File:Christ Emmanuel by Kremlin workshops (1680s, GIM).jpg

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Икона «Спас Эммануил» Москва. Оружейная палата, 1680-е гг.

Небесные Силы и держава в руках напоминают западную иконографию Спасителя Мира, однако изображение Эммануила, юного Христа, не характерное для Запада, встречается лишь в византийской традиции и обозначает евхаристического (в данном случае) и апокалипсического Агнца, который являлся символом последнего времени. Обращает на себя внимание портретное сходство между образом Спаса Эммануила и парсуной Федора Алесксеевича.

Уникальную технику, в которой выполнено произведение, называемую обычно аппликацией на деревянную основу, можно отнести к декупажу (фр. decouper – вырезать). Эта декоративная техника заключается в скрупулезном вырезании изображений из различных материалов (дерева, кожи, тканей, бумаги и т. п.), которые затем наклеиваются или прикрепляются иным способом на различные поверхности для декорирования. В России такая техника до XVII века не была известна, ее привезли в Оружейную палату западные художники.
Date 1680s
date QS:P,+1680-00-00T00:00:00Z/8
Source https://www.facebook.com/historyRF/photos/a.129239290445327.10133.126013167434606/723208537715063/?type=3&theater
Author
Anonymous Russian icon painter (before 1917)
Public domain image (according to PD-RusEmpire)

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current10:57, 1 August 2016Thumbnail for version as of 10:57, 1 August 2016700 × 831 (130 KB)Shakko (talk | contribs){{Information |Description=Икона «Спас Эммануил» Москва. Оружейная палата, 1680-е гг. Небесные Силы и держава в руках напоминают западную иконографию С...

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