File:Jabalia 20.jpg
Original file (2,592 × 1,944 pixels, file size: 1.29 MB, MIME type: image/jpeg)
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Summary
[edit]DescriptionJabalia 20.jpg |
English: Ground Zero
Tuesday 20th January, 2009
As we made our way up the hill through the orange grove beyond the professor's house, we encountered evidence of where tanks had been positioned - churned up ground, tank tracks, uprooted olive trees. At the top of the hill, from where the Green Line was clearly visible, we began to see homes which had been totally destroyed, several stories concertinaed. Families sat together on the rubble of their homes. Children collected firewood from the dismembered limbs of fruit trees. At first it seemed as though it was 'just' a cluster of ten or fifteen destroyed houses, which would have been bad enough in its own right. However, as we continued walking it became apparent that the devastation extended into the next street and the next, more and more destroyed and damaged homes following one another. This entire neighbourhood on this easternmost edge of Jabalia had been virtually wiped off the face of the earth. It resembled the site of some massive natural disaster. However this ground zero was entirely man-made. The gouged-out windows of some of the homes still standing were filled with dark green sand bags. This was a sign these houses had been used by the Israelis as sniper positions. One could barely imagine how the situation must have been in this neighbourhood when it was under attack. We met a blind woman who had been held prisoner for 11 days in one room of her home, along with a paralysed man, whilst Israeli soldiers used it as a base. Terrified and expecting to be killed at any time, they were given water twice during their ordeal. When the Red Crescent evacuated them, the woman said she could finally breathe for the first time since the soldiers arrived. The walls had been daubed with Hebrew graffiti, empty plastic food trays were strewn around and the stairway stank of urine. In the wake of a Gazan holocaust, thousands of people are finding themselves in truly desperate situations. A traumatized but resilient population is somehow beginning to pick up the pieces. Merely continuing to exist is a form of resistance.
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Date | |
Source | https://www.flickr.com/photos/rafahkid/3224342639/ |
Author | RafahKid Kid |
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This image was originally posted to Flickr by rafahkid at https://flickr.com/photos/30147108@N06/3224342639. It was reviewed on 9 May 2021 by FlickreviewR 2 and was confirmed to be licensed under the terms of the cc-by-sa-2.0. |
9 May 2021
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current | 23:21, 9 May 2021 | 2,592 × 1,944 (1.29 MB) | Garcia1865 (talk | contribs) | Uploaded a work by RafahKid Kid from https://www.flickr.com/photos/rafahkid/3224342639/ with UploadWizard |
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Metadata
This file contains additional information such as Exif metadata which may have been added by the digital camera, scanner, or software program used to create or digitize it. If the file has been modified from its original state, some details such as the timestamp may not fully reflect those of the original file. The timestamp is only as accurate as the clock in the camera, and it may be completely wrong.
Camera manufacturer | FUJIFILM |
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Camera model | FinePix S5600 |
Exposure time | 1/250 sec (0.004) |
F-number | f/3.3 |
ISO speed rating | 200 |
Date and time of data generation | 00:06, 20 January 2008 |
Lens focal length | 16.7 mm |
Orientation | Normal |
Horizontal resolution | 72 dpi |
Vertical resolution | 72 dpi |
Software used | Digital Camera FinePix S5600 Ver1.00 |
File change date and time | 00:06, 20 January 2008 |
Y and C positioning | Co-sited |
Exposure Program | Normal program |
Exif version | 2.2 |
Date and time of digitizing | 00:06, 20 January 2008 |
Meaning of each component |
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Image compression mode | 2 |
APEX shutter speed | 8.08 |
APEX aperture | 3.4 |
APEX brightness | 5.87 |
APEX exposure bias | 0 |
Maximum land aperture | 3.4 APEX (f/3.25) |
Metering mode | Pattern |
Light source | Unknown |
Flash | Flash did not fire, auto mode |
Supported Flashpix version | 1 |
Color space | sRGB |
Focal plane X resolution | 4,442 |
Focal plane Y resolution | 4,442 |
Focal plane resolution unit | 3 |
Sensing method | One-chip color area sensor |
File source | Digital still camera |
Scene type | A directly photographed image |
Custom image processing | Normal process |
Exposure mode | Auto exposure |
White balance | Auto white balance |
Scene capture type | Standard |
Sharpness | Normal |
Subject distance range | Unknown |