File:Claudette Colbert-Patric Knowles in Three Came Home.jpg

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Claudette_Colbert-Patric_Knowles_in_Three_Came_Home.jpg (500 × 447 pixels, file size: 75 KB, MIME type: image/jpeg)

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Description
English: Promotional photograph of Claudette Colbert & Patric Knowles for Three Came Home
Date
Source http://www.premiere.fr/Cinema/Photos-film/Photos-acteur/Captives-a-borneo/CAPTIVES-A-BORNEO-THREE-CAME-HOME-1949
Author unknown (20th Century Fox)
Permission
(Reusing this file)		 american film in the public domain
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Image extraction process

This file has multiple extracted images:
  • As stated by film production expert Eve Light Honthaner in The Complete Film Production Handbook, (Focal Press, 2001 p. 211.):
"Publicity photos (star headshots) have traditionally not been copyrighted. Since they are disseminated to the public, they are generally considered public domain, and therefore clearance by the studio that produced them is not necessary."
  • Nancy Wolff, includes a similar explanation:
"There is a vast body of photographs, including but not limited to publicity stills, that have no notice as to who may have created them." (The Professional Photographer's Legal Handbook By Nancy E. Wolff, Allworth Communications, 2007, p. 55.)
  • Film industry author Gerald Mast, in Film Study and the Copyright Law (1989) p. 87, writes:
"According to the old copyright act, such production stills were not automatically copyrighted as part of the film and required separate copyrights as photographic stills. The new copyright act similarly excludes the production still from automatic copyright but gives the film's copyright owner a five-year period in which to copyright the stills. Most studios have never bothered to copyright these stills because they were happy to see them pass into the public domain, to be used by as many people in as many publications as possible."
  • Kristin Thompson, committee chairperson of the for Cinema and Media Studies writes in the conclusion of a 1993 conference with cinema scholars and editors, that they "expressed the opinion that it is not necessary for authors to request permission to reproduce frame enlargements. . . [and] some trade presses that publish educational and scholarly film books also take the position that permission is not necessary for reproducing frame enlargements and publicity photographs."[1]

Licensing

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Public domain
This work is in the public domain because it was published in the United States between 1929 and 1963, and although there may or may not have been a copyright notice, the copyright was not renewed. For further explanation, see Commons:Hirtle chart and the copyright renewal logs.
Note that it may still be copyrighted in jurisdictions that do not apply the rule of the shorter term for US works (depending on the date of the author's death), such as Canada (70 years p.m.a.), Mainland China (50 years p.m.a., not Hong Kong or Macao), Germany (70 years p.m.a.), Mexico (100 years p.m.a.), Switzerland (70 years p.m.a.), and other countries with individual treaties.

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Date/TimeThumbnailDimensionsUserComment
current23:09, 27 April 2014Thumbnail for version as of 23:09, 27 April 2014500 × 447 (75 KB)Baile~commonswiki (talk | contribs)better version of same source
23:04, 27 April 2014Thumbnail for version as of 23:04, 27 April 2014591 × 620 (215 KB)Baile~commonswiki (talk | contribs)better version of same subject
08:28, 4 August 2010Thumbnail for version as of 08:28, 4 August 2010406 × 500 (39 KB)Patrick CecilF (talk | contribs){{Information |Description={{en|1=Claudette Colbert & Patric Knowles in ''Three Came Home'' - promotional image}} |Source=http://www.premiere.fr/Cinema/Photos-film/Photos-acteur/Captives-a-borneo/CAPTIVES-A-BORNEO-THREE-CAME-HOME-1

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