File:Conor Simpson (director of photography) & Tamarra Younis (set designer) - Com Truise, Room 205, 2012-11-05.jpg
Original file (3,163 × 2,140 pixels, file size: 2.89 MB, MIME type: image/jpeg)
Captions
Summary
[edit]DescriptionConor Simpson (director of photography) & Tamarra Younis (set designer) - Com Truise, Room 205, 2012-11-05.jpg |
To capture this beautifully lit, wantonly nostalgic ode to "the past's future" with electronic artist Com Truise, we collaborated with director Babak Khoshnoud and producer Will Abramson of SF-based performance series Yours Truly. If you enjoy the sounds of 80s-era video games, Miami Vice vibes, pyramid power, ponderous night lurking, vacant industrial spaces, and serious hands-on synth skills, then you've come to the right spot on the internet. We dedicate this slow, hazy banger of an episode to future-primitives everywhere.
Com Truise is just one of the many personas of producer Seth Haley, born and raised in upstate New York. An admitted analog synth obsessive, Com Truise is the maker of an experimental and bottom-heavy style he calls “mid-fi synth-wave, slow-motion funk.” While subliminally informed by parental record collections and hints of faded electronics product design, Com Truise isn’t merely nostalgia capitalization. Within it you'll hear fragmented DNA strands of Joy Division, New Order and Cocteau Twins, but it’s like you’re hearing them through the motherboard of a waterlogged video game console—-demented, hand-smeared and modern.
Video
Photos Music
Executive Producer
Producer
Associate Producer
Director & Editor
Director of Photography
Set Designer
Production Assistant
Audio Engineer
Camera
Photos
Performing Artist
Label
Publicity
Room 205 Theme Song
|
Date | |
Source |
Conor Simpson & Tamarra Younis
|
Author | Incase from San Francisco, USA |
Licensing
[edit]- You are free:
- to share – to copy, distribute and transmit the work
- to remix – to adapt the work
- Under the following conditions:
- attribution – You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.
This image, originally posted to Flickr, was reviewed on 6 October 2013 by the administrator or reviewer File Upload Bot (Magnus Manske), who confirmed that it was available on Flickr under the stated license on that date. |
File history
Click on a date/time to view the file as it appeared at that time.
Date/Time | Thumbnail | Dimensions | User | Comment | |
---|---|---|---|---|---|
current | 05:58, 6 October 2013 | 3,163 × 2,140 (2.89 MB) | File Upload Bot (Magnus Manske) (talk | contribs) | Transferred from Flickr by User:clusternote |
You cannot overwrite this file.
File usage on Commons
There are no pages that use this file.
Metadata
This file contains additional information such as Exif metadata which may have been added by the digital camera, scanner, or software program used to create or digitize it. If the file has been modified from its original state, some details such as the timestamp may not fully reflect those of the original file. The timestamp is only as accurate as the clock in the camera, and it may be completely wrong.
Camera manufacturer | Apple |
---|---|
Camera model | iPhone 4S |
F-number | f/2.4 |
ISO speed rating | 320 |
Date and time of data generation | 19:07, 5 November 2012 |
Lens focal length | 4.28 mm |
User comments | Camera+ recipe?
? scene: Clarity ? crop: Freeform ? effect: ?70s |
Orientation | Normal |
Horizontal resolution | 72 dpi |
Vertical resolution | 72 dpi |
Software used | QuickTime 7.7.1 |
File change date and time | 21:23, 6 February 2013 |
Exposure Program | Normal program |
Exif version | 2.2 |
Date and time of digitizing | 19:07, 5 November 2012 |
Meaning of each component |
|
APEX shutter speed | 4.3219284603421 |
APEX aperture | 2.5260691271236 |
APEX brightness | 1.0778776208815 |
Metering mode | Pattern |
Flash | Flash did not fire, compulsory flash suppression |
Supported Flashpix version | 1 |
Color space | sRGB |
Sensing method | One-chip color area sensor |
Exposure mode | Auto exposure |
White balance | Auto white balance |
Focal length in 35 mm film | 35 mm |
Scene capture type | Standard |
Sharpness | Normal |