File:Architect and engineer (1947) (14765122675).jpg

Identifier: architectenginee16847sanf (find matches)
Title: Architect and engineer
Year: 1905 (1900s)
Authors:
Subjects: Architecture Architecture Architecture Building
Publisher: San Francisco : Architect and Engineer, Inc
Contributing Library: San Francisco Public Library
Digitizing Sponsor: San Francisco Public Library

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d Hassel Smith, theformer an Easterner and the latter a San Fran-ciscan, had a number cf pointed remarks to makeabout the New York art market in their contribu- tions to a symposium recently conducted by theassociation. Smith was especially acidulous in his views.New York has grown like a sponge, soaking upthe cultural and economic life of the country andgiving little in return. Such was the substance ofhis comments. If New York is to become the cultural capitalof the United States, in the way that Paris, for ex-ample, is the cultural capital of Europe, then NewYork must come to serve the countrys culturallife rather than to demand that it be continuallyserved by that culture, is the way Smith sums uphis position. Refregier, on the other hand, while not exonerat-ing New York of all guilt, thinks that Westernersthemselves have emphasized New Yorks domi-nance in art by waiting until its stamp of approvalhas been put on Western artists before buyingtheir works. AS IT WAS IN THE BEGINNING
Text Appearing After Image:
/holograph by Philip Knight, Caiijornia School oj Fiiu Arts A portion of the Gallery exhibition, As It Was In The Beginning, recently shown at theCalifornia School of Fine Arts. The exhibit, through original drawings, pain.ir.gs andprints, documents and photographs, recreated the early days of the Schccl s cxic.er.cein the seventies, eighties and nineties. ARCHITECT AND ENGINEER . . IVEWS AND CDMMEIVT UN ART MEXICAN SOLDIERS One of three oils by the late Mexican painter, AlfredoRamos Martinez, now a part of the Museums Albert M.Bender Collection. There are also five drawings, onedone very effectively on newsprint paper. Martinez personality and -work were of importance in theearly development of Mexican painting since he, ■withRivera, Dr. Atl and Montenegro, was sent to study Frenchpainting, the Barbizon School and Impressionism at gov-ernment expense. The knowledge he gained v/as thenapplied to the San Carlos Academy, headquarters for allart training in Mexico. Seventy-five per cen

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