File:New York Yacht Club Schooner Clio, by Archibald Cary Smith.jpg
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Summary
[edit]DescriptionNew York Yacht Club Schooner Clio, by Archibald Cary Smith.jpg |
English: A vignette of the 1884 New York Yacht Club’s Annual Regatta, the brilliant architect and marine painter A.C. Smith was on hand to observe the schooner CLIO, and likely painted this as a commission for her owner, S.L. Blood, whose house flag is atop the main. The N.Y.Y.C. burgee is on the fore and an American ensign is stiff in the heavy elements. It was a day which was neither “suitin’ nor fittin’” for sailing, a popular term of the day. The June 13th race started under drizzle and light winds which quick grew ferocious and challenged most participants to even reach the finish.
CLIO was built in 1873 by C. & R. Poillon of Brooklyn, for Horatio Hathaway of New Bedford. The Poillon yard was responsible for several famous racing yachts, including BANSHEE, SAPPHO, FORTUNA and the indomitable GRAYLING: all designed by Smith. It is subjective, but highly probable, that the yard connection led to this specific art commission. When Blood purchased the schooner in the early 1880’s, he had the yacht reworked by Jesse Carll. She measured 75'5" overall x 68' hull length x 18'6" beam x 5' depth with her centerboard drawn up. Smith sets the day’s fast tempo and challenging sea in an inviting panorama off the visible New York headland and the out-of-sight lightship course marker. Undoubtedly, Smith painted some of the yachts he had a personal interest in as well during the event. In all, seven schooners, eight sloops, and five cutters were in the regatta’s field. CLIO parted her bobstay and a bowsprit shroud, to finish behind the big schooners MONTAUK and GRAYLING. It would be the racing schooners bellwether event, as the cutters rose to prominence and began to dominate yacht racing for the next 40 years. |
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Source | Vallejo Gallery | ||||||||||||||||||||
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creator QS:P170,Q21793148 |
Licensing
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This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details. |
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Camera manufacturer | Canon |
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Camera model | Canon EOS Rebel T6i |
Exposure time | 5/2 sec (2.5) |
F-number | f/8 |
ISO speed rating | 100 |
Date and time of data generation | 02:39, 5 May 2017 |
Lens focal length | 60 mm |
Label | Yellow |
Horizontal resolution | 180 dpi |
Vertical resolution | 180 dpi |
Software used | Adobe Photoshop Lightroom 6.6 (Macintosh) |
File change date and time | 16:27, 5 May 2017 |
Exposure Program | Manual |
Exif version | 2.3 |
Date and time of digitizing | 02:39, 5 May 2017 |
APEX shutter speed | −1.321928 |
APEX aperture | 6 |
APEX exposure bias | 0 |
Maximum land aperture | 3 APEX (f/2.83) |
Metering mode | Pattern |
Flash | Flash did not fire, compulsory flash suppression |
DateTimeOriginal subseconds | 12 |
DateTimeDigitized subseconds | 12 |
Color space | sRGB |
Focal plane X resolution | 6,718.9249720045 |
Focal plane Y resolution | 6,734.0067340067 |
Focal plane resolution unit | inches |
Custom image processing | Normal process |
Exposure mode | Manual exposure |
White balance | Auto white balance |
Scene capture type | Standard |
Serial number of camera | 062022000507 |
Lens used | EF-S60mm f/2.8 Macro USM |
Date metadata was last modified | 09:27, 5 May 2017 |
Unique ID of original document | B5F4B92DF46D506C591E324FE27E9517 |
IIM version | 4 |