File:Rétrospective Cindy Sherman à la Fondation Louis Vuitton, Paris 2020.jpg
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Summary
[edit]DescriptionRétrospective Cindy Sherman à la Fondation Louis Vuitton, Paris 2020.jpg |
Salles de l'exposition Cindy Sherman : séries des années 1980 (au moment de la fermeture) On peut apprécier sur cette vue lorganisation des espaces du rez-de-bassin (niveau bas de la fondation) qui permet de bien identifier chaque série de photographies de l'artiste ainsi que les couleurs des cimaises qui ont été retenues pour rendre l'exposition particulièrement attractive. Suzanne Pagé, Directrice artistique Commissaires : Marie-Laure Bernadac et Olivier Michelon, Conservateur avec Ludovic Delalande, commissaire d’exposition associé Architecte scénographe : Marco Palmieri <a href="https://www.fondationlouisvuitton.fr/fr/evenements/cindy-sherman-a-la-fondation-louis-vuitton" rel="noreferrer nofollow">www.fondationlouisvuitton.fr/fr/evenements/cindy-sherman-...</a> Des photographies de Cindy Sherman sont présentes dans de nombreuses collections et musées d'art contemporain en Europe mais ce sont souvent les oeuvres de ses débuts (celles relatives aux images de cinéma) qui sont les plus connues. La Fondation Louis Vuitton organise une rétrospective de son oeuvre, superbement scénographiée avec la participation de l'artiste, qui permet de mieux comprendre sa démarche, unique dans l'art contemporain. Cindy Sherman se représente, depuis ses débuts, sous des apparences féminines et même masculines toujours différentes, atteignant ainsi une forme d'universalité. |
Date | |
Source | Rétrospective Cindy Sherman à la Fondation Louis Vuitton (Paris) |
Author | Jean-Pierre Dalbéra |
Camera location | 48° 52′ 36.16″ N, 2° 15′ 47.92″ E | View this and other nearby images on: OpenStreetMap | 48.876711; 2.263312 |
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Licensing
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This image was originally posted to Flickr by dalbera at https://flickr.com/photos/72746018@N00/50524964278. It was reviewed on 28 October 2020 by FlickreviewR 2 and was confirmed to be licensed under the terms of the cc-by-2.0. |
28 October 2020
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 06:20, 28 October 2020 | 7,570 × 4,644 (19.48 MB) | Paris 16 (talk | contribs) | Transferred from Flickr via #flickr2commons |
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Metadata
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Camera manufacturer | SONY |
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Camera model | ILCE-7RM2 |
Author | dalbera jean-pierre |
Copyright holder |
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Exposure time | 1/125 sec (0.008) |
F-number | f/3.5 |
ISO speed rating | 6,400 |
Date and time of data generation | 19:37, 23 October 2020 |
Lens focal length | 24 mm |
Width | 7,952 px |
Height | 5,304 px |
Bits per component |
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Pixel composition | RGB |
Orientation | Normal |
Number of components | 3 |
Horizontal resolution | 350 dpi |
Vertical resolution | 350 dpi |
Software used | Adobe Photoshop Elements 12.0 Macintosh |
File change date and time | 23:33, 24 October 2020 |
Y and C positioning | Co-sited |
Exposure Program | Normal program |
Exif version | 2.3 |
Date and time of digitizing | 19:37, 23 October 2020 |
Meaning of each component |
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Image compression mode | 2 |
APEX shutter speed | 6.965784 |
APEX aperture | 3.61471 |
APEX brightness | −0.37734375 |
APEX exposure bias | 0 |
Maximum land aperture | 3.6171875 APEX (f/3.5) |
Metering mode | Pattern |
Light source | Unknown |
Flash | Flash did not fire, compulsory flash suppression |
Supported Flashpix version | 1 |
Color space | sRGB |
File source | Digital still camera |
Scene type | A directly photographed image |
Custom image processing | Normal process |
Exposure mode | Auto exposure |
White balance | Auto white balance |
Digital zoom ratio | 1 |
Focal length in 35 mm film | 24 mm |
Scene capture type | Standard |
Contrast | Normal |
Saturation | Normal |
Sharpness | Normal |
Lens used | FE 24-240mm F3.5-6.3 OSS |
Date metadata was last modified | 01:33, 25 October 2020 |
Unique ID of original document | 7F803271B39CA3FF93B0ECB6A4F32F7D |
IIM version | 1 |