File:Stufetta del cardinal bibbiena.jpg
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Summary
[edit]DescriptionStufetta del cardinal bibbiena.jpg | |
Date | |
Source | Pierluigi De Vecchi, Raffaello, Rizzoli, Milano 1975. |
Author | Raffaello |
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[edit]Public domainPublic domainfalsefalse |
This work is in the public domain in the United States because it meets three requirements:
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Public domainPublic domainfalsefalse |
The country of origin of this photograph is Italy. It is in the public domain there because its copyright term has expired. According to Law for the Protection of Copyright and Neighbouring Rights n.633, 22 April 1941 and later revisions, images of people or of aspects, elements and facts of natural or social life, obtained with photographic process or with an analogue one, including reproductions of figurative art and film frames of film stocks (Art. 87) are protected for a period of 20 years from creation (Art. 92). This provision shall not apply to photographs of writings, documents, business papers, material objects, technical drawings and similar products (Art. 87). Italian law makes an important distinction between "works of photographic art" and "simple photographs" (Art. 2, § 7). Photographs that are "intellectual work with creative characteristics" are protected for 70 years after the author's death (Art. 32 bis), whereas simple photographs are protected for a period of 20 years from creation.
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This may not apply in countries that don't apply the rule of the shorter term to works from Italy. In particular, these are in the public domain in the United States only if:
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Public domainPublic domainfalsefalse |
This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 70 years or fewer. You must also include a United States public domain tag to indicate why this work is in the public domain in the United States. Note that a few countries have copyright terms longer than 70 years: Mexico has 100 years, Jamaica has 95 years, Colombia has 80 years, and Guatemala and Samoa have 75 years. This image may not be in the public domain in these countries, which moreover do not implement the rule of the shorter term. Honduras has a general copyright term of 75 years, but it does implement the rule of the shorter term. Copyright may extend on works created by French who died for France in World War II (more information), Russians who served in the Eastern Front of World War II (known as the Great Patriotic War in Russia) and posthumously rehabilitated victims of Soviet repressions (more information).
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This file has been identified as being free of known restrictions under copyright law, including all related and neighboring rights. |
https://creativecommons.org/publicdomain/mark/1.0/PDMCreative Commons Public Domain Mark 1.0falsefalse
Original upload log
[edit]Date/Time | Dimensions | User | Comment |
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2011-03-20 16:11 | 760×1029× (166767 bytes) | Sailko | {{Informazioni file |Descrizione = Vedi nome file |Data= 1516 |Autore= Raffaello |Fonte = Pierluigi De Vecchi, ''Raffaello'', Rizzoli, Milano 1975. |Licenza = {{PD-Italia}} }} [[Categoria:Immagini sull'arte rinascimentale]] |
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current | 16:12, 5 March 2020 | 760 × 1,029 (163 KB) | Adri08 (talk | contribs) | Transferred from it.wikipedia via #commonshelper |
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JPEG file comment | RAFFAELLO Sanzio
(b. 1483, Urbino, d. 1520, Roma) The 'Stufetta' of Cardinal Bibbiena 1516 Fresco Palazzi Pontifici, Vatican In 1516 Raphael and his followers were commissioned to decorate the bathroom of the Cardinal Bibbiena's Vatican apartments, the so-called Stufetta. The ornamental motives employed in the Stufetta paintings derive from those of the Domus Aurea, the villa of the Emperor Nero situated between the Palatine and the Velian hills. The Domus Aurea had recently been rediscovered. By 1516 it had become an object of great enthusiasm for contemporary artists. The names of Giovanni da Udine, Domenichino and other lesser known painters are still visible, scratched in the walls of the monument. Raphael painted the Story of Venus on the walls of the Stufetta, perhaps at the suggestion of the Cardinal. He represented the episodes of the story in the same techniques used in the Domus Aurea: stucco and fresco. The decoration of the borders started a new ornamental style, called "grottesque", which derives from the decoration of the "grotto" of Nero's villa. The new style was widely used throughout the Cinquecento and after It replaced the "candelabro" motif of the Quattrocento, generally made up of plants, animals and stylised putti growing out of a vase or amphora. Raphael thus left his mark in the field of decorative tastes as well as in that of pictorial style.
Author: RAFFAELLO Sanzio Title: The 'Stufetta' of Cardinal Bibbiena Time-line: 1501-1550 School: Italian Form: painting Type: other |
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