File:Paviment Miró a la Rambla.jpg
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Summary
[edit]DescriptionPaviment Miró a la Rambla.jpg |
Català: BARCELONA (Catalunya) - "Pla de l'Os". Mosaic de Joan Miró
Milers de persones trepitgen diàriament el mosaic que Joan Miró va realitzar enmig de les Rambles de Barcelona. Alguns ni s'adonen; altres s'aturen per contemplar els colors característics de l'artista barceloní. Però molt pocs saben que aquest espai de la Rambla va ser emblemàtic per a la ciutat. Diuen que els barcelonins es quedaven atònits davant les portes que el comte Berenguer IV va fer portar d'Almeria com a trofeu de guerra. L'antic portal de Santa Eulàlia va ser rebatejat com el de "la Boqueria" gràcies al seu preciós treball arabesc. Amb l'enderrocament de la muralla el 1760 la porta va desaparèixer i va deixar al seu lloc una esplanada: el Pla de l'Os. Va ser aquí on el 1976 l'artista Joan Miró va fer realitat la seva idea d'ubicar una de les seves obres en el paviment de la Rambla, molt a prop del Passatge del Crèdit on havia nascut 83 anys abans. La seva intenció era que els passejants de la Rambla trepitgessin el mosaic , i no li importava si amb el pas del temps quedava danyat. Tot i això, l'Ajuntament de Barcelona es va encarregar de restaurar el 2006 per celebrar el trentè aniversari d'aquesta emblemàtica obra de Joan Miró. Llavors, els mosaics que el van formar s'havien deteriorat tornar el color, que s'havia deteriorat molt, les llambordes que el formen s'havien deteriorat i marcit. El mosaic té la forma circular del cosmos. Els seus colors elementals, groc, blau i vermell, i les seves formes simples parlen el llenguatge propi de l'artista. Un llenguatge intuïtiu que recupera la puresa del món de la infància. |
Date | |
Source | https://www.flickr.com/photos/jaumemeneses/8571931794/ |
Author | Jaume Meneses |
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current | 08:53, 26 December 2013 | 4,274 × 2,705 (5.28 MB) | Kippelboy (talk | contribs) | User created page with UploadWizard |
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Metadata
This file contains additional information such as Exif metadata which may have been added by the digital camera, scanner, or software program used to create or digitize it. If the file has been modified from its original state, some details such as the timestamp may not fully reflect those of the original file. The timestamp is only as accurate as the clock in the camera, and it may be completely wrong.
Camera manufacturer | FUJIFILM |
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Camera model | FinePix S3280 |
Exposure time | 1/125 sec (0.008) |
F-number | f/8 |
ISO speed rating | 64 |
Date and time of data generation | 11:45, 1 October 2012 |
Lens focal length | 4.3 mm |
Horizontal resolution | 72 dpi |
Vertical resolution | 72 dpi |
Software used | PhotoScape |
File change date and time | 11:45, 1 October 2012 |
Y and C positioning | Co-sited |
Exposure Program | Normal program |
Exif version | 2.3 |
Date and time of digitizing | 11:45, 1 October 2012 |
Meaning of each component |
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Image compression mode | 2 |
APEX shutter speed | 7 |
APEX aperture | 6 |
APEX brightness | 8.6 |
APEX exposure bias | 0 |
Maximum land aperture | 3.26 APEX (f/3.1) |
Metering mode | Pattern |
Light source | Unknown |
Flash | Flash did not fire, compulsory flash suppression |
Supported Flashpix version | 1 |
Color space | sRGB |
Focal plane X resolution | 6,992 |
Focal plane Y resolution | 6,992 |
Focal plane resolution unit | 3 |
Sensing method | One-chip color area sensor |
File source | Digital still camera |
Scene type | A directly photographed image |
Custom image processing | Normal process |
Exposure mode | Auto exposure |
White balance | Auto white balance |
Scene capture type | Standard |
Sharpness | Normal |
Subject distance range | Unknown |