File:WLA ima House in Provence.jpg

House in Provence
Artist Cézanne, Paul
nationality French
birth-death 1839-1906
Creation date 1886-1890
Materials oil on canvas
Dimensions 25 1/2 x 32 in.
Location Sidney and Kathy Taurel gallery
Credit line Gift of Mrs. James W. Fesler in memory of Daniel W. and Elizabeth C. Marmon
Accession number 45.194
http://www.imamuseum.org/explore/artwork/793

A classic example of Cézanne's mature style, this landscape is set in the south ridge of Mont Sainte-Victoire, the artist's favorite motif, near his home in southern France.

Although Cézanne was influenced by his outdoor studies with Camille Pissarro, he did not share the Impressionists' fascination with the changing conditions of the landscape. Seeking instead the basic structure underlying nature, Cézanne built compositions of carefully ordered geometric forms. He converted the rugged terrain of Provence into a network of horizontal bands, punctuated by vertical accents and the cubic form of the isolated farmhouse. The resulting image echoes the enduring presence of Cézanne's mountain.
Indianapolis Museum of Art: Highlights of the Collection (2005)

At a distance, this painting by Paul Cézanne reads clearly as a single farmhouse set against one of the artist's favorite subjects, the Mont Sainte-Victoire, a craggy mountain ridge in his native Provence in southern France. At close range, however, at patches of saturated color laid down with broad brushstrokes intersect and overlap in a dynamic way. Angled in several directions, these brushstrokes create lively rhythms at odds with the feelings of solidity and permanence that emanate from the overall image.

Although he was influenced early in life by the outdoor studies of fellow painter Camille Pissarro, Cézanne went beyond the Impressionists' interest in capturing changing light and atmospheric effects. He analyzed the hues, forms, and shapes of nature, and gave a firmer structure to his landscapes. In House in Provence horizontal bands of color give a rooted simplicity to the composition, which is balanced by the vertical accents of the trees, the sheer rock faces, and the cubic volume of the house. Cézanne's emphasis on analyzing relationships of forms in space influenced many younger artists, including Pablo Picasso and Georges Braque, who collaborated in the development of Cubism in the decade immediately following Cézanne's death.

I wanted to make of Impressionism something solid and enduring like the art in museums.
-Paul Cézanne, as recorded by painter Maurice Denis in 1907