arrangement | chunky format |
Software used | Adobe Photoshop CS4 Windows |
File change date and time | 16:16, 2 July 2014 |
Color space | Uncalibrated |
Image width | 1,582 px |
Image height | 2,000 px |
Date and time of digitizing | 17:14, 2 July 2014 |
Date metadata was last modified | 18:16, 2 July 2014 |
Unique ID of original document | xmp.did:21AF6E79F301E4118E3093DF609301EE |