File:BoyceBinsey1862.jpg
BoyceBinsey1862.jpg (508 × 361 pixels, file size: 79 KB, MIME type: image/jpeg)
Captions
Summary
[edit]George Price Boyce: At Binsey, near Oxford | |||||||||||||||||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Artist |
artist QS:P170,Q1377089 |
||||||||||||||||||||||||
Title |
At Binsey, near Oxford |
||||||||||||||||||||||||
Object type | painting / watercolor painting | ||||||||||||||||||||||||
Genre | landscape painting | ||||||||||||||||||||||||
Description |
English: Boyce studied architecture on the Continent. A fortuitous meeting with David COX at Bettws-y-Coed in 1849 encouraged him to take up landscape painting. From 1851 to 1875 Boyce kept a diary (extracts published in O.W.S. Club Vol.XIX, 1941) which gives us intimate pictures of RUSKIN, MILLAIS, Holman HUNT, William Morris (1834-96), Algernon Swinburne (1837-1909), WHISTLER and, above all, ROSSETTI. The meticulous style of Boyce’s painting was clearly influenced by the Pre-Raphaelites. The Tate exhibition catalogue by Christopher Newall and Judy Egerton quotes Staley’s opinion that this is a very good example of ‘the sense of intimacy’ which Boyce gives his subjects by restricting the space he allows them. EJ/CB |
||||||||||||||||||||||||
Date |
September 1862 date QS:P571,+1862-09-00T00:00:00Z/10 |
||||||||||||||||||||||||
Medium | watercolor and ink on paper | ||||||||||||||||||||||||
Dimensions | 31.1 × 53.7 cm (12.2 × 21.1 in) | ||||||||||||||||||||||||
Collection | Trustees of the Cecil Higgins Art Gallery, Bedford | ||||||||||||||||||||||||
Accession number |
P.188 |
||||||||||||||||||||||||
Object history | Bought from the artist by J. Stewart Hodgson 1863; Robert Frank; Marquess of Sligo; P&D Colnaghi, from whom purchased by Gallery, April 1958. | ||||||||||||||||||||||||
Exhibition history |
Paris Universal Exhibition, 1867, no.8; OWCS Summer Exhibition, 1864, no.106; George Price Boyce, London, Tate Gallery, 1987, no.35; Victorian Painting, Munich, Neue Pinakothek Museum and Madrid, The Prado, 1993, no.57. |
||||||||||||||||||||||||
Inscriptions |
Signature and date: G.P.Boyce Sep.1862
|
||||||||||||||||||||||||
References |
A. Staley, The Pre-Raphaelite Landscape, 1973, p.109, pl.55b; G. Grigson, Britain Observed, 1975, p.138, pl.99; G. Reynolds, English Watercolours, 1988, pl.110; J. Treuherz, Victorian Paintings, 1993, pp.91-2, pl.61. |
||||||||||||||||||||||||
Source/Photographer | https://web.archive.org/web/20110617002741/http://www.cecilhigginsartgallery.org/paintings/boyceb.htm |
Licensing
[edit]
This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details. |
File history
Click on a date/time to view the file as it appeared at that time.
Date/Time | Thumbnail | Dimensions | User | Comment | |
---|---|---|---|---|---|
current | 21:20, 2 April 2007 | 508 × 361 (79 KB) | Madmedea (talk | contribs) | {{Information |Description= A"t Binsey, near Oxford" (1862) by George Price Boyce, watercolour and ink on paper, 31.1 x 53.7 cm. |Source= http://www.cecilhigginsartgallery.org/paintings/boyceb.htm |Date= 2 April 2007 |Author= Cecil Higgins Art Gallery tru |
You cannot overwrite this file.
File usage on Commons
The following page uses this file:
File usage on other wikis
The following other wikis use this file:
- Usage on arz.wikipedia.org
- Usage on en.wikipedia.org
- Usage on fr.wikipedia.org
- Usage on he.wikipedia.org
- Usage on it.wikipedia.org
- Usage on ja.wikipedia.org
- Usage on pl.wikipedia.org
- Usage on ru.wikipedia.org
- Usage on www.wikidata.org
Metadata
This file contains additional information such as Exif metadata which may have been added by the digital camera, scanner, or software program used to create or digitize it. If the file has been modified from its original state, some details such as the timestamp may not fully reflect those of the original file. The timestamp is only as accurate as the clock in the camera, and it may be completely wrong.
_error | 0 |
---|