File:Gisleni Monument of the heart of Marie Louise Gonzaga.jpg

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Giovanni Battista Gisleni: Design for monument of the heart of Marie Louise Gonzaga.   (Wikidata search (Cirrus search) Wikidata query (SPARQL)  Create new Wikidata item based on this file)
Artist
Giovanni Battista Gisleni  (1600–1672)  wikidata:Q1334589
 
Giovanni Battista Gisleni
Alternative names
Jan Baptysta Gisleni, Gislenius, Ghisleni
Description Italian architect and decorator
Date of birth/death 1600 Edit this at Wikidata 3 May 1672 Edit this at Wikidata
Location of birth/death Rome Edit this at Wikidata Rome Edit this at Wikidata
Work period 1620 Edit this at Wikidata–1672 Edit this at Wikidata
Work location
Warsaw (1630-1668), Rome (1668-1672)
Authority file
artist QS:P170,Q1334589
Title
Design for monument of the heart of Marie Louise Gonzaga.
label QS:Len,"Design for monument of the heart of Marie Louise Gonzaga."
label QS:Lpl,"Projekt pomnika na serce Ludwiki Marii Gonzagi."
label QS:Lfr,"Etude pour un monument du cœur de Marie-Louise de Gonzague."
Date circa 1667
date QS:P571,+1667-00-00T00:00:00Z/9,P1480,Q5727902
Medium ink on paper
medium QS:P186,Q127418;P186,Q11472,P518,Q861259
Sächsische Hauptstaatsarchiv (Saxon Main State Archive)
Current location
Dresden
Object history 1667: commissioned by John II Casimir Vasa, Warsaw
Notes A drawing from the so called Gaetano Chiavari Sketchbook, folio 53. Monument of the heart of Marie Louise Gonzaga was commissioned by the King to be placed in the Visitations Church in Warsaw. The monument was made of silver and during the Kościuszko Insurrection in 1794 it was bequested by the nuns to the National Treasury and melted for coinage. According to the oldest description preserved in a book printed in 1848, the final monument depicted two angels carrying the heart with two other angels above holding a crown with laurel wreath. Below there was a coffin with Polish eagles and coat of arms. All was covered with royal mantle formed as a tent.
Source/Photographer Mariusz Karpowicz (1987). Uwagi o aplikacjach na obrazy i o roli sreber w dawnej Rzeczypospolitej in: Rocznik Historii Sztuki. Vol. 16, Pic. 19, p. 1149-150, 153

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