File:Rembrandt Harmensz. van Rijn 012.jpg

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Rembrandt: The Denial of Saint Peter  wikidata:Q3874247 reasonator:Q3874247
Artist
Rembrandt  (1606–1669)  wikidata:Q5598 s:en:Author:Rembrandt Harmenszoon van Rijn q:en:Rembrandt
 
Rembrandt
Alternative names
Rembrandt van Rijn, Birth name: Rembrandt Harmenszoon van Rijn, Rembrandt Harmensz. van Rijn
Description Dutch painter, printmaker and drawer
Date of birth/death 15 July 1606 Edit this at Wikidata 4 October 1669 Edit this at Wikidata
Location of birth/death Leiden Edit this at Wikidata Amsterdam Edit this at Wikidata
Work period between circa 1625 and circa 1669
date QS:P,+1650-00-00T00:00:00Z/7,P1319,+1625-00-00T00:00:00Z/9,P1326,+1669-00-00T00:00:00Z/9,P1480,Q5727902
Work location
Leiden (1620-1624), Amsterdam (1624-1625), Leiden (1625-1633), Amsterdam (1631-1669)
Authority file
artist QS:P170,Q5598
image of artwork listed in title parameter on this page
Title
St Peter's denial
Object type painting Edit this at Wikidata
Genre religious art Edit this at Wikidata
Description
St Peters'denial. With his left hand the disciple Peter makes a gesture of denial in response of the accusations made by Caiaphas' maidservant, who is standing next to him holding a candle. To the left two soldiers in armor are present, one of whom is sitting at a table. To the right a chained Christ looks over his shoulder while he is being taken away.
Depicted people Saint Peter Edit this at Wikidata
Date 1660
date QS:P571,+1660-00-00T00:00:00Z/9
Medium oil on canvas
medium QS:P186,Q296955;P186,Q12321255,P518,Q861259
Dimensions height: 154 cm (60.6 in); width: 169 cm (66.5 in)
dimensions QS:P2048,154U174728
dimensions QS:P2049,169U174728
institution QS:P195,Q190804
Accession number
SK-A-3137
Place of creation Amsterdam
Object history by 24 March 1687
date QS:P,+1687-03-24T00:00:00Z/7,P1326,+1687-03-24T00:00:00Z/11
: Marten Davidsz. van Ceulen, Amsterdam (?)
by 1752
date QS:P,+1752-00-00T00:00:00Z/7,P1326,+1752-00-00T00:00:00Z/9
: Marc-René de Voyer d'Argenson (1722-1782), Paris (as ‘Un grand tableau de Rembrant, représentant le reniement de S. Pierre’)
1759 or 1760
date QS:P,+1750-00-00T00:00:00Z/7,P1319,+1759-00-00T00:00:00Z/9,P1326,+1760-00-00T00:00:00Z/9
: purchased by Claude-Alexandre de Villeneuve, comte de Vence (1702-1760), Paris, from Marc-René de Voyer d'Argenson, Paris
from 9 February 1761 until 17 February 1761
date QS:P,+1761-02-00T00:00:00Z/10,P580,+1761-02-09T00:00:00Z/11,P582,+1761-02-17T00:00:00Z/11
: sale of the collection of Comte de Vence at P. Remy, Paris, lot no. 49, for FRF 500 (as ‘Rembrandt Van-Rhein. Un excellent Tableau représentant le Reniement de S. Pierre. Ce tableau est peint sur toile, de 4 pieds 8 pouces de haut, sur 5 pieds 2 pouces de large.’)
by 1780
date QS:P,+1780-00-00T00:00:00Z/7,P1326,+1780-00-00T00:00:00Z/9
: Sylvain-Raphaël de Baudouin, Paris (as ‘Deux grands tableaux faisant pendants. L'un représente le réniement de St. pierre; Cet Apôtre la Tète et le Corps couverts d'une grande Draperie de Laine blanche, Est deboust devant un foÿer. Sa main droite est appuïée sur sa poitrine, et de la gauche il semble se déffendre de la question que lui fait une Servante qui l'envisage avec attention a la clarté d'une lumière qu'elle tient entre ses doigts. Un Soldat armé de toutes pièces assis près du foÿer et dont le Casque et l'epée sont posés devant lui tient dans ses mains une grosse Cruche et cefse de boire pour écouter la réponce de l'apotre qu'il regarde attentivement. On apperçoit dèrierre lui un autre Soldat deboust appuÿé sur son Epée; il est aufsi armé de toutes pieces, et porte la même attention sur St. pierre. Ces quatre figures sont de grandeur de nature. Au haut du tableau on voit a droite sur un plan plus éloigné jesus avec deux Soldats, dont un lui tient les mains liées derrière le dos; Il est deboust devant trois juges Coëffés de turbans. L'effet étonnant de ce morceau qui ne reçoit la lumière que de la Chandelle qui est entre les doigts de la Servante,. L'espression, la couleur vigoureuse et la fierté de la touche, le mettent au rang des plus Capitaux de ce maître. Largeur 5. pieds 1. pouce, sur 4. pieds 8. pouces de haut’)

