File:新疆青年歌舞团访问团8.jpg

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新疆青年歌舞团访问团8.jpg (400 × 402 pixels, file size: 71 KB, MIME type: image/jpeg)

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中文：塔斯帕拉提和哈里达在维族古舞曲中之舞姿。

抗战胜利后，张治中三次进新疆，初步稳定了新疆局势，维护了国家的统一。就在这样的背景下，一九四七年九月，新疆组成青年歌舞访问团，赴南京表演，以昭示民族的团结。

新疆青年歌舞访问团近六十十人，男女团员各半。于二十五日、二十六日分两批到达南京大校场机场。团长艾莎、副团长伊兹及辅导员潘丰于三周前先期来宁布置。新疆青年歌舞访问团演员们一下飞机就受到热烈欢迎，尤其年轻美丽的女演员，虽然一路风尘，依然神韵照人。其中一个年仅十一岁的小演员特别受到瞩目，被欢迎人们和记者团团围住问长问短。

新疆青年歌舞访问团团员全部下榻介寿堂（位置在南京洪武路正洪街，即今“工人文化宫”内）二十六日晚，张治中、于右任、邵力子和白崇禧等民国要人为他们设宴洗尘。十月十一日起，新疆青年歌舞访问团在南京新街口大华戏院正式公演。让看惯香艳大腿舞，听惯郎呀妹呀的南京人耳目一新，演员们高超的舞技、歌喉，引起南京人的轰动。当时各报均以大量篇幅报道了这次演出时的盛况。戴爱莲、梅兰芳以及许多文艺界知名人士观看了该团的演出，并给予极高评价。其间，蒋介石观看了演出，宋美龄也专门接见了歌舞团的演员，并合影留念。

演出节目里最具代表性的舞蹈如单人舞《莫斯克拉特》、《乌夏克》、《木乃加提》、《加扎依尔》、《乌斯满尼亚》；双人舞《凝视你的黑眉毛》、《塞依利玛》；群舞《萨巴》、《爱人美如花》、《在树上看见你》、《申姆夏姆》；独唱、合唱《恋歌》、《我的同伴》、《我们去吧》、《美丽的姑娘》等二十一个歌舞节目。他们用歌舞歌颂爱情、赞美历史、表现生活，一扫当时多愁多病、扭捏作态的靡靡之风，且水平之高，感染力之强，引起南京观众的普遍赞誉，南京各报均以大量篇幅报道了这次演出时的盛况。

演员中维吾尔族女舞蹈家康巴尔汗以妩媚庄重、潇洒俊逸、轻盈流畅的舞姿，倾倒了无数观众，被南京观众誉为“维族之花”、“新疆的梅兰芳”。康巴尔汗当年二十六岁，其丈夫拉亦姆亦随之前来。据说康巴尔汗曾被人抢掠，年青英勇的拉亦姆手握双枪，跃马飞驰数十里救下康巴尔汗，成就了他们这段姻缘。不久，新疆青年歌舞访问团去上海、台湾演出，便离开了南京。（见http://blog.sina.com.cn/s/blog_4adea43d01011doj.html）
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current13:42, 2 October 2016Thumbnail for version as of 13:42, 2 October 2016400 × 402 (71 KB)Sgsg (talk | contribs){{Information |Description ={{zh|1=塔斯帕拉提和哈里达在维族古舞曲中之舞姿。 抗战胜利后，张治中三次进新疆，初步稳定了新疆局势，维护了国家的统一。就在这样的背景下，一九四七年九月...

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