File:TSABOUNA-GAIDA (bagpipes).jpg
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English: TSABOUNA-GAIDA (bagpipes)
The bagpipe (oskavlos) reached Greece from Asia in the 1st or 2st cent. AD. It is of two types: The tsamoina (islands) and the goida (Macedonia and Thrace). They are made by the players themselves, the bag (askv) being made from the skin of a goat or kid, which is specially treated, and the mouthpiece being from cane, wood or bone. The two types differ essentially in the part that produces the sound. In the case of the tsamboina, two wooden cane pipes of the clarinet type (with single-beating reeds) are attached with wax to a grooved wooden base. On the one the musician plays the melody and on the other the drone (vson). It is played solo or together with a toumbv (small drum) or a lura (pear-shaped fiddle). In the case of the gaida the two wooden tubes are independent of each other. The shorter one for the melody has 7 pitch holes (6+1), while the second (bourv or basso) is longer, being usually of three sections and sounds the drone (vson). It is played solo or together with a toumbeleki, daoili, or dakhans (tambourine). Museum of Popular Instruments, Research Centre for Ethnomusicology. In Plaka, Athens, Greece. Official website.Ελληνικά: ΤΑΣΜΠΟΥΝΑ-ΓΚΑΪΝΤΑ
Ο άσκαυλος έρχεται στην Ελλάδα από την Ασία τον 10 με 20 αι. μ.Χ. και τον συναντάμε σε δύο τύπους: την τσαμπούνα (στα νησιά) και την γκάϊντα (στη Μακεδονία και Θράκη). Κατασκευαστής είναι ο ίδιος ο τσαμπουνιάρης ή φκαϊντατζής, που χρησιμοποιεί για το ασκί δέρμα κατσίκας ή ερίφιου ειδικά κατεργασμένο και γι ατο επιστόμιο καλάμι, ξύλο ή κόκκαλο. Οι δυο τύπου διαφέρουν κυρίως στη συσκευή για την παραγωγή του ήχου. Στην τσαμπούνα σε μια ξύλινη αυλακωτή βάση προσαρμόζονται με κερί δυο καλαμένιοι αυλοί τύπου κλαρινέτου (με μονό γλωσσίδι). Στον έναν ο μουσικός παίζει τη μελωδία και με τον άλλο κρατά το ίσο. Παίζεται μόνη της και μαζί με τουμπί ή αχλαδόσχημη λύρα. Στην γκάϊντα οι δυο ξύλινοι αυλοί είναι ανεξάρτητοι. Ο ένας, για τη μελωδία, έχει 7 τρύπες (6+1), ενώ ο δεύτετος (μπουρί ή μπάσο), μακρύς σε τρία συνήθως κομμάτια "ταιριάζεται" με την τονική και είναι ο ισοκράτης. Παίζεται μόνη της και μαζί με τουμπελίκη ή νταούλι ή νραχαρέ. Μουσείο Ελληνικών Λαϊκών Μουσικών Οργάνων Φοίβου Ανωγειανάκη-Κέντρο Εθνομουσικολογίας. Στην Πλάκα, Αθήνα. Official website. |
| Date | |
| Source | TSABOUNA-GAIDA (bagpipes) |
| Author | Tilemahos Efthimiadis from Athens, Greece |
| Camera location |  | View this and other nearby images on: OpenStreetMap |  |
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This image was originally posted to Flickr by Tilemahos_E at https://www.flickr.com/photos/64379474@N00/5005714794. It was reviewed on 2 February 2012 by FlickreviewR and was confirmed to be licensed under the terms of the cc-by-sa-2.0. |
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| current | 18:54, 2 February 2012 | | 2,251 × 2,235 (786 KB) | Lobo (talk | contribs) | {{Information |Description={{en|TSABOUNA-GAIDA (bagpipes) The bagpipe (oskavlos) reached Greece from Asia in the 1st or 2st cent. AD. It is of two types: The tsamoina (islands) and the goida (Macedonia and Thrace). They are made by the players themselves, |
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