File:PeinturesMuséeFabre135 Silvestre Prométhée1702.jpg
Original file (3,581 × 2,539 pixels, file size: 5.85 MB, MIME type: image/jpeg)
Captions
Summary
[edit]Louis de Silvestre: The Formation of Man by Prometheus with the Aid of Minerva | ||||||||||||||||||||||||
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Artist |
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Title | ||||||||||||||||||||||||
Object type |
painting object_type QS:P31,Q3305213 |
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Genre | mythological painting | |||||||||||||||||||||||
Depicted people | Minerva | |||||||||||||||||||||||
Date |
1702 date QS:P571,+1702-00-00T00:00:00Z/9 |
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Medium |
oil on canvas medium QS:P186,Q296955;P186,Q12321255,P518,Q861259 |
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Dimensions |
height: 144.5 cm (56.8 in); width: 182.5 cm (71.8 in) dimensions QS:P2048,144.5U174728 dimensions QS:P2049,182.5U174728 |
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Collection |
institution QS:P195,Q1519002 |
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Current location |
Galerie des Colonnes |
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Accession number |
2012.19.29 |
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Object history | Dépôt de l’État en 1803 | |||||||||||||||||||||||
Credit line | Transfert de propriété des œuvres en dépôt, de l’État au musée Fabre, en 2012. | |||||||||||||||||||||||
References | Morceau de réception à l'Académie royale de peinture et de sculpture en 1702 | |||||||||||||||||||||||
Source/Photographer | Own work, Finoskov, 2018-01-07 15:43:32 | |||||||||||||||||||||||
Permission (Reusing this file) |
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Licensing
[edit]- You are free:
- to share – to copy, distribute and transmit the work
- to remix – to adapt the work
- Under the following conditions:
- attribution – You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.
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File history
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 18:41, 22 January 2018 | 3,581 × 2,539 (5.85 MB) | Finoskov (talk | contribs) | User created page with UploadWizard |
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Metadata
This file contains additional information such as Exif metadata which may have been added by the digital camera, scanner, or software program used to create or digitize it. If the file has been modified from its original state, some details such as the timestamp may not fully reflect those of the original file. The timestamp is only as accurate as the clock in the camera, and it may be completely wrong.
Camera manufacturer | Panasonic |
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Camera model | DMC-FZ200 |
Exposure time | 1/50 sec (0.02) |
F-number | f/2.8 |
ISO speed rating | 400 |
Date and time of data generation | 15:43, 7 January 2018 |
Lens focal length | 16 mm |
Orientation | Normal |
Horizontal resolution | 180 dpi |
Vertical resolution | 180 dpi |
Software used | Ver.1.0 |
File change date and time | 15:43, 7 January 2018 |
Y and C positioning | Co-sited |
Exposure Program | Normal program |
Exif version | 2.3 |
Date and time of digitizing | 15:43, 7 January 2018 |
Meaning of each component |
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Image compression mode | 4 |
APEX exposure bias | −1.33 |
Maximum land aperture | 2.96875 APEX (f/2.8) |
Metering mode | Pattern |
Light source | Unknown |
Flash | Flash did not fire, compulsory flash suppression |
Supported Flashpix version | 1 |
Color space | sRGB |
Sensing method | One-chip color area sensor |
File source | Digital still camera |
Scene type | A directly photographed image |
Custom image processing | Normal process |
Exposure mode | Auto bracket |
White balance | Auto white balance |
Digital zoom ratio | 0 |
Focal length in 35 mm film | 95 mm |
Scene capture type | Standard |
Scene control | High gain up |
Contrast | Normal |
Saturation | Normal |
Sharpness | Normal |
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