File:Sheet 14. Paris. Plan de Turgot - David Rumsey.jpg
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Title |
Français : Plan de Paris, commencé l'année 1734 dessiné et gravé sous les ordres de Messire Michel Etienne Turgot,... achevé de graver en 1739 levé et dessiné par Louis Bretez, gravé par Claude Lucas, et écrit par Aubin. |
DescriptionSheet 14. Paris. Plan de Turgot - David Rumsey.jpg |
English: Turgot map of Paris, a highly accurate and detailed map of the city of Paris as it appeared in 1734–1736. |
Date | |
Source | David Rumsey Historical Map Collection |
Creator |
Louis Bretez & Claude Lucas |
Geotemporal data | |
Date depicted | 1734–1736 |
Map location | Paris |
Scale | 1: 400 |
Georeferencing | Georeference the map in Wikimaps Warper If inappropriate please set warp_status = skip to hide. |
Bibliographic data | |
Part of the series | Turgot map of Paris, David Rumsey Historical Map Collection |
Map sheet | 14 |
Language | French |
Place of publication | Paris |
Publisher |
Michel-Étienne Turgot |
Printed by |
Aubin |
Archival data | |
Collection | David Rumsey Historical Map Collection |
Dimensions | 51 x 80 cm |
Medium | Atlas map |
Notes |
English: First edition, published in 1739. Original binding. See our 1860 reissue from the same plates (10059.000). "In 1734 Michel-Etienne Turgot, chief of the municipality of Paris as provost of merchants, decided to promote the reputation of Paris for Parisian, provincial or foreign elites by implementing a new map of the city. He asked Louis Bretez, member of the Royal Academy of Painting and Sculpture and professor of perspective, to draw up the plan of Paris and its suburbs. By contract, Turgot requested a very faithful reproduction with great accuracy. Louis Bretez, was allowed to enter into the mansions, houses and gardens in order to take measurements and draw pictures. He worked for two years (1734-1736). In the eighteenth century, the trend was to abandon portraits of cities (inherited from the Renaissance) for a geometric plan, more technical and mathematical. But the plan de Turgot goes against this trend, by choosing the system of perspective cavaliere: two buildings of the same size are represented by two drawings of the same size, whether the buildings are close or distant. In 1736, Claude Lucas, engraver of the Royal Academy of Sciences, created the 21 sheets of the plan. The plan was published in 1739, and the prints were bound in volumes offered to the King, the members of the Academy, and the Municipality. Additional copies were to serve as representations of France to foreigners. The 21 engraved brass plates are kept by the Chalcography of the Louvre, where they are even now used for re-printing employing the same techniques as two centuries ago." (Wikipedia). |
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This file has been identified as being free of known restrictions under copyright law, including all related and neighboring rights. |
https://creativecommons.org/publicdomain/mark/1.0/PDMCreative Commons Public Domain Mark 1.0falsefalse
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current | 23:10, 10 August 2020 | 12,370 × 8,141 (35.51 MB) | Paris 16 (talk | contribs) | Uploaded own work with UploadWizard |
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