1781: purchased by Melchior Grimm from Sylvain-Raphaël de Baudouin, Paris for Catherine II of Russia (1729-1796), Saint Petersburg

from 1781 until 10 July 1933
date QS:P,+1500-00-00T00:00:00Z/6,P580,+1781-00-00T00:00:00Z/9,P582,+1933-07-10T00:00:00Z/11
: Hermitage Museum, Saint Petersburg
10 July 1933: purchased by the Rijksmuseum Amsterdam, Amsterdam, from the Soviet Union
Exhibition history

Rembrandt Tentoonstelling, Rijksmuseum, Amsterdam, 13 July 1935–13 October 1935, Cat.no. 27.

La peinture Hollandaise de Jérôme Bosch à Rembrandt/Hollandse schilderkunst van Jeroen Bosch tot Rembrandt, Paleis voor Schone Kunsten Brussel, City of Brussels, 2 March 1946–28 April 1946, cat. no.  88.

A loan exhibition of Rembrandt at Wildenstein, Wildenstein and Company, New York City, 19 January 1950–25 February 1950, cat. no.  22.

Dutch Pictures 1450-1750, Royal Academy of Arts, London, 22 November 1952–1 March 1953, Cat.no. 188.

Holländer des 17. Jahrhunderts, Kunsthaus Zürich, Zurich, 4 November 1953–20 December 1953, Cat.no. 122.

Mostra di pittura olandese del seicento, Palazzo delle Esposizioni, Rome, 4 January 1954–14 February 1954, cat. no.  122.

Mostra di pittura olandese del seicento, Palazzo Reale, Milan, 1954, cat. no.  112.

Dutch painting, the Golden Age; an exhibition of Dutch pictures of the seventeenth century, The Metropolitan Museum of Art, New York City, Toledo Museum of Art, Toledo, The Art Gallery of Ontario, Toronto, 1954–1955, OCLC 644452, cat. no.  66.

Rembrandt. Sextiosex bilder från utställningen i Nationaluseum, Nationalmuseum, Stockholm, 12 January 1956–15 April 1956, cat. no.  35.

Rembrandt Tentoonstelling. Ter herdenking van de geboorte van Rembrandt op 15 juli 1606, Rijksmuseum, Amsterdam, 18 May 1956–5 August 1956, Museum Boijmans Van Beuningen, Rotterdam, 8 August 1956–21 October 1956, OCLC 15659340, cat. no.  82.

Gods, saints & heroes. Dutch Painting in the Age of Rembrandt, National Gallery of Art, Washington, D.C., 2 November 1980–4 January 1981, The Detroit Institute of Arts, Detroit, 16 February 1981–19 April 1981, OCLC 604281802, cat. no.  30.

God en de goden, Rijksmuseum, Amsterdam, 18 May 1981–19 July 1981, ISBN 9789012033732, Cat.no. 30.

La luce del vero. Caravaggio, la Tour, Rembrandt, Zurbaran, Galleria d'Arte Moderna e Contemporanea, Bergamo, 10 September 2000–17 December 2000, ISBN 88-8215-238-3, cat. no.  22.

The Bible, Mythology and Ancient History. Rembrandt and the Rembrandt School, 13 September 2003–14 December 2003, National Museum of Western Art, Tokyo, cat. no.  16.

Rijksmuseum on the Scheldt. Masterpieces from the treasure-house of the Netherlands/Rijksmuseum aan de Schelde. Meesterwerken uit de schatkamer van Nederland, Koninklijk Museum voor Schone Kunsten, Ghent, 9 October 2004–31 December 2007.

Rembrandt-Caravaggio, 24 February 2006–18 June 2006, Van Gogh Museum, Amsterdam, Cat.no. 16.

Rembrandt and the Golden Age of Dutch Art. Masterpieces from the Rijksmuseum, Dayton Art Institute, Dayton, Ohio, 24 September 2006–7 January 2007, Phoenix Art Museum, Phoenix, Arizona, 27 January 2007–6 May 2007, Portland Art Museum, Portland, Oregon, 26 May 2007–16 September 2007.

Rembrandt and the Golden Age. Highlights from the Rijksmuseum, Amsterdam, Shanghai Museum, Shanghai, 2 November 2007–13 February 2008.

Rembrandt, Pintor de historias, 15 October 2008–6 January 2009, Museo Nacional del Prado, Madrid, Cat.no. 38.

Rembrandt. The denial of Peter, Szépművészeti Múzeum, Budapest, 30 April 2009–1 June 2009.

L'âge d'or hollandais. De Rembrandt à Vermeer/The Dutch Golden age. From Rembrandt to Vermeer, Pinacothèque de Paris, Paris, 7 October 2009–7 February 2010, ISBN 9782358670050.
Credit line Purchased by the Rijksmuseum Amsterdam with support of the Vereniging Rembrandt
Inscriptions

Signature and date bottom right:

Rembrandt 1660
References

AnonymousUnknown author, Rijksmuseum Amsterdam online catalogue, as De verloochening van Petrus.

AnonymousUnknown author, RKDimages, Art-work number 2928, as The denial of Peter

AnonymousUnknown author, Bildindex der Kunst und Architektur, object 20186116, as Die Verleumdung Petri

AnonymousUnknown author, Vereniging Rembrandt, as De verloochening van Petrus.

Blankert, A. 'Rembrandts Nachwerk', Kunstschrift (2006) 3 (juni/juli)

Bok, Marten Jan, Kunstbezit in de Amsterdamse familie van Ceulen, p. 149-166.

Brion, Marcel, 'Rembrandt, sa vie', Jardin des Arts (1969) 176/177 (juli-augustus), p. 16.

Camon Aznar, J., 'La pentura de Rembrandt y su justification religiosa', Goya (1979) 151, p. 5, afb.

Deene, J.F. van, 'De compositie van Rembrandt's "Verloochening door Petrus"', Maandblad voor Beeldende Kunsten XI (1934), p. 115 e.v., afb.

Gerson, H., De Nederlandse schilderkunst III, 1952, p. 15, afb. 31.

Grimm, Claus, 'Handschrift, schildertechniek en beeldstructuur. Bijdrage tot het onderzoek naar toeschrijving, I de helmen van Rembrandt', Tableau (1982./83) 5 (dec./jan.), p. 242, afb.

Hudson, J.R., 'Pictorial sources for Rembrandt's Denial of St. Peter', Oud Holland LXXIX (1964), p. 141.

Jager, J. 'Revolutionaire kunstbuit : erfgoed of handelswaar', Spiegel Historiael 36 (2001) 11-12, p. 496-503.

Johnson, Inger Helene, 'Reflections on The Denial of the Apostle Peter, from the 'Commodilla Master' to Rembrandt', Det Kongelige Norske Videnskabers Selskab (1976), p. 1-30.

Kühn, H. Untersuchungen zu den Mahlgründen Rembrandts, in: Jahrbuch der Staatlichen Kunstsammlungen in Baden-Württemberg 1965, p. 202.

Nicolson, B., 'The international Caravaggesque movement', Simiolus 12 (1981/82) 2/3, p. 171.

Vels Heijn, A. Rembrandt, in: Jaarboek van het Centraal Bureau voor Genealogie (1990) dl. 44.

Weisbach, Werner, Rembrandt, 1926. p. 465.
Source/Photographer Unknown sourceUnknown source
Other versions
File:De verloochening van Petrus Rijksmuseum SK-A-3137.jpeg
Version from www.rijksmuseum.nl
File:Rembrandt The-denial-of-peter-1660.jpg
Version from uploads4.wikiart.org
File:Rembrandt - Peter Denying Christ - WGA19121.jpg
Version from www.wga.hu

Licensing

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This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
Public domain

The author died in 1669, so this work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer.

This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.

This file has been identified as being free of known restrictions under copyright law, including all related and neighboring rights.
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details.

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current15:20, 9 May 2014Thumbnail for version as of 15:20, 9 May 20145,050 × 4,620 (10.4 MB)Jan Arkesteijn (talk | contribs)higher resolution
16:37, 30 December 2009Thumbnail for version as of 16:37, 30 December 2009500 × 454 (101 KB)Shakko (talk | contribs)http://fotki.yandex.ru/users/swirelka/view/152073?page=2
03:08, 21 May 2005Thumbnail for version as of 03:08, 21 May 20053,176 × 2,899 (491 KB)File Upload Bot (Eloquence) (talk | contribs){{Painting| |Title=<br /> ** ''de:'' Apostel Petrus verleugnet Christus |Technique=<br /> ** ''de:'' Öl auf Leinwand |Dimensions=<br /> ** ''de:'' 154 × 169 cm |Location=<br /> ** ''de:'' Amsterdam |Country=<br /> ** ''de:'' Niederlande (Holland) |Galle

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