File:Jeff McDonald and Steven McDonald, Redd Kross at Room 205, 2012-11-29.jpg
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[edit]DescriptionJeff McDonald and Steven McDonald, Redd Kross at Room 205, 2012-11-29.jpg |
On this incomparable episode of Room 205, director Tim Manning and cinematographer Ryan Baker used multiple RED Epic and Scarlet-X cameras in unison with more than 20 GoPro HD cameras to capture the smarts, smiles, harmonies, melodies, ripping skills, primary colors, fancy shoes, and hair-spinning showmanship of the truly legendary Redd Kross. (Trust us, making this was bonkers). From the kaleidoscopic, hyper-colored bodega of "Uglier" to the red storm of "Researching The Blues" to the arena-ready white lights of "Pop Show," this is psychedelic power pop at its finest — played by the best.
Redd Kross have always been too good, too perfect, too true, to believe. Mythic. Did they really open for Black Flag? Could Jeff and Steven McDonald really have been born and raised in the Beach Boys' hometown of Hawthorne, California, and did Jeff really see the Beatles live in 1966? Is that really their hair? Could Researching the Blues, their first studio album in 15 years, be the best start-to-finish Redd Kross record ever? Somehow, the answer to all the above is improbably, wonderfully YES. Here's to their beautiful reunion! Redd Kross Forever!
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Room 205 Theme Song
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Author | Incase from San Francisco, USA |
Camera location | 34° 01′ 53.36″ N, 118° 13′ 47.96″ W | View this and other nearby images on: OpenStreetMap | 34.031490; -118.229988 |
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This image, originally posted to Flickr, was reviewed on 24 August 2013 by the administrator or reviewer File Upload Bot (Magnus Manske), who confirmed that it was available on Flickr under the stated license on that date. |
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 19:37, 24 August 2013 | 4,592 × 3,365 (3.95 MB) | File Upload Bot (Magnus Manske) (talk | contribs) | Transferred from Flickr by User:clusternote |
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Metadata
This file contains additional information such as Exif metadata which may have been added by the digital camera, scanner, or software program used to create or digitize it. If the file has been modified from its original state, some details such as the timestamp may not fully reflect those of the original file. The timestamp is only as accurate as the clock in the camera, and it may be completely wrong.
Camera manufacturer | Panasonic |
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Camera model | DMC-GX1 |
Exposure time | 1/125 sec (0.008) |
F-number | f/3.5 |
ISO speed rating | 1,000 |
Date and time of data generation | 14:05, 29 November 2012 |
Lens focal length | 14 mm |
Orientation | Normal |
Horizontal resolution | 72 dpi |
Vertical resolution | 72 dpi |
Software used | QuickTime 7.7.1 |
File change date and time | 21:18, 8 February 2013 |
Exposure Program | Portrait mode (for closeup photos with the background out of focus) |
Exif version | 2.2 |
Date and time of digitizing | 14:05, 29 November 2012 |
Meaning of each component |
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Image compression mode | 4 |
APEX exposure bias | 0 |
Maximum land aperture | 3.61328125 APEX (f/3.5) |
Metering mode | Pattern |
Light source | Unknown |
Flash | Flash did not fire, compulsory flash suppression |
Supported Flashpix version | 1 |
Color space | sRGB |
Sensing method | One-chip color area sensor |
Custom image processing | Normal process |
Exposure mode | Auto exposure |
White balance | Auto white balance |
Digital zoom ratio | 0 |
Focal length in 35 mm film | 28 mm |
Scene capture type | Standard |
Contrast | Normal |
Saturation | Normal |
Sharpness | Normal |