File:The Cockpit (BM 1868,0822.1618 1).jpg
Original file (1,600 × 1,336 pixels, file size: 627 KB, MIME type: image/jpeg)
Captions
Summary
[edit]The Cockpit ( ) | ||||||||||||||||||||||||
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Title |
The Cockpit |
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Description |
English: Interior of the Cockpit on the south side of St James's Park with two fighting cocks in the pit and forty male spectators ranging from a sow-gelder, a butcher, a black footman, coachmen and a sweep to the blind Lord Albermarle Bertie (in the centre); on the wall to right, a framed picture of a stout woman, lettered "Nan Rawlings", seated with a cock on her lap; below, a representation of a silver admission ticket. 1759
Etching and engraving |
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Depicted people | Portrait of: Lord Albemarle Bertie | |||||||||||||||||||||||
Date |
1759 date QS:P571,+1759-00-00T00:00:00Z/9 |
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Medium | paper | |||||||||||||||||||||||
Dimensions |
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Collection |
institution QS:P195,Q6373 |
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Current location |
Prints and Drawings |
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Accession number |
1868,0822.1618 |
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Notes |
For an identical silver admission ticket inscribed on the reverse with the name "Lord Milton", see S. O'Connell, London 1753 (2003), no.5.23 Although the scene is usually assumed to be set in the Royal Cock Pit to the south of St James's Park, Westminster, the commentary on the print in The Sporting Magazine, vol. 10 (1797) describes it as taking place at Newmarket where, it is stated, Nan Rawlings, was "a famous cock-feeder" (information from Arthur MacGregor). |
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Source/Photographer | https://www.britishmuseum.org/collection/object/P_1868-0822-1618 | |||||||||||||||||||||||
Permission (Reusing this file) |
© The Trustees of the British Museum, released as CC BY-NC-SA 4.0 | |||||||||||||||||||||||
Other versions |
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Licensing
[edit]This image is in the public domain because it is a mere mechanical scan or photocopy of a public domain original, or – from the available evidence – is so similar to such a scan or photocopy that no copyright protection can be expected to arise. The original itself is in the public domain for the following reason:
This tag is designed for use where there may be a need to assert that any enhancements (eg brightness, contrast, colour-matching, sharpening) are in themselves insufficiently creative to generate a new copyright. It can be used where it is unknown whether any enhancements have been made, as well as when the enhancements are clear but insufficient. For known raw unenhanced scans you can use an appropriate {{PD-old}} tag instead. For usage, see Commons:When to use the PD-scan tag. Note: This tag applies to scans and photocopies only. For photographs of public domain originals taken from afar, {{PD-Art}} may be applicable. See Commons:When to use the PD-Art tag. |
File history
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 19:34, 11 May 2020 | 1,600 × 1,336 (627 KB) | Copyfraud (talk | contribs) | British Museum public domain uploads (Copyfraud/BM) Prints by William Hogarth in the British Museum 1759 image 2 of 3 #1,048/1,429 |
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Metadata
This file contains additional information such as Exif metadata which may have been added by the digital camera, scanner, or software program used to create or digitize it. If the file has been modified from its original state, some details such as the timestamp may not fully reflect those of the original file. The timestamp is only as accurate as the clock in the camera, and it may be completely wrong.
Date and time of digitizing | 12:59, 13 October 2006 |
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File change date and time | 12:59, 13 October 2006 |
Date metadata was last modified | 12:59, 13 October 2006 |
Software used | Adobe Photoshop Elements 3.0 Windows |