File:Jan van Bijlert - Pulling of the Pretzel - Google Art Project.jpg

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Summary

[edit]
Jan van Bijlert: Pulling the Pretzel  wikidata:Q24060817 reasonator:Q24060817
Artist
Jan van Bijlert  (circa 1597/1598–1671)  wikidata:Q758925 s:nl:Hoofdportaal:Beeldende kunst/Schilderkunst/Nederland/Jan van Bijlert
 
Jan van Bijlert
Alternative names
Aeneas, Jan Harmensz. van Bijlert, Jan Hermansz. van Bijlert, Giovanni Bilardo, Jan van Biler, Jan van Bylaert, Jan van Bylert
Description Dutch painter, drawer and ornamental painter
Date of birth/death 1597 Edit this at Wikidata 1671 Edit this at Wikidata
Location of birth/death Utrecht Edit this at Wikidata Utrecht Edit this at Wikidata
Work period 1624 Edit this at Wikidata–1671 Edit this at Wikidata
Work location
Utrecht, France, Rome (1620-1624), Utrecht (1624-1671)
Authority file
artist QS:P170,Q758925
image of artwork listed in title parameter on this page
Title
Dutch:
Het trekken aan de krakeling Edit this at Wikidata

Pulling the Pretzel
title QS:P1476,nl:"Het trekken aan de krakeling Edit this at Wikidata"
label QS:Lnl,"Het trekken aan de krakeling Edit this at Wikidata"
label QS:Len,"Pulling the Pretzel"
Object type painting Edit this at Wikidata
Genre genre art Edit this at Wikidata
Date between 1630 and 1640
date QS:P571,+1650-00-00T00:00:00Z/7,P1319,+1630-00-00T00:00:00Z/9,P1326,+1640-00-00T00:00:00Z/9
Medium oil on canvas Edit this at Wikidata
Dimensions height: 90.5 cm (35.6 in) Edit this at Wikidata; width: 119 cm (46.8 in) Edit this at Wikidata
dimensions QS:P2048,+90.5U174728
dimensions QS:P2049,+119U174728
institution QS:P195,Q260913
Current location
not on view
Accession number
16463
Place of creation Utrecht
Object history Private collection
institution QS:P195,Q768717
, Germany
from 3 December 1965 until 4 December 1965
date QS:P,+1965-12-00T00:00:00Z/10,P580,+1965-12-03T00:00:00Z/11,P582,+1965-12-04T00:00:00Z/11
: anonymous sale at F. von Artus, Frankfurt (auction house), lot no. 3

1965: acquired by Galerie Heinemann, Wiesbaden

by 1969
date QS:P,+1969-00-00T00:00:00Z/7,P1326,+1969-00-00T00:00:00Z/9
: Galerie Interkunst, Munich

1969: acquired by Kunsthandel G. Cramer, The Hague

1970: purchased by the Centraal Museum, Utrecht, from Kunsthandel G. Cramer, The Hague
Exhibition history

21e Oude Kunst- en Antiekbeurs der Vereeniging van Handelaren in Oude Kunst in Nederland, Museum "Het Prinsenhof", Delft, 26 June 1969–16 July 1969, p. 60.

Keuze uit 10 jaar aanwinsten 1961-1971, Centraal Museum, Utrecht, 23 October 1971–9 January 1972, p. 11, cat. no.  21, ill. 19.

Zoutglazuur, Gemeentemuseum Het Princessehof, Leeuwarden, 1975–1976, no catalogue.

Tot lering en vermaak. Betekenissen van Hollandse genrevoorstellingen uit de zeventiende eeuw, Rijksmuseum, Amsterdam, 16 September 1976–5 December 1976, p. 69-71, cat. no.  11.

Brood. Geschiedenis van het broodgebruik in Nederland, Museum Boymans-van Beuningen, Rotterdam, 2 October 1983–14 November 1983, p. 83, 110, cat. no.  322.

El Siglo de Rembrandt, Museo del Prado, Madrid, October 1985–January 1986, ISBN 8474834287, p. 54, cat. no.  10.

Christian IV and Europe. The 19th Art Exhibition of the Council of Europe, Denmark 1988, Frederiksborgmuseet, Hillerød, Kronborg Castle, Helsingør, Rosenborg, Copenhagen, Nationalmuseet, Copenhagen, Kobberstiksamlingen, Copenhagen, Statens Museum for Kunst, Copenhagen, Tøjhusmuseet, Copenhagen, Rundetårn, Copenhagen, Koldinghus, Kolding, Århus Kunstmuseum, Aarhus, 30 March 1988–25 September 1988, ISBN 8798284320, p. 307, cat. no.  1001.

La pintura holandesa del siglo de oro. La escuela de Utrecht, Banco Bilbao Vizcaya, Madrid, Banco Bilbao Vizcaya, Bilbao, Banco Bilbao Vizcaya, Barcelona, October 1992–February 1993, ISBN 8486022681, p. 82-83, cat. no.  8.

De keuze van Simon Levie. Oude meesters in de collectie van het Centraal Museum, Centraal Museum, Utrecht, 17 June 1995–10 September 1995, no catalogue.

Het Huis van Bloemaert, Centraal Museum, Utrecht, 15 March 1996–28 April 1996, no catalogue.

Hoorn des overvloeds. Zeven eeuwen eten & drinken in de kunst, Rijksmuseum Twenthe, Enschede, 5 October 2002–12 January 2003, ISBN 9789040087332, p. 12-13.

Spreken is zilver, kijken is goud. Spreekwoorden en gezegden, van Bruegel de Oude tot Freek de Jonge, Category:Noordbrabants Museum, 's-Hertogenbosch, 29 April 2006–29 September 2006.

Maria Elisabeth Houtzager, spraakmakende directrice, Centraal Museum, Utrecht, 13 October 2012–25 August 2013, no catalogue.

De ommuurde stad. Geschiedenis van een stadsverdediging, Centraal Museum, Utrecht, 12 September 2020–17 January 2021.
Inscriptions

Signature top left:

Jv bijlert · fe
Notes

Liesbeth M. Helmus (1999) De verzamelingen van het Centraal Museum Utrecht. 5 Schilderkunst tot 1850, Utrecht: Centraal Museum, ISBN 90-73285-61-5, vol. A, p. 234-237, cat. no.  32, as Het trekken aan de krakeling, 1630-1640.

Liesbeth M. Helmus (1999) De verzamelingen van het Centraal Museum Utrecht. 5 Schilderkunst tot 1850, Utrecht: Centraal Museum, ISBN 90-73285-61-5, vol. B, p. 616-617, cat. no.  32, as Het trekken aan de krakeling, 1630-1640.

Centraal Museum online catalogue, as Het trekken aan de krakeling, 1630-1640.

RKDimages, Art-work number 105481, as Viertal mensen met krakelingen, circa 1630
date QS:P,+1630-00-00T00:00:00Z/9,P1480,Q5727902
(1625-1635) Google Arts & Culture, as Pulling of the Pretzel, circa 1630-1640.
References
Source/Photographer artsandculture.google.com : Home : Info
Other versions
File:Foursome, eating pretzels.jpg
Version from Jo de Meyere (2006) Utrechtse schilderkunst in de Gouden Eeuw. Honderd schilderijen uit de collectie van het Centraal Museum te Utrecht

Licensing

[edit]
This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
Public domain

The author died in 1671, so this work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer.

This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.

This file has been identified as being free of known restrictions under copyright law, including all related and neighboring rights.
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details.
Annotations
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