File:Reliquienkruz.jpg
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[edit]DescriptionReliquienkruz.jpg |
English: This patriarchal cross contains several particles of wood, once adored as fragments of the True Cross, fitted together and preserved under plates of rock crystal. The particles are enclosed between the five arms of the alliance of Hungary and Anjou on the sides and above, and the arms of the kingdom of Poland below. The emblems refer to King Louis the Great of "Hungary (1326-1382) from the house of Anjou-Naples, who was also king of Poland after 1370. Familial connections between Naples and Hungary enabled Louis to commission artists in Venice, Tuscany and Naples as well as to summon Italian artists to the Hungarian court. Certain aspects of the enamel on the golden reliquary cross correspond to enamel work in Naples and favour an Italian attribution. In accordance with the treaty of partition, the cross, in the treasury at that time, was handed over to Hungary. Only later was it discovered to be a forgery; a trusted restorer substituted it for the original, which he sold in the late 19th century. In 1957, an extraordinary stroke of good fortune enabled the Kunsthistorisches Museum to acquire the base from a museum in London and the cross from a private collection in Copenhagen, so that the original cross is now back in Vienna."
Deutsch: "Im Zentrum dieses Reliquienkreuzes befindet sich eine außergewöhnlich große Kreuzpartikel, deren Wertschätzung durch die Goldfassung, den reichen Besatz aus Edelsteinen, Perlen und Email sowie die Montage auf dem hohen goldglänzenden Sockel eindrucksvoll vor Augen geführt wird. Bergkristallplatten bedecken und schützen die an der Vorderseite des Kreuzes präsentierte Reliquie, welche aus verschiedenen Partikeln zu der aus der byzantinischen Tradition herstammenden Form des Doppelkreuzes zusammengefügt wurde, die auch die Gesamtform des Kreuzes bestimmt. Die Kreuzenden zeigen edelsteinbesetzte Vierpässe mit Manschetten, die fünfmal die emaillierten Allianzwappen Ungarn-Anjou und einmal das Wappen des Königreichs Polen (am unteren Kreuzbalken) tragen. Diese Wappen, zu denen noch zwei weitere auf der Rückseite treten, beziehen sich auf König Ludwig den Großen von Ungarn (1326-1382) aus dem Haus Anjou, der ab 1370 auch König von Polen war. 1933 wurde das Kreuz, das sich mit seinem Wappenschmuck eng dem mittelalterlichen ungarischen Königtum verbunden zeigt, als Folge des 1921 ausgehandelten Teilungsvertrages zwischen Österreich und Ungarn nach Budapest überstellt. Zu diesem Zeitpunkt wusste man jedoch nicht, dass es sich bei dem an Ungarn abgegebenen Stück um eine Fälschung handelt. Salomon Weiniger, der Goldschmied, der die Goldschmiedearbeit um 1860/70 vom damaligen Hofburgpfarrer zur Restaurierung übertragen bekommen hatte, gab diesem eine geschickte Nachbildung zurück, während er das Original in zwei Teilen verkaufte. Das originale Kreuz und der Sockel, die in weiterer Folge in verschiedene Sammlungen in Kopenhagen bzw. London gelangten, konnten 1957 glücklicherweise zurückgekauft werden, so dass das Reliquienkreuz heute wieder in der Wiener Schatzkammer gezeigt werden kann. Die Entstehung der mittelalterlichen Arbeit ist aufgrund der Wappen für die Regierungszeit König Ludwigs von Ungarn als König von Polen (1370-1382) gesichert. Stilistische und technische Merkmale könnten daran denken lassen, dass es sich dabei um das Werk eines in Ungarn tätigen italienischen Goldschmiedes handelt." |
Date | Photo: 2018-06-04 Creation: 1370-82 |
Source | https://www.khm.at/en/objectdb/detail/98987 |
Author | ©KHM-Museumsverband |
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 07:29, 20 August 2023 | 958 × 2,267 (642 KB) | Gyalu22 (talk | contribs) | Cropped 52 % horizontally, 24 % vertically using CropTool with precise mode. | |
07:28, 20 August 2023 | 2,002 × 3,000 (891 KB) | Gyalu22 (talk | contribs) | Uploaded a work by ©KHM-Museumsverband from https://www.khm.at/en/objectdb/detail/98987 with UploadWizard |
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Metadata
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Camera manufacturer | NIKON CORPORATION |
---|---|
Camera model | NIKON D810 |
Exposure time | 1/100 sec (0.01) |
F-number | f/22 |
ISO speed rating | 100 |
Date and time of data generation | 11:11, 4 June 2018 |
Lens focal length | 60 mm |
Width | 4,912 px |
Height | 7,360 px |
Bits per component |
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Compression scheme | Uncompressed |
Pixel composition | RGB |
Orientation | Normal |
Number of components | 3 |
Horizontal resolution | 300 dpi |
Vertical resolution | 300 dpi |
Data arrangement | chunky format |
Software used | Adobe Photoshop CC 2018 (Macintosh) |
File change date and time | 11:52, 5 June 2019 |
Exposure Program | Manual |
Exif version | 2.3 |
Date and time of digitizing | 11:11, 4 June 2018 |
APEX shutter speed | 6.643856 |
APEX aperture | 8.918863 |
APEX exposure bias | 0 |
Maximum land aperture | 3 APEX (f/2.83) |
Metering mode | Pattern |
Light source | Flash |
Flash | Flash did not fire, compulsory flash suppression |
DateTimeOriginal subseconds | 35 |
DateTimeDigitized subseconds | 35 |
Color space | sRGB |
Sensing method | One-chip color area sensor |
File source | Digital still camera |
Scene type | A directly photographed image |
Custom image processing | Normal process |
Exposure mode | Manual exposure |
White balance | Manual white balance |
Digital zoom ratio | 1 |
Focal length in 35 mm film | 60 mm |
Scene capture type | Standard |
Scene control | None |
Contrast | Normal |
Saturation | Normal |
Sharpness | Normal |
Subject distance range | Unknown |
GPS tag version | 0.0.3.2 |
Serial number of camera | 6027218 |
Lens used | Nikon AF Micro-Nikkor 60mm f/2.8D |
Date metadata was last modified | 13:52, 5 June 2019 |
Unique ID of original document | xmp.did:43bcf538-ff7c-4e72-8997-62135aa18676 |
IIM version | 4 |
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