File:Letter that came too late.jpg
Original file (1,502 × 1,158 pixels, file size: 1.02 MB, MIME type: image/jpeg)
Captions
Summary
[edit]Author |
Erik Pevernagie
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Object type |
painting object_type QS:P31,Q3305213 |
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Description |
The letter that came too late" by Erik Pevernagie, oil on canvas, 100 x 130 cm
How many people have not been victims of redoubtable snail mails? So many letters, with an important emotional message, have been sent, never reaching their destination or, when it did, far too late. Time can cause irreversible loss and arouse a mental state of sadness, distrust, powerlessness, and despair. Bill Moore from Aurora, Colorado, was handed over a letter he had written to his girlfriend seven decades ago, which one discovered inside a record sleeve purchased from a thrift shop. The same trick of time and destiny has was played on Chuck Kunellis of Fair Oaks, California and John Eddington from Aurora, Colorado. Extreme snail mails, which have been handed over 7O years later, after sending, caused an outbreak of sorrowful emotion.
Phenomenon: Irrevocability of time Factual starting point: letter handed over
Français : Irrévocabilité du temps. Le message ne peut être transmis à temps. Cela peut conduire à une situation dramatique et des sentiments d'impuissance.
Nederlands: Onherroepelijkheid van de tijd. De boodschap kan niet op tijd geleverd worden. Dit kan leiden tot een dramatische situatie en gevoelens van hulpeloosheid. |
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Date | 25 July 2011, 15:37:10 | ||
Source/Photographer | Erik Pevernagie |
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current | 18:25, 1 December 2014 | 1,502 × 1,158 (1.02 MB) | Onlysilence (talk | contribs) | User created page with UploadWizard |
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Metadata
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Camera manufacturer | Canon |
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Camera model | Canon PowerShot SD500 |
Exposure time | 1/160 sec (0.00625) |
F-number | f/7.1 |
Date and time of data generation | 15:37, 25 July 2011 |
Lens focal length | 7.7 mm |
File change date and time | 15:37, 25 July 2011 |
Y and C positioning | Centered |
Exif version | 2.2 |
Date and time of digitizing | 15:37, 25 July 2011 |
Meaning of each component |
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Image compression mode | 3 |
APEX shutter speed | 7.3125 |
APEX aperture | 5.65625 |
APEX exposure bias | 0 |
Maximum land aperture | 2.96875 APEX (f/2.8) |
Metering mode | Pattern |
Flash | Flash did not fire, auto mode |
Supported Flashpix version | 1 |
Color space | sRGB |
Focal plane X resolution | 7,211.2676056338 |
Focal plane Y resolution | 7,211.2676056338 |
Focal plane resolution unit | inches |
Sensing method | One-chip color area sensor |
File source | Digital still camera |
Custom image processing | Normal process |
Exposure mode | Auto exposure |
White balance | Auto white balance |
Digital zoom ratio | 1 |
Scene capture type | Standard |