File:Parthénon. Façade est.2 - (Gl.I.A.b.44).jpg

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Parthénon. Façade est.2 - (Gl.I.A.b.44) - (Gl.I.A.b.44)   (Wikidata search (Cirrus search) Wikidata query (SPARQL)  Create new Wikidata item based on this file)
Photographer
William James Stillman  (1828–1901)  wikidata:Q8013496 s:en:Author:William James Stillman
 
William James Stillman
Alternative names
William J. Stillman; W. J. Stillman
Description American painter, photographer, journalist, diplomat, writer and art historian
Date of birth/death 1 June 1828 Edit this at Wikidata 6 July 1901 Edit this at Wikidata
Location of birth/death Schenectady Edit this at Wikidata Surrey Edit this at Wikidata
Work period 1857 Edit this at Wikidata–1901 Edit this at Wikidata
Authority file
creator QS:P170,Q8013496
Title
Parthénon. Façade est.2 - (Gl.I.A.b.44) - (Gl.I.A.b.44)
Description
Parthénon. Façade est.2 - Cette épreuve reprend un angle de vue déjà utilisé par l'auteur en 1869 lors d'une première campagne photographique des ruines de l'Acropole (album publié sous le titre The Acropolis of Athens). Par comparaison avec la planche de cet album, il convient de remarquer que l'arc destiné à soutenir le linteau de la porte de la « salle des Vierges » a été construit (1872). Le cadrage, centré sur la porte qui apparaît entre deux colonnes de la péristasis est, ajoute de la profondeur à la scène. Par ailleurs la composition présente un subtil équilibre entre le sol jonché de fragments de marbre et le Parthénon.
Date 1882
date QS:P571,+1882-00-00T00:00:00Z/9
Medium Photogr. pos. montée sur carton : papier albuminé
Dimensions height: 19 cm (7.4 in); width: 15.9 cm (6.2 in)
dimensions QS:P2048,19U174728
dimensions QS:P2049,15.9U174728
institution QS:P195,Q157575
Current location
Collections du musée de l'Institut d'Archéologie classique de Strasbourg
Accession number
Gl.I.A.b.44
Source
institution QS:P195,Q96754733

Licensing

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Public domain
This work is in the public domain in France for one of the following reasons:
  • Its author (or the last of its authors in the case of a collaboration work) died more than 70 years ago (CPI art. L123-1) and did not benefit from any copyright extension (CPI art. L123-8, L123-9 and L123-10)[1];
  • It is an anonymous or pseudonymous work (the identity of the author has never been disclosed) or a collective work[2] and more than 70 years have passed since its publication (CPI art. L123-3);
  • It is the recording of an audiovisual or musical work already in the public domain, and more than 50 years have passed since the performance or the recording (CPI art. L211-4).
Please note that moral rights still apply when the work is in the public domain. They encompass, among others, the right to the respect of the author's name, quality and work (CPI art. L121-1). Attribution therefore remains mandatory.
  1. ↑ Copyright extensions must be considered only in the case of musical works and of authors Mort pour la France (died during conflict, in the service of France). In other cases, they are included in the 70 years post mortem auctoris length (see this statement of the Cour de Cassation).
  2. ↑ The collective work status is quite restrictive, please make sure that it is actually established.

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Public domain

This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer.

This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.

